Time in The Winter’s Tale

As we enter Act IV of the play, we get something that’s very reminiscent of the Prologue in both Henry V & Troilus and Cressida.  This one seemed more like the Prologue in Henry V, as it is asking for the audience’s suspension of disbelief and is somewhat apologizing to the audience for something that may seem jarring or confusing.  The Prologue here is called simply “Time”, leading me to wonder how Shakespeare would have costumed the man playing this role.  In one of the essays in the back of our Signet edition, Sylvan Barnet claims that in one production, the man who played the bear in 3.3 came out again at this time and revealed himself to be Time.  

I thought the use of Time here as a personification was very smart on Shakespeare’s part; there are very few Shakespearean plays in which he has a passage of time like this, and therefore the audience would not be expecting it, and may have had a hard time if all of a sudden Perdita was onstage as a teenager with no explanation.  I took a screenplay writing class a few semesters ago in which we spent a long time (no pun intended) on this issue of time passage.  You can show a clock speeding up, you can show the seasons changing, you can show someone rapidly aging – but that’s all on camera.  Showing time passage onstage is a very tricky matter and I think the use of Time here works well.

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2 Responses to Time in The Winter’s Tale

  1. PBerggren says:

    I think I remember having seen Time costumed as Old Father Time, the figure we know from New Year’s Eve celebrations, with a sickle in one hand and an hourglass (see line 16) in the other. Personifications of this sort were very familiar through woodcuts and the like; our friend Fortuna, for example, generally has a wheel or a rudder in her hand.

  2. me101282 says:

    I think time here also explains the sudden changes in character in Leontes, especially. The sixteen year gap is a believable one, for him to reflect, and regret on what he did. When looking at how rash and extreme Leontes was towards the beginning of the play, and how reflective and regretful he is towards the end, time also seems to serve as a vehicle for character changes in a way.

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