I found the oaths Troilus and Cressida very interesting. They were speaking as if they knew they were a story and that their tale would become an “epic.” The ironic thing is that Panderus’s extra added sentence was the only one to transcend the play and actually become a integral part of the English language. Troilus and Cressida may not be like Romeo and Juliet, who are madly in love and willing to sacrifice everything for each other. Nor are they like cunning Antony and Cleopatra, but they do try in their own way to become something of legend. We also discussed how self-conscious the characters in this play were and that may also be a reason that is holding them back from being true lovers. They seem only to care for their “image” of love than rather the love itself: you can’t love wholly and be self-conscious about it. Another thing is, this relationship does seem rather one-sided. Seems as if Troilus is the one who loves Cressida and Cressida is like, ‘well if this is the best I can do, I’ll take what I can get (a prince of Troy)’ and she doesn’t really have a passionate love for him which is why their bonds and promises and oaths are so easily broken: their love is not true.
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I think you could indeed play Cressida as being deeply in love with Troilus, but incredibly cautious. As events prove, she has a need to be cautious in making her feelings known prematurely. Even Juliet regrets having been overheard by Romeo when she speaks her love for him from her balcony, not knowing that he’s got into the orchard and hears every word. Women have reason to play coy; they’re vulnerable in ways that men simply are not.