End of Semester Reflection and Grade Proposal

As promised, I am linking here to your final task of the semester – the End of Semester Reflection and Grade Proposal. Once you have submitted your Final Exam, please take some time to reflect on your work in English 2850 this semester. You can find the form HERE. This form will remain available through Thursday, December 22nd. After that date, you forfeit your opportunity to propose your own grade; I will calculate your grade in the traditional manner, taking into account your missing final assignment.

Thank you all for your effort, thought, and open-mindedness this semester. Wishing you all a peaceful and restorative break and and a healthy, happy, and productive 2023. I will be in my office through the end of this week, returning in January. Feel free to reach out.

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FINAL EXAM – DUE BY 12/20

FINAL EXAM

Instructions:  Please compose your response to this final as a Word Document or Google Doc, give the file a name with the format:  Your Name, ENG2850 Final Exam, and share it with me at [email protected] by midnight (11:59 pm) on TUESDAY, DEC. 20th.   Late submissions will receive no credit.

Read the instructions in their entirety before you begin to work on this final exam. You are welcome to consult your notes from the course and all the texts we’ve read, but you are NOT allowed to do any internet research while completing this project. Use of outside sources will result in an automatic grade of F on the exam.

Plan to spend 2-3 hours on this exam (including thinking time). Be sure to proofread your work carefully before sharing it with me. If you have questions about any part of this exam, please  email me at [email protected].  Once you have submitted your exam, please complete the End of Semester Reflection – Grade Proposal (link will be available in a separate post) as soon as possible (no later than Thursday, Dec. 22nd).

Final Exam: Propose a Mini-Course

Your task is as follows:

Drawing on the list of works we’ve read this semester (available on your syllabus), please design and propose a “Mini-Course”.   This mini-course will bring together a selection of readings from our syllabus, but will focus on a particular topic or theme that is of interest to you. Coming up with your theme will be the key step in completing this assignment. You will need to identify some component or issue that you have encountered at several different points in your reading for this course and construct your proposal around this idea. [Your idea might be a particular element you’ve noticed in your reading (i.e. railroad travel) or a persistent question (i.e. what happens when we die?) I have deliberately chosen examples that wouldn’t work for our particular reading list because I don’t want to render any ideas off-limits, but I hope you get the idea!]  Your course proposal must contain the following components:

Course Title: Your course title should be creative and inviting and should let us know what the focus of your course is.

Course Description: In this one paragraph course description, articulate the subject that your mini-course will explore and lay out the central questions that you will be exploring in the course.  Your description should be as specific, detailed, and engaging as possible.

Annotated Reading List: Select 5 texts from the semester as the reading for your mini-course. Write a thoughtful paragraph for each text in which you explain your rationale for including this text, offer a quotation from the text that illustrates how the text is connected to the topic of your mini-course, and provide at least three discussion questions you might ask about the text in the context of your course. List your texts in the order you think they should be read for your course. You don’t have to follow our chronological organization.  Feel free to comment on the logic of the sequencing of the readings, if you think that is important to the effectiveness of the course.

Wild Card: Add a 6th text of your choosing to your reading list. This text should NOT come from our syllabus. It should be a text that you have encountered elsewhere that you think would work with your theme and be a good addition to your reading list. This text could be a written text, or it could be a film, a tv show, a song, a painting, a photograph, a meme…. This is totally up to you. Don’t be afraid to be creative. Compose a paragraph in which you describe your wild card text and explain how it is connected to the subject of your mini-course.  Place your “Wild Card” text in the spot on your reading list where you think it would be most effective.

The Pitch: In the final paragraph of your course proposal, make a “pitch” for your course. What would you say to convince a fellow student to enroll in this course?

Your final exam will be judged by the following criteria:

–Have you followed all the instructions and completed the assignment exactly as instructed?

–Have you come up with a creative and engaging course?

–Does your course make sense, given the texts you’ve selected?

–How thoughtfully does your course description reflect your engagement with our reading over the semester?

–Does your Wild Card add to and complement your choices?

–How successful is your “pitch” at selling your idea to prospective students?

