Cultural Displacement and Its Relationship with Agrarian Reform: the MST and “Paraíso Negro”

By Isabella Bonilla

The relationship between land and culture is one that has been studied and reviewed but time and time again merits critical attention. With our area of study being the Afro-Latinx experience and its history, it is necessary to understand that the Western foundations that exploit, abuse, and displace Black and Indigenous people are still present today and demand collective action to combat. The issue that will be discussed in this analysis is that of the fundamental right of land ownership, and how access to this has positive effects on Black/Indigenous/Latinx communities. In order to analyze this connection I will examine the MST organization and its practices, as well as the personal essay “Paraíso Negro” by Kahlil Haywood.

Continue reading “Cultural Displacement and Its Relationship with Agrarian Reform: the MST and “Paraíso Negro””

Black Garden, Black Resilience

By Tasmine Lester

On my very first afternoon staying with her, my Tía gave me a grand tour of her garden. She showed me every single plant from the full-grown trees and mature plants that have been there bearing fruit or flowers for at least a decade, to the new baby plants that were so small I was impressed she could even identify them. Even though the garden wasn’t the largest, every single inch of soil was used meticulously and nurtured.

Continue reading “Black Garden, Black Resilience”

Philodendron: La Planta Del Amor

By Sandy Paulino

¿Cuán importantes son las raíces culturales? ¿y aún más, que califica como raíz cultural y social?

This is a concept I am seemingly called upon to ponder continuously. It feels something like a beckoning – a beckoning by the creator of the Universe for me to grapple with the significance of our intangible “roots”. Roots that ground us (no pun intended). That turns our environment into fuel. That marks the beginning of our journey and measures the lengths we’ve grown by the end of each odyssey.

Continue reading “Philodendron: La Planta Del Amor”

Alexis Pauline Gumbs UNDROWNED:  Black Feminist Lessons from Marine Mammals

Afro-Indigenous Lives, Water, and the Histories of Colonization

By Emily Pacheco

Alexis Pauline Gumbs

Nature was there to witness the tragedies that came along with colonization. Ocean creatures, plants, ecosystems, and even the rain from the sky can teach us about our history, as poet and independent scholar Alexis Pauline Gumbs proposes. In Dub: Finding Ceremony, Gumbs gives insight into how colonization has affected natives and nature alike and how they are the same in many ways. She recently sat down with students from Baruch College’s Department of Black and Latinx Studies and Black Futures Student Scholars to further discuss nature and its connection to Indigenous and Black history.

Continue reading “Alexis Pauline Gumbs UNDROWNED:  Black Feminist Lessons from Marine Mammals”

An Indestructible Life: Reflections on Marronage Pedro Lebrón Ortiz

Afro-Indigenous Past Lives and Futures

By Jacquelyn Ortiz

The following is an overview of some of the topics I addressed in my podcast series “Afro-Indigenous Past Lives and Futures.” In these episodes, I reflect on readings and audiovisual works discussed in the course LTS 3110 Debates in Latin American Social Theory taught by Professor Rojo Robles. I also incorporated ideas presented by the Black Studies Colloquium and guests in the ongoing project “Black Futures.”

Continue reading “An Indestructible Life: Reflections on Marronage Pedro Lebrón Ortiz”

A Select Screening of Quilombo (1984) & A Discussion of Racial Capitalism, Radical Black Feminism, & Imaging the Archive

A Haven in Nature: Indigenous and Maroon Communities in South America

By Diego Gonzalez

Quilombo
Quilombo

The movie Quilombo (Carlos Diegues, 1984) and the discussion of the movie on the topics of “Racial Capitalism, Radical Black Feminism, and Imagining the Archive” by Black Studies Colloquium (BSC) members Dr. Erica Richardson, Dr. Tshombe Miles, and Dr. Rojo Robles raises conversations on how the maroon communities in Brazil during the 17 and 18 centuries prepared for the constant threat of colonizers. The BSC also looked at how the film builds historical fiction based on methods of speculations. They highlighted the significance of the silences in the archive. This panel was part of their ongoing series Black Futures that looks to answer questions like what kind of Black futures might we imagine through cultivating conversation and producing scholarship across sites of Black studies in North America, the Caribbean, South America, and Africa?

Continue reading “A Select Screening of Quilombo (1984) & A Discussion of Racial Capitalism, Radical Black Feminism, & Imaging the Archive”