Author Archives: thomash

Posts: 5 (archived below)
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Climbing the Social Ladder, Again

In Philip Massinger’s A New Way to Pay Old Debts, the primary focuses of the play involve class conflict and a tangled marriage between Allworth and Margaret. However, one aspect of the play that I found to be very interesting is the change that occurs in Wellborn. After reading The Changeling and The Duchess of Malfi, audiences can see how powerful character change can be, but in this work Wellborn undergoes a dramatic change in class rather than character.

Based on the exchange between Wellborn and Tapwell in scene 1.1, it is apparent that Wellborn was once a noble man of great wealth. However, he has now squandered his wealth away and has been degraded to being kicked out of the bar by Tapwell, who he had previously helped. This once powerful and wealthy man is now nothing more than a dirty bum. Despite being down on his luck, Wellborn does not resort to desperation to satisfy his needs.

When Allworth stumbles upon Wellborn beating Tapwell, he stops him and eventually offers him money to help in his situation, but Wellborn will not take the money. He refuses to accept donations from a youth and claims, “I’ll eat my arms first”( 1.1.176). Lady Allworth also offers Wellborn money after he speaks to her about the righteous acts that he had done for her late husband. In response to this assistance, Wellborn simply rejects the money and demands only the respect of Lady Allworth’s servants. As the play progresses, the only individual that Wellborn accepts money from is Overreach, which he uses to pay back his creditors who were ruined due to his negligent credit. Towards the end of the play Wellborn has reestablished himself as a noble man with strong values. He is not the wealthy man that he once was, but he is no longer the poor, run down man that he was at the start of the play.

Wellborn did not have a dramatic internal change as Bosola and Beatrice did in prior plays, but his change of class prior to and throughout the play shows his determined character. He kept his morals intact and worked from the bottom to once again gain good fortunes. He was even able to gain revenge against Overreach in the process.

Posted in A New Way to Pay Old Debts, Power struggles | 2 Comments

The Changeling Scene Study

http://youtu.be/OFdtNfR231A

In preparing to shoot this scene, our team knew that the focus would be to find a solemn place where the sounds of the mad could be heard. Given that Baruch and the surrounding area are full of life, we chose to do our study in the library to utilize a quiet place where background sound effect could be clearly heard (mad house occupants moaning). The characters constant personality change in this scene was challenging to capture, but it made the parts of Isabella and Antonio even more fulfilling to play. One thing that would have definitely helped our study would have been if we could have located a better mad house, but that is not something that is easy to come by. I hope everyone enjoys the movie!

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Bosola: Good or Evil?

The Duchess of Malfi by John Webster is an unpredictable tragedy that holds some very pure characters as well as some very wretched characters. Antonio is characterized as a loyal and loving husband who cares deeply for his wife, the Duchess, and their children. The Duchess, who is the heroine of the play, is of equally good character. She defies the wills of her brothers, Ferdinand and the Cardinal, to marry Antonio and attempt to live happily with her husband and children in secrecy.  She loves Antonio dearly, as we can see in act 3.2 when they playfully tease one another, and lives for her family as she begs to be killed when she believes that they have also been killed in act 4.1. However, the purity of these two characters is met with the rotten souls of Ferdinand and the Cardinal. Throughout the play these two men are guilty of conniving against others, holding their sister prisoner, and committing murder. There is one character that is initially perceived as a rotten character but may in fact have a soul in search of redemption. Bosola represents the struggle of good and evil in this play, and even though he commits vile acts, he shows flashes of repentance and regret for the deeds that he has committed, much like Dr. Faustus of The Tragical History of Doctor Faustus.

 This play opens with a conversation between the Cardinal and Bosola in which Bosola reveals that he has served a prison sentence in the galleys for a murder that he committed at the demand of the Cardinal. This initial meeting of Bosola gives the audience a mindset that labels Bosola as an immoral character. This immoral image is added to when Bosola assists in the strangling of the Duchess at the command of Ferdinand. Bosola also kills Antonio, but this was due to pure mistake and cannot be blamed on his will. Whenever anyone is rampantly murdering people, it is difficult to say that they may not necessarily be a completely rotten individual, but in this case it can be justified that Bosola may have a heart after all.

After strangling the Duchess and her children, Bosola speaks with Ferdinand about his payment. During this conversation Bosola questions why Ferdinand does not have pity for the children and criticizes the brother for having empty hearts, ending the statement with, “I am angry with myself, now that I wake” (4.2.328). It can be argued that Bosola only criticizes Ferdinand and the Cardinal because he never received his payment, but it seems that Bosola truly regrets what he has done and is determined to redeem himself. After the Cardinal tells Bosola to also kill Anotnio in order to gain his reward, Bosola agrees but after leaving reveals his true plans to protect Anotnio and help him avenge the death of the Duchess. Bosola eventually kills both Ferdinand and the Cardinal to attempt to right his wrongs, but also dies as well after Ferdinand stabs him.