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Assignments – Week #17

Welcome to the Home Stretch of the semester. A few reminders about our course-end schedule:

  • I have started to read and comment on your Final Essays. I hope to finish with them before your Final Exam. Feel free to reach out now or after the break if you have questions or want to discuss your paper.
  • Your Final Exam is scheduled for Monday, December 19th. It is an “open book” at-home exam. I will be posting the exam here on the blog on Monday morning by 9am. Please read the instructions carefully, and reach out to me with any questions. The exams must be submitted by the end of the day on Tuesday, December 20th.
  • On Tuesday, December 20th, I will post a link to your End of Semester Reflection and Grade Proposal. Do not complete the reflection until after your Final Exam has been submitted. You will only have a short time to complete the reflection and evaluate your work from this semester, so pay attention to the posted deadline.
  • You can continue to make up late assignments on the blog through Sunday, December 18th. As of Monday morning, I will consider the blog “closed.”

Wishing you all a smooth and positive exam week. I am sending good vibes your way!

Professor Sylvor

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Assignments – Week #16

  • Conferences – if you’ve signed up to meet with me on Monday, December 12th, I encourage you to send me whatever material you have created for your final essay in advance of our meeting. This could be an outline, a draft, or a piece of a draft. If you send it to me by Monday morning, I will be able to read it before our conference.

  • Essays – Your essays are due by Wednesday, December 14th. Please share your essay with me ([email protected]) as a Google Doc or email it as an attachment to [email protected].
  • Final Exam – Your final exam will be posted here on the blog at 9 am on Monday, December 19th. The exam will be due by 5 pm on Tuesday, December 20th.

  • Reading – For our last text of the semester, please read Junot Diaz’s short story “Drown”. Respond to two of the questions below. As always, feel free to post your ideas as a response to one of your classmates’ comments. Please post your responses by Friday, December 16th.

–Explain the meaning of the story’s title, “Drown”.

–Describe the voice of our narrator.  What does his language use tell us about him?

–What do you think the central “problem” or conflict of this story is?

–How might you connect the narrator’s relationship with his mother to other issues or themes in the story?

–What do you make of the anecdote the narrator recalls about a teacher comparing his students to space shuttles?

–What, if anything, does this story “get right” about the experience of young adulthood?

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Assignments – Week #15

  • Conferences – Don’t forget your individual conferences. These are mandatory. See weeks #13 and #14 for the link to sign-up. Contact me if you can’t find an available appointment that works for you.
  • Modernism in Visual Art – Your posts are due by Monday, Dec.5. Don’t forget that I have asked you to provide me with proof of your visit. You can show me your proof in class on Wednesday, or send it to me via email.
  • Essay Questions – By now, almost all of you have emailed me with proposed questions for your final essay. Don’t hesitate to reach out if you need help with this essay. I am happy to provide general feedback on drafts, outlines, etc….
  • Reading for Monday, Dec. 5th – Jamaica Kincaid’s, “Girl” – Please read this short piece and answer two of the questions I have shared in a separate post.
  • Reading for Wednesday, Dec. 7th – Isabel Allende, “And of Clay are They Created”. Choose one of the following questions to respond to in a comment on this post. Post your response before our class on Wednesday.

–What do you think the significance of Allende’s title is? What does it mean to be made of clay?

-What happens to Rolf in his encounter with Azucena?

–Why do you think Azucena becomes a symbol of the tragedy that is unfolding in the story?

–What did you make of the President’s visit to the site of the disaster? What kind of commentary is Allende making here?

–How can you connect this story with your own experiences of natural or other disasters? Are there elements of the story that you can relate to? How?

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Jamaica Kincaid, “Girl”

Please respond to any two of the following questions. Share your responses by Monday, December 5th. If you’d like, you can hear Jamaica Kincaid reading “Girl” HERE.

–How would you describe the STYLE of this text? Be specific in illustrating your response.

–Where do we see conflict in this text?  What is the nature of the conflict?

–What does this text tell us about the expectations placed on girls and women?

–Explain the text’s last line: “you mean to say that after all you are really going to be the kind of woman who the baker won’t let near the bread? “.

–Choose a specific instruction or prohibition from the text that stands out to you.  What do you make of it?

