I was relieved to find Mike behind the bar when I went back to McSorley’s to try and produce brighter pictures. He recognized me from my last visit and immediately introduced me to the rest of the staff on board.
I found that taking pictures in McSorley’s more challenging than in other bars. Little had changed in McSorley’s during the past 150 years. A sound system was never installed and it seems like a wet cloth was not introduced to the premises in over a century. So while in other bars I enjoyed the loud music as some kind of a shield, in Mcsorley’s there was nothing to hide behind except for the smell of sour beer and the sound of cracking sawdust and peanut shells on the floor.
I spent about two (very awkward) hours taking pictures, and then stayed for few drinks with the boys. It only occurred to me when I left that it probably should have been the other way around.
The notion of bartending or table waiting as a career intriguers me. A job that is viewed as temporary by most is turned into a profession by others. I am curious to learn whether these Irish men are truly content with this lifestyle or were they just following where the New York circumstances lead them to.
Next time I will stop by McSorley’s I will leave the camera at home. I find conversation much easier without the camera’s threatening presence.
Ayla,
I think the best image of the bunch is the last one, the money on the bar, the bartenders and the other end of the bar and the open space between the two. It works…
You may find that if you talk first and take picturs second the camera may not be as “threatening” as you preceive it to be fot both your subject and you. The time you spent talking with them might make them and you more comfortable when it comes time to take their pictures.
Despite your misgivings, these pictures are stronger and more intimate than any of the previous ones. The ambience of the bar comes through very well and provides the context to imagine the lives of these individuals. Your discomfort is not evident in the pictures. In fact, I sense an openess in their expressions.