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Blog hosts should post by 5pm the day before class; respondents should do so before class begins OR while we are still discussing the text in class generally

Week 2: Wednesday, September 9th Gilgamesh, 95-99 (overview), 99-112 1.
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Monday, September 10th Gilgamesh, 128-151 1.
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Week 3: Wednesday, September 16th Bhagavad-gita (1282-1301) 1.
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Week 4: Monday, September 21st
Creation and the Cosmos Volume AIntroduction to Creation and the Cosmos, pp. 23-25
“The Great Hymn to the Aten,” pp. 29-33
from Genesis, 158-161
West African Creation stories and Rig Veda selection (Bb)
1. Richard Zheng
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Week 5:Monday, September 28th Medea, lines 1-680 (pp. 783-803) 1. Bradley Hemraj
2. Angela Lin
Wednesday, September 30th Medea, lines 681-end (pp. 803-822) 1. Freddy Quiñones
2 Justin Mathew
Week 6: Monday, October 5th Sakuntala and the Ring of Recollection, Acts 1-4 (pp. 871-910) (Volume B) 1.Jeri Veingrad
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Wednesday, October 7th Sakuntala and the Ring of Recollection, Acts 5-7 (pp. 910-942) 1. Chasity Velez
2. Alba Rajanibala
Week 8: Wednesday, October 19th Sakuntala and the Ring of Recollection performance (this blog can wait, of course, until you see the performance). 1.
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Week 9:Monday, October 26th
Selections from The Thousand and One Nights (Volume B)
1. Chana Sitt
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Wednesday, October 28th  Selections from The Thousand and One Nights (Volume B) 1. Michael Matteo
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Week 10: Monday, November 2nd
T’ang Poetry: introduction and the poetry of Wang Wei (pp. 1019-1022) and Bo Juyi (pp. 1035-1041; 1045-1047; printout of more Bo Juyi poems on Blackboard under “Content”) (Volume B) 
1. Jared Gabrielli
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Wednesday, November 4th T’ang Poetry: the poetry of Li Bo and Du Fu, pp. 1022-1035 (Volume B) 1. Karen Suen
2. Nick Dunn
Week 11:Monday, November 9thThe Pillow Book of Sei Shonagan (pp. 1127-1141)Selection of poetry from the Kokinshu (Volume B) 1. Caitlin Hayes
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Wednesday, November 11thThe Pillow Book of Sei Shonagan (pp. 1142-1153) 1.
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Week 12:Monday, November 16th Sir Gawain and the Green Knight, Fitts I-II (pp. 725-751) 1. Natalie Kain
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Wednesday, November 18thSir Gawain and the Green Knight, Fitt III (pp. 751-769) 1. Thomas Stirton
2.
Week 13:Monday, November 23rd Sir Gawain and the Green Knight, Fitt IV (pp. 769-780) 1. Kevin Gamboa
2. Daniel Rossi
Wednesday, November 25th Othello, Act I 1. Bryan Nuñez
2. Marcello Oliveira
Week 14:Monday, November 30th Othello, Act II-III 1. Lucille Huang
2. Fatoumata Jallow
Wednesday, December 2nd Othello, Act IV 1. Benjamin Balidemaj
2. Kristen Guglielmo
Week 15 :Monday, December 8th Othello, Act V 1.
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Wednesday, December 9th Selections from “The Encounters of Europe and the New World” (Volume C)

Short paper #1: due 9/9 or 9/10

As you know, your first short paper is due one of two days, depending on when you choose is best for you to do it: Wednesday, 9/9 or Thursday, 9/10 (usually dates short papers are due won’t be so close to each other!). Your short paper should be on the text due to be read for that day, though you may compare that text to something we’ve read on a previous class day. In other words, here’s what you should write about depending on the day you choose to hand in the paper.

Wednesday, September 9th

Gilgamesh, 95-99 (overview), 99-112

Thursday, September 10th

Gilgamesh, 128 (Tablet VII)-151

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Asking questions: Find a passage in the reading for the day that confuses you, sparks your interest, calls your attention, or seems like it might be interpreted in a few different ways. Start by asking yourself the simple questions “what do I find confusing or ambiguous about this passage?” and “why is that confusing?” What confuses you or interests you about this passage: is it something in the language or imagery? Is the way a character behaves  unexpected or unusual to you, or do the social/cultural values the text presents feel unfamiliar or confusing? Do you just feel uncertain about what is going on in the text, or why it is happening?

Assignment: In 1-2 pages, present the passage (or passages) and your questions about it; explain how the text creates this ambiguity/confusion, and the effect that it has on you as a reader (does it make you uncomfortable, frustrate you, leave you wanting to know something? Does it make you start guessing about possible outcomes? Do you feel you have a cultural ignorance about the social values of the people who would have read or heard these texts when they were produced?). Try to pose some possible answers to these questions, and pay attention, where you can, to how being geographically and temporally distanced from the culture this text comes from affects how we read and understand it.

  • Purpose: By asking these questions, we can begin to weed out what makes a good research question for a paper vs. what makes for a factual question that has a brief answer (A factual question might be, “Who is Gilgamesh historically?” while a good research/interpretative question might be “Are we expected to admire Gilgamesh and his actions, or should we critique him in some way?”). A factual question results, usually, in one answer; a solid research question allows for several answers, which means we can get a debatable argument out of it.

Welcome to the class blog

Welcome: I hope you find this a productive space in which to explore the texts we read. While each student is assigned a blog post and four responses, feel free to use this blog to post questions, links to relevant videos and information, and thoughts at any time; we can use these posts to generate discussion in the classroom.

If you have IT troubles or are new to WordPress, here’s the link to the Blogs@Baruch help forum: https://blogs.baruch.cuny.edu/groups/blogsbaruch-help/forum/. Here’s the link for the “Support for Students” page, which explains in more detail how these blogs work: https://blogs.baruch.cuny.edu/support/for-blog-authors/.