–To what extent do you feel that you have been given, either explicitly or implicitly, instructions about what it means to be a woman or a man?  Share an example of an instruction that you have received.

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Assignments – Week #14

  • Don’t forget that you need to submit your proposed essay topic (in the form of a question you are asking about your two texts) to me via email by Sunday, November 27th.
  • Reminder: Each of you needs to sign up to meet with me on one of the three remaining Mondays of the semester. You can find the sign up HERE.
  • Your Modernism in Visual Art posts should be shared to the blog by Monday, December 5th.
  • Our reading for this week is Tadeusz Borowski’s “This Way for the Gas, Ladies and Gentlemen”. We will be discussing the story in class on Wednesday. Please respond to two of the following questions. Share your responses by Friday, Dec. 2nd.

Please respond to two of the following questions.  Remember to compose your answers in complete sentences and to ground your ideas in specific details from the text where appropriate. 

  1. What did you learn from this story that you did not previously know about life in Nazi concentration camps?
  2. This story can be described as a kind of “initiation story” for the narrator.  How is he changed or transformed by the events of the narrative?
  3. Describe an example of dehumanization in the text.  What about this moment made a particularly strong impression on you? Why?
  4. A tall, grey-haired woman who has just arrived on the “transport” whispers, “My poor boy,” to our narrator.  What does she mean?
  5. “Are we good people?” asks our narrator.  What is this exchange about? What do you think?
  6. Explain the significance of the story’s title, “This Way for the Gas, Ladies and Gentlemen.”  What seems strange about it?

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Modernism in Visual Art

As an extension of our study of Modernism, you will be exploring Modernism in visual art through a visit to one of the NYC museums listed below.  All of these museums are currently requiring that visitors book their visit ahead of time, so be sure to go to their website and follow instructions to make a reservation before your visit. 

Museum of Modern Art (www.moma.org) 11 W.53rd Street

CUNY students can visit MoMA for free.  When booking your visit, click on the button that says “Reserve Affiliate Tickets”.

Neue Galerie (www.neue galerie.org) 1048 Fifth Avenue

This small museum focuses specifically on Austrian and German art.  It is housed in a beautiful mansion.  Admission is free on the first Friday of every month.  All other times, student admission is $12.

The Metropolitan Museum of Art (www.metmuseum.org) 1000 Fifth Avenue

This museum is “pay as you wish” for full-time students in NY and for all NYC residents. There is a suggested price listed for students, but you can choose how much you want to pay for admission. However you still need to make a reservation to book your visit!

At the museum, you will select one piece of work created between 1890 and the beginning of WWII in 1939 that you believe can be described as modernist.   It might be helpful to keep in mind that impressionism, expressionism, cubism, and surrealism are all streams of modernism. 

On our course blog, post an image of the work (preferably a photograph taken by you at the museum or an image found online) and a post of 400-500 words about the work.  If you consult any sources to complete this assignment, please include that information.  It’s fine to look up basic biographical information, but all description and thoughts about the work you’ve selected should be entirely your own.  Be sure to include the following elements:

–Basic information about the artist.

–A description of work you selected.

–An analysis of how this work reflects the aesthetic preferences associated with Modernism.

–A description of the context in which you encountered the work. 

–An explanation of what drew you to this piece.

–Any questions you have about the work.

***Your work must be posted to our course blog by Monday, Dec 5th.

Please retain proof of your visit to the museum to be submitted to me in class after your visit.

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Modernist Art

This is an oil painting that was created in 1931 by Salvador Dali named “The Persistence of Memory”. This oil painting measures 9 ½ x 13 inches and it is displayed at the Museum of Modern Art right here in NYC. Dali was a Spanish artist who was born on May 11, 1904, in Figueres, Spain. He was actually well known for portraying subconscious imagery and was known for this specific painting. Another interesting fact was that he was known for his iconic mustache. 

This painting stood out to me since I noticed it was a work of surrealism. I have always seen this painting online and it has been brought to my attention in about 3 different classes I’ve had. The first time I saw this image was in a high school art class, the second time was in this class and the third was in my art history class. However, when I arrived at the Moma museum I was not even expecting to come across this painting. I had to take a picture of it since it was a painting that I never saw in person and since this was going to be the 4th time I came across this painting. 

