Some Guidelines for Photographing a Community

To think about if you’re photographing a neighborhood:

What does the community look like in a general sense?

Character of streets, condition of housing, signs, stores

What are the components of the neighborhood, public spaces, religious institutions, commercial areas – restaurants, businesses, schools

Who lives there? Who works there? Is it homogeneous? Are there different subcultures? Is it permanent, transient. Photograph the range of people to be seen

What kinds of daily cycles go on? Show the flow of people and activities.

Is this community in transition? How is it changing? What is not changing? Are people, businesses moving in/out?

Get to know some people who can be hook into the community. Take notes. LISTEN and OBSERVE carefully. When and if you get to know different members of the community, work from the outside/in, from the public to the private, from the formal to the informal. Be sensitive and don’t in any way express criticism of what you’re seeing.

More to come on photographing different communities, not neighborhoods.

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Info for next assignment – Photographing a Commuity

First of all, please send me emails with descriptions of your topics. If you need till Fri night, early Sat to think through your choice, you can have that time. But you’ll need to be photographing during the weekend so that you have 10 pix (work in progress) for Wed.

I’ve compiled a list of websites for you to consult. Look at these sites to get ideas as to how both professional and serious student photographers are working on photo essays.

http://luceoimages.com

http://matteichphoto.com/enter

http://www.burnmagazine.org/category/essays

100 eyes

Digital Journalist

Fraction Magazine and Fraction J

Larry Trowell – Look at his work on the Mennonites

Lens – New York Times photoblog

MediaStorm

Verve Photo

Your Photo Tips

Visa pour l’image

zReportage

37th frame

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Environmental Portrait of a Business Man

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Environmental Portrait of a Burlesque Performer

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Environmental by JMadorskaya

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Environmental Portraits

This shoot portrays how the subject’s religious beliefs play a part on aspects of their life even though they remain an ordinary person.

Essay:

For this shoot I chose to study a friend, her name is Imani Randall. Initially I was drawn to focusing on her demeanor and obscurity. As I began shooting her in her nurse’s uniform, a special uniform required for the nursing ministry in some churches, mainly protestant ones, in which their primary concern is the care of the clergy, I realized her religious beliefs were the determining factor in most aspects of her life. As I continued to shoot, I realized the extent to which her religious beliefs influenced her life and what an important role her spirituality served in her life. As I sought to explore the different aspects of this, I also learned that I had many obstacles such as not being allowed to photograph her church and her family’s refusal to partake in the shoot. I decided to think about it in a different way.

My shoot therefore attempts to depict that her spirituality is both cultural and personal. It influences everything from the way she is perceived to her view on social issues. She takes great pride in her Christian upbringing even though she does at times feel a bit out of place because of it. I wanted to highlight the fact that even though she is a very devout Christian who dedicates much of her time to the church, she is also an ordinary young woman.

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Faces

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Street Fairs



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A Teenagers Dependency on Technology

My environmental pictures are about a teenager’s dependency on technology.  I followed my fiancée’s teenage daughter, Cynthia, for a day only to discover how extraordinary that she cannot go two minutes without using her phone to text and “Facebook” her friends.  I asked her if she could go a whole day without looking at it and she said no.

She woke at 6am for school and within 10 minutes she was on the phone gossiping or texting someone.  Who in their right mind does that at 6am?!?!  Before we even got out the door, she was on Facebook.  To and from school, the phone was in her hand ready for a quick reply when needed.  After school, Cynthia stopped at a friend’s house for a bit where she actually put down the phone only to pick up a guitar and play rock band.  When we got home, while laying in bed she can be seen and heard communicating via her phone.

Even when Cynthia had the computer to do homework, the phone was in constant use.  Only when she fell asleep studying did the phone get put down.  Funny enough, just after I took the picture of her sleeping, the phone buzzed and still half asleep, Cynthia replied then went back to sleep.  In the evening while still watching TV, the noise of her fingers pressing the buttons on the phone continued until it was time to sleep.

Posted in Assignment Three - Environmental Portrait | 229 Comments

Working with Automotives

Essay:

Approaching this project, I wanted to shoot my friend, Shin Lin. As he works on motorcycles and scooters in his spare time, he takes his work seriously. When I initially started shooting, I thought the pictures would reflect more on his actual taking apart and working on the machines. But being in the atmosphere and trying to shoot, brought out a different side of the work, particularly his working environment and the limitations he faces.

As his workspace is shared with his father, the different tasks he can do within the confines are limited. This pushed me to fine different angles and perspectives while shooting so that each frame was not too similar. I aimed to show his level of concentration to his work as he deals with limitations he can not control.

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