Week 1: Introduction, Creative Nonfiction Unit                    

T 1/30             Introduction: icebreaker, syllabus, and diagnostic.

Reading: Ocean Vuong, “Surrendering”

Th 2/1            Introduction to Creative Nonfiction Essay; discussion of audience

Reading: Lorrie Moore, “How to Become a Writer” 

Week 2: Developing First-Person Strategies

T 2/6               Discussion of First-Person strategies

                        Reading: Gary Shteyngart, “Sixty-Nine Cents”

Phillip Lopate, “On the Necessity of Turning Oneself into a Character”

Th 2/8             Peer Review One

Reading: Yiyun Li, “To Speak is to Blunder”

Writing: **First Draft Creative Nonfiction Essay**

Week 3: Conclusion of Creative Nonfiction Unit

T 2/13            Style imitation exercise

Reading: Zadie Smith, “Speaking in Tongues” 

Th 2/15          Introduction to Critical Analysis; Introduction to Stasis Theory; In-class film viewing

Writing: **Final Draft Creative Nonfiction Essay** 

Week 4: Introduction to Critical Analysis

T 2/20             **No Class: Courses follow a Monday Schedule**

Th 2/22          Introduction to Close Reading

Reading: Joseph Harris, “Coming to Terms”

Writing: Stasis Theory Assignment 

Week 5: Close Reading

T 2/27             Close Reading

Reading: Gerald Graff and Cathy Birkenstein, “Introduction: Entering the Conversation” and “’They Say:’ Starting with What Others Are Saying” from They Say/I Say: The Moves that Matter in Academic Writing

Writing: Close Reading Assignment

Th 3/1             Claim Workshop

Writing: **First Draft Critical Analysis**

Week 6: Concluding the Critical Analysis

T 3/6               Introductions and Conclusions; Critical Analysis Conferences

Th 3/8             Introduction to Research Paper; In-Class Film viewing

Writing: **Final Draft Critical Analysis**

Week 7: Research Paper

T 3/13            Research Paper Brainstorming, Discussion of Purpose

Reading: Rachel Kaadzi Ghansah, “A Most American Terrorist”

Th 3/15          Research Paper Brainstorming Continued

                        Reading: John Jeremiah Sullivan, “Upon This Rock”

Week 8: Proposal Workshop

T 3/20             Writing as Conversation

Reading: Kate McKinney Maddalena, “I need you to say ‘I’: Why First Person Is Important in College Writing”

Writing: Research Project Proposals 1

Th 3/22          Writing as Conversation

Reading: Jay Caspian King, “What a Fraternity Hazing Death Revealed about the Painful Search for an Asian-American Identity,”

Writing: Research Project Proposals 2

 Week 9: Integrating Sources

 T 3/27             Reading: Gordon Harvey, “Integrating Sources”

 Th 3/29          Using sources to build a claim

Writing: **Final Reflective Annotated Bibliography Due**

Week 10: Spring Break 

T 4/3               **No Class: Spring Break**

Th 4/5             **No Class: Spring Break**

Week 11: First Draft of Research Essay 

T 4/10            Peer Review One

Writing: **First Draft Research Essay**

 Th 4/12          Peer Review Two, Discussion of Counterpoints 

Week 12: Final Draft Research Essay

T 4/17             Conferences Round one

Th 4/19          Conferences Round two

Week 13: Remixing  

T 4/24            Introduction to Creative Remix of Research Project

Writing: **Final Draft Research Essay**

Th 4/26          Remix Assignment

Week 14: Remix Workshop 

T 5/1               In-class remix drafting                         

Th 5/3            Writing: **First Draft Remix Project** 

Week 15: Presentations & Goodbye 

T 5/8               Remix Project Workshop 

Th 5/10          Final Presentations Round 1

Writing: **Final Draft Remix Project**

Week 15: Presentations & Goodbye

T 5/15             Final Presentations Round 2

F 5/18             **Final Portfolio Reflection Due at Noon**