Modernism was the time period when artists were no longer referring to art as “old classical art”. Modernism was something that was seen as more free and had more expression. For instance, surrealism is when reality is combined with the world of dreams and imagination. In this painting, we see literal melting clocks hanging off a branch and melting off of surfaces. The painting shows a dream world in which everyday goods are twisted and portrayed in an unusual and illogical manner: watches and solid and hard objects look oddly limp and melt in the lonely environment. This can represent how time is running out. Not only that but when we look at this it is quite odd since it is not something we see commonly. 

One question I still have is, what is the white thing where the clock that is on it lies? Also is the setting in the painting supposed to be a place where time doesn’t exist since the clocks aren’t solid? Not only that but when I walked into the section where it was placed in the museum, this salmon-colored room was on a wall right in front of the entry section of the room. My question is was it placed there for a reason or was it just placed at random?

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Modernism in Visual Art

For this project I chose The Street Pavers by Umberto Boccioni. This artwork is on display at the MET along with other great pieces. Umberto Boccioni was an Italian born October 1882. He trained under Giacomo Balla from 1898-1902. He later moved to Milan where along with Filippo released art containing futuristic movement. He released his first major painting named Riot in the Gallery in 1909. He enlisted in the army and died from a fall from a horse in 1916.The painting I chose was created in 1914 two years before Umberto passed away. It showcases as it says street pavers. He was trying to show the modern laborer through this work. You will have to try and spot them. This artwork really drew me in because of the bright colors. I was having trouble picking the artwork that I wanted to do the project about, but I knew as soon as I saw it that this was the one. The colors are one of the key components, I liked how he used strokes to imitate what pavement would be like on top of their clothes and on their skin. I another thing was how it’s hard to tell what is. Unlike realism art where you would want to get all the detail its feels like he wanted to get the bare minimum, he painted the outline of the workers with no facial features, he also included their clothing with the patterns on it. They all have their head down as well almost them just concentrating on their job and nothing else. He could portray how hard these people worked or maybe he was trying to show that these people were working too hard. What they are working on really doesn’t seem like pavement to me resembles like a field or something. This artwork is an eye catcher. The way the painter really blends everything together and make us work and decipher it I think is one of its strong points. The day that I went there was a lot of people and many would stare at it. From what I saw a majority of the pieces were made by French painter and it was a good thing that I found this one made by an Italian because it was different from what the other were making. I would as how long did it take for him to draw this.? What led him to draw them that way? 

-https://www.britannica.com/biography/Umberto-Boccioni

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Modernism in Visual Art – Nusaiba Ramisa

René Magritte was one of the major surrealist artists of all time, but “it was not until he reached [his] 50s, when he was finally able to reach some form of fame and recognition for his work” (www.renemagritte.org). Magritte was born on November 21, 1898, in Lessines, Belgium, and passed away at the age of 68 on August 15, 1967. Magritte studied at the Academie des Beaux-Art located in Brussels from 1916 to 1918, but shortly after he left the school because he felt that it was not worth his time. He described the paintings he made by saying, “My painting is visible images which conceal nothing; they evoke mystery and, indeed, when one sees one of my pictures, one asks oneself this simple question, ‘What does that mean?’ It does not mean anything, because mystery means nothing, it is unknowable” (Magritte). 

Out of all of Magritte’s beautiful paintings, I decided to focus on the one pictured below called The Lovers II, which is “the [second painting] in a series of four variations of Les Amants that Magritte painted in 1928” (www.moma.org). A man and a woman are depicted in the painting embracing one another. They are both shrouded with a white veil covering their faces, and they are passionately kissing. This work clearly reflects the aesthetic preferences associated with Modernism because it portrays surrealism. The way that Magritte took the surrealist approach of concealing both of the subjects with a veil fits with “a larger Surrealist interest in masks, disguises, and what lies beyond or beneath visible surfaces” (www.moma.org). Surrealism can be defined as a style of art that forces artists to use their imaginations to create an image or an idea that is impractical or unrealistic. It is up to the viewer of the painting to create their own interpretations. The vast majority of people interpreted this artwork as a reflection of the human inability to fully recognize the true nature of even our most intimate companions (www.moma.org). An additional defining characteristic of modernism in this painting is symbolism. After learning about this particular interpretation of the painting, I realized that the enshrouded faces are meant to symbolize unrelenting passion for your “lover”. Even though these two people are unable to see each other through their eyes, they can still feel the other’s presence and touch. I interpreted this piece a bit differently since I believe that this painting is showing us how love can make you blind and it reminded me of the cliche phrase of being blinded by love. You don’t care how the person looks on the outside, you love them for who they are and appearance is the last thing on your mind. 

