My work is usually a combination of either pieces that I spend long hours on or pieces I spend less than ten minutes on, infrequently, in between. But the amount of time I spend contributes to the two different techniques I have. For the long hours I devote, my technique is a reflection of the contemporary world and the environment I am exposed to. Where as, the small amount of time, is the indication of abstraction or the ability to construct without a particular idea or thought.
The mediated arts is most intriguing, to me. Therefore, all of my work would either be on a device of some form or digitally enhanced into a physical object.
A lot of my inspiration is a result of what I have been around. For instance, my current work would reflect the city and the experiences it has given me. It’s an inspiration in the sense that everything that makes up the city has in a way helped me shape my work. The city gives me a perspective on people, on objects, on the streets and so on, and this is simply what is conveyed in my work. What I think is provocative is what I put out, not just provocative in the general sense where there is an aesthetic pleasure but rather a room for multiple interpretations. Everything I do has a particular concept, but the reason it is so abstract is because of the possibility of many ways of elucidating it. There is, therefore, a takeover of the actuality by the virtual reality or a vast imagination.
My intention with my work would be to grant my viewers the ability to enjoy what they are seeing in the light of present day while being able to have a free conception of what they are truly looking at.