Bosola was a conflicted character. He was influenced by others to carry out heinous deeds with promises of payment as motivation, but he shows that he does in fact feel sorrow for the things that he has done. This is why he felt that he had to protect Antonio and avenge the Duchess’ death. He also gave Antonio and the Duchess’ oldest son a life free of living in fear of his uncles.

Posted in Power struggles, Psychological detail, The Duchess of Malfi, Tragedy | Tagged , | 1 Comment

Dangerous Desire

Desire plays a major role in Volpone by Ben Jonson.  The most dominant theme in this play is by far greed, but desire and lust also play significant roles as well. Volpone and Mosca develop a scheme to manipulate Voltore, Corbaccio, and Corvino into giving Volpone gifts because of their desire to be named his heir, Volpone and Mosca desire not only to accumulate wealth from their scheme but also to outsmart everyone, and Volpone desires Celia despite her disgust towards him.

At the beginning of the play Volpone says to Mosca, “Yet I glory more in the cunning purchase of my wealth than in the glad possession, since I gain no common way.” (1.1 30-33). This statement shows that Volpone’s desire to be the best con artist outweighs the importance he places on the wealth that he accumulates. His desire to fool everyone is fueled by the desire to ascertain Volpone’s wealth of Voltore, Corbaccio, and Corvino. Once Volpone sees Celia, his desire quickly changes from gaining wealth through his scheme to claiming the love of Celia, although it seems that he has more lust for her than love and will do anything to have sex with her. Celia is one of the few symbols of good in this play and she is saved by Bonario when Volpone tries to rape her.

Desire can be strong motivation for the actions of individuals. In many cases, people desire to reach a goal that represents success to them. However, in Volpone, Ben Jonson manipulates human nature to twist his characters’ desires to yearn for unethical things, causing them to act in a grotesque manner at times. Corvino prostitutes his wife, Volpone attempts to commit rape and adultery, and Mosca manipulates Voltore into lying and nearly has two innocent individuals punished for crimes that they did not commit. Nearly every character in this play, with the exception of two, has a rotten core and some even acknowledge their wrongdoing and yet they still do not care. Desire is a powerful emotion and when the goal is bad, the means to reach that goal may be worse than the goal itself.

Posted in Power struggles, Psychological detail, Volpone | Tagged , | 1 Comment

The Internal Struggle

Christopher Marlowe’s “Doctor Faustus” is a dark theatrical piece that draws attention to conflict in the main character, Doctor Faustus. Many great works of literature involve a troubled main character or lead role who experiences some sort of conflict, whether it is internal or external.  In works such as “The Tell Tale Heart” by Edgar Allen Poe and “Hamlet” by Shakespeare, the main characters are tortured by the internal conflict of man vs himself in their troubling situations. Dr. Faustus also finds himself in a struggle with his own conscience, as well as with external forces in society as well. Many times, characters are torn between doing what is right and what is beneficial, and they often suffer the consequences of making the wrong choice. Despite his own skepticism of promising his soul to Lucifer and the warnings of the Good Angel, Dr. Faustus ignores his internal conflict and suffers at the hands of the devil.

Dr. Faustus, feeling bored with the world and seeking a new challenge, takes to the black arts and thrusts himself into a difficult situation. He enslaves a demon, Mephistopheles, with his newfound power and abandons God and Catholicism. In exchange for Mephistopheles’ service, Doctor Faustus promises his soul to Lucifer. This is where the conflict begins.

In act 1.1, the Good Angel and Evil Angel appear on stage and depict the classic battle of good vs. evil in an argument to influence Doctor Faustus’ decision to pursue the black arts. The angels are the external forces that are guiding Doctor Faustus’ decisions, showing the conflict of man vs. society. The skepticism that the Good Angel raises regarding the decision that Dr. Faustus makes to promise his soul to the devil raises Doctor Faustus’ own skepticism as well, showing the conflict of man vs. himself. However, in an entertaining instance of irony, Doctor Faustus’ soul is enslaved by the very devil that is at his service throughout the play because of his decisions.

The conflicts that arise in a story or play can add a strong storyline and sense of anticipation to a plot, but they often lead to similar outcomes. Like we have seen all too many times before, Doctor Faustus was torn between doing what was right and doing what felt right. He chose selfishly and paid the ultimate price with his soul.

Posted in Doctor Faustus, Power struggles | Tagged , , , , | 1 Comment