As I walked around all the paintings on the 5th floor, I almost walked past this painting because it was smaller than most of the paintings I had seen. I decided I wanted to further inspect this strange painting so I came in for a closer look since I was confused as to why the faces were covered in such a way. From afar it looks to be a simple painting of a couple kissing, but the veils add a touch of mystery and it begs us to ask the question, is this an abstract portrayal of forbidden love or is it a painting of two wanted criminals trying to protect their identities? 

External Sources: 

https://www.moma.org/collection/works/79933?artist_id=3692&page=1&sov_referrer=artist

https://www.renemagritte.org/the-lovers-2.jsp

https://www.moma.org/learn/moma_learning/rene-magritte-the-lovers-le-perreux-sur-marne-1928/

The Lovers, René Magritte
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Modernism in Visual Art

The art piece I encountered that stood out to me the most was Vincent Van Gogh’s “Starry Night”. Van Gogh was an artist whose stylistic choices in the piece contrasted from those seen prior to modernism. Although his work became most famous after his death, this piece was a raw display of his emotional and mental state. Van Gogh painted “Starry Night” during a time when he was admitted in a psychiatric asylum between 1889 and 1890. After being seen as crazy by members of the church because he gave up all his material goods in the name of Christianity, Van Gogh experienced what may be described as a mental crisis. Though his mental state was affected by this rejection, he focused his works on providing consolation for others who have been misunderstood and outcasted. During his time in the asylum, he seemed to have been improving. However, he relapsed and fell even deeper into his spiral of depression and hallucinations. I believe that Starry Night may be interpreted as a display of his mental state during this time. The dark and gloomy shades of blue, black, and gray appear to dominate the painting in particular. What’s interesting is the way nature appears to blend in with civilization, as well as the earth and sky almost colliding. Although unusual for Van Gogh given his previous works, he actually did not paint this based on what he could visually perceive, as this was not the view from his cell during the time. Rather, many of the artistic choices he made were based on imagination rather than reality. This work reflects the aesthetic preferences associated with Modernism in the sense that it is raw in emotion. Modernism entails that not everything is perfect and orderly, as many may present life to be. The truth of human weakness, sadness,and loneliness is displayed through Van Gogh’s work. 

What drew me to this work in particular was that the image looked very familiar to me, particularly the large tree on the left side and the bright stars. I realized that it is the same image I have printed on a magnet attached to my fridge. When I saw who the artist was, I was shocked that I never knew who had drawn the piece beforehand. Ever since I was a little girl, I had been seeing the image every time I wanted something to eat, yet it never occurred to me to find out who painted the image. Learning the backstory of this artwork opened my eyes to details about the painting that I had missed, despite looking at it every day for years. The tiny trees that tightly surround civilization is something that I overlooked. Here may suggest a sort of convergence between nature and civilization. The way the church extended above all the other structures to touch the sky also seems to have been intentional in suggesting a connection between this world and heaven. Additionally, the brightness of the stars and moon emit a sentiment of hope. I believe that many of the aspects Van Gogh chose to incorporate in this work point toward a theme of hope; that in the midst of the turmoil, we are each relatively so small on this earth and that there is a higher power that remains.

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Modernism in Visual Art Assignment

The painting I chose was Pablo Picasso’s “Seated Female Nude”. Born Pablo Ruiz Picasso (his full name is rather long) in Spain, he’s a prominent figure in the art world, being a painter, sculptor, and ceramicist and is considered one of the pioneers of cubism, one of the streams of modernism in art. Picasso’s famous works include “Le Rêve”, “Guernica”, and “The Weeping Woman”.

