The Duchess of Malfi is a tragedy that clearly depicts female social issues. Since this play illustrates the Duchess going against the male figures in her life, it is ironic to realize females were still not allowed to act on stage. When the Duchess chose to marry Antonio, she put her desire before what her brothers wanted. This showed her using power to make her own decisions.
Both Ferdinand and the Cardinal tried to control the Duchess. They prove to have no boundaries and even go to the extent of murdering at an attempt to regain their power. The brothers keep Bosola under their control until he realizes once again payment isn’t guaranteed. At the end, the character they used to destroy others (Bosola) ends up destroying them. Furthermore, the more they tried to control the Duchess the more everything spun out of control.
Even though it may seem the play ended on a bitter note for the Duchess and female empowerment, there was still hope. The eldest son of Antonio and the Duchess shows their actions were not all in vein. The Duchess still maintained control of her estate by having it left to her child from the husband she chose. This play depicts women to have a great deal of power by showing the danger of trying to trap in a strong, independent, female character.
It’s interesting to watch the way the titles change: from Volpone and Doctor Faustus to The Duchess of Malfi. Here indeed is a play about a woman, a noble woman, who takes on the full tragic dimension.