Author Archives: teshia.sooklal

Posts: 3 (archived below)
Comments: 5

Disguise and Paulina’s quick decision

The Winter’s Tale

At the end of this play, Hermione’s return to life seemed extremely suspicious. Was she really dead? Or was she really a stone statue for 16 years? Her absence from the majority of the play also ties into the idea of disguise discussed in earlier posts. Hermione’s disguise for 16 years led to Leontes’ suffering for the false accusations that he made earlier on. At the end, she is seen by Leontes as a statue, a figure of what he lost.

At the end of the play, we also come to see Paulina’s acceptance of the death of her husband, Antigonus, and she’s given to Camillo. I think it’s ironic that Paulina was so against Leontes remarrying but yet she accepted her replacement so quickly.

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The comparisons can go on forever…

I thought it’s only fitting to fill my blog post with material that I couldn’t cover in the presentation in class. I think the comparisons between Macbeth and Lady Macbeth can go on forever. Their echoes of each other’s words ring throughout the entire play. The audience really does get an in depth look at their relationship and how they play off each other. In 1.7.33, Macbeth says “If it were done when ’tis done, then ’twere well/ It were done quickly.” Here, he’s referring to the killing of Duncan right before his wife persuades him to carry out the evil deed. Then in 3.1.13, Lady Macbeth says to her husband about all the deeds that have been committed already, “what’s done, is done” (probably the most famous line is all of Shakespearean literature). Here, she echoes her husband’s words in 1.7, which continues to portray the influence they have on each other.

Shakespeare’s diction is also very well chosen in this play to set the tone of the entire plot. In 1.5.64, Lady Macbeth says “Look like th’innocent flower,/ But be the serpent under’t” when speaking to her husband about killing Duncan. In 3.2.14, Macbeth says, “We have scorched the snake, not killed it” when speaking to his wife about killing Banquo and Fleance. Shakespeare uses words with very wicked connotations like “serpent” and “snake” to add to the ambience of the plot. His words emphasize the dark, dangerous and almost poisonous path Macbeth and Lady Macbeth are on and later we’ll come to see that the only way they can get off is if they themselves are killed.

Posted in Gender matters, Macbeth | 3 Comments

The Irony of Thersites

I think I need to put in my two cents about Thersites because if anyone else has noticed, the one person who is considered a “fool” is actually the only one who thinks rationally. The Greek commanders are so engulfed in their own egos and their desire to be true heroes that their actions fall extremely short.

In Act 2, we are introduced to Thersites whom we’ve discussed in class to be someone with some type of psychological defect and because of this, he’s allowed to say whatever he thinks without repercussions. Throughout Act 2, the Greek commanders, especially Ajax, belittle Thersites constantly. Even though Hector was completely against keeping Helen, he finally decided that she should stay because “for ’tis a cause that hath no mean dependence/ Upon our joint and several dignities.” (2.2. 192-193) His deranged sense of honor (deranged because how can it be “honorable” to keep another’s man’s wife) and egotistical tendencies keep him from actually thinking rationally.

At the beginning of 2.3, Thersites becomes the voice of reason explaining the commanders’ misguided decisions. He says, “Or, rather, the Neapolitan bone-ache,/ for that methinks, is the curse depending on those that war for a placket.” (2.3. 19-21) One can interpret this as Thersites scolding the commanders’ for continuing a war based on mostly sexual desires, which was the role of women during that time.

This irony can also extend to Cassandra who prophesied the demise of Troy if Helen was not returned. Cassandra’s brothers think she’s insane and do not heed to her warnings. Again, someone who is considered “defective” in the play is the one who actually becomes the voice of reason.

Posted in Troilus and Cressida | 3 Comments