“Seated Female Nude”, according to the MET website, is an oil painting and was painted during the winter of 1908, which is said to “offer a view into Picasso’s formulation of Cubism in 1908”. The painting features a nude woman who appears to be sitting on, perhaps, a stone and holding what appears to be a white cloth in between her legs. The lady also seems to have an unclear definition of her stomach and left thigh, which also happens to be positioned in a rather odd way with the way the anatomy is painted.

The similar ideas shared during modernism was that artists didn’t have to be confined to what their eyes saw, but rather allow their creativeness to roam freely and paint how they see the world. In this case, the use of cubism is just that, along with treating the world as two-dimensional, thus compressing complex shapes into geometric figures as seen when Picasso not only painted the woman but the landscape background as well.

When recalling how I encountered this piece, it was just 2 relatives and I roaming the MET and we came across a gallery with various sculptures and and paintings. Having not found a painting that took place during modernism yet, I went in and as it was the first painting, it briefly caught my attention as I recognized the woman’s head as a moai, which are monolithic human figures carved in Easter Island. I didn’t think much and continued walking but a relative pointed out this painting and suggested that I can use this painting for my assignment. I figured why not, it fit the criteria just fine.

As I looked at the painting more, I find it to be a simple but also fascinating painting. It seemed like a normal woman initially but I remembered this was painted when Picasso was entering into Cubism, and took note of the geometric shapes he’s used in the painting. Although I am confused why it seems like the lady has no stomach and a probably elongated left leg. Perhaps it has to do with how Picasso began formulating Cubism and that’s just how it is.

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Modernism in Visual Art- Trini Izquierdo


“Les Demoiselles d’Avignon” by Pablo Picasso. Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, and printmaker. He was born on october 25, 1881 in Malaga, Spain, and died april 8, 1973 in Mounguis, France. Picaso was regarded as one of the 20th century’s greatest and most influential artists. He contributed to the evolution of modern art. Georges Braque and Pablo Picasso started the artistic movement known as cubism. “It uses geometric shapes to show human and other forms.The geometric touches became so strong over time that they sometimes overtook the forms that were represented, leading to a more pure level of visual abstraction”. 

The art I chose, “Les Demoiselles d’Avignon ” (june-july 1907), is the first cubist painting of Picasso. According to the MoMA museum, the painting shows five naked women whose faces were inspired by Iberian sculpture and African masks and are made of flat, splintered planes. A slice of melon in the still life at the bottom of the composition teeters on an upturned tabletop, while the confined space they inhabit appears to project forward in jagged shards. The work’s title, Avignon, refers to a Barcelona street known for its brothels. Picasso uses five naked women to represent five prostitutes. We see how two of the women are looking straight and with their arms up, making a “sexy” pose by drawing the attention of the audience. The woman on the left has a mask, which is a darker color from her body. The other two women on the right, have different forms, colors, and structure on their faces, which are characterists of cubism. I think Picasso wanted to show different points of views through the women’s faces by making their faces noticeable. Also by drawing the womens naked, he’s showing sexual power. Picasso introduced the way for cubism and revolutionized the body and object representation in his painting. He emphasized the picture’s flat, two-dimensional nature and avoided traditional techniques like chiaroscuro and modeling. Picasso was inspired by African masks and sculpture. The painting was a revolutionary act against the tyranny of Renaissance art, whose dominant principles of perspective, shading, color, and composition had to be destroyed in order to usher in new ways of representing reality. 

What drew me to this piece was the curious image of five women naked with different types of faces. I wanted to know the meaning behind those faces and what that painting has to do with females.  Also that is a piece from Pablo Picasso, who was a spanish painter, so I wanted to know more about his painting. This piece really caught my attention because of the background of the painting and the different colors. Some questions that I have about this work are why he chose the colors brown, white, blue for the background? And why did he make the left girl look to the other side of the painting? 

https://www.history.com/topics/art-history/history-of-cubism

http://www.visual-arts-cork.com/paintings-analysis/les-demoiselles-davignon.htm

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