Author Archives: melissacarbuccia

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Beatrice-joanna: Victim of desperation

Was Beatrice really a sociopath or was she just desperate? I sympathize with Beatrice because even though she was responsible for the deaths of two innocent people, it seems she didn’t really know what the consequences would be. Similar to Doctor Faustus, Beatrice was naive enough to believe her extreme actions would have no repercussions. She was so naive that she trusted De Flores, a man she loathes and has treated like dirt, without thinking he would use this information to easily blackmail her. From the start of the play, Beatrice seems to be acting out of desperation.

As the play starts off, I was immediately on Beatrice’s side because she was the victim of an arranged marriage. As we’ve witnessed throughout the semester with different plays, arranged marriages are very difficult or near impossible to get out of. Beatrice, like many strong women of her time might’ve done, decided to take matters into her own hands and get Alonzo killed in order to have her freedom. When her plan goes awry, she only gets more desperate and digs herself a deeper hole by getting Diaphanta killed. Beatrice’s reasons for doing what she did were in fact selfish, but at least they weren’t for the sake of greed or advancing in society. I could understand a woman scheming in order to marry the person they love. Beatrice felt she had no way out, and took extreme measures without putting much thought into how her actions would affect others (ie. Tomazo) and herself for that matter.

Posted in Doctor Faustus, Love relationships, Power struggles, The Changeling, Uncategorized | 2 Comments

Volpone: Money/Everything

The featured characters in this play all have one specific shared interest: Money. In this play, we witness how disgusting and inhumane money makes people behave. Mostly everyone in this play is driven by the desire to obtain more money, by any means necessary. Volpone fakes an extreme illness in order to attract money-hungry people like himself to give him gifts in hopes of being named in his will. He also impersonates Scoto the Mountebank in an attempt to sell a “magic oil” that supposedly cures any illness. Volpone is already a wealthy man, but having money only makes one lust for more of it. He spends much of the play pretending to be someone he’s not, making it very difficult to judge his character.

In exchange for money, characters like Corvino and Corbaccio are willing to give up important people in their lives. Corvino doesn’t think twice about giving his wife up to Volpone in hopes of winning him over and becoming his heir(It’s not even a sure thing). Corbaccio takes his son out of his will, and puts Volpone in his place. These characters are more concerned with their wealth than their family. To make matters worse, both of these characters are already wealthy and have an impressive income. Their greed blinds them and makes it easy for them to get fooled by Mosca. Money controls behavior and exposes some of mankind’s worst qualities.

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Doctor Faustus: Exceeding human knowledge, “Overreaching”

The play starts off with us knowing Doctor Faustus is a very talented and brilliant scientist who has mastered just about everything a person can know. He has become bored because he knows all there is to know, and now is left with nothing else to study (Except for the supernatural). Faustus’ need to know more than he’s allowed is what leads to his demise, perhaps because there is a thing as “too much knowledge.” We do find out that his pact with the devil wasn’t only for the sake of learning new things, but also a lust for power, control and self indulgence. An excess of anything is bad and can turn a respectable and brilliant doctor into a foolish, power-hungry person. Faustus becomes so fixated on the idea of having control over everything, that he makes a very hasty decision of eternally damning his soul even after Mephistopheles and the good angel try to convince him otherwise.

We observe similar situations of wanting to know things, and having it lead to darkness (ie. Eve’s temptation). Marlow is hinting at a common human mistake that is often repeated through time. Instead of remaining humble and being content with your current  state (whether it’s wealth or knowledge), humanity has a tendency to always want more and overreach. The need for more of something is always associated with evil, and non trivial ways of obtaining “more” because it’s not naturally allowed. We also learn that intelligence doesn’t necessarily reflect morality. Robin, a child living in poverty, was faced with a similar situation and quickly rejected the idea of exchanging his freedom for a few years of power. Having a pure heart and morals can’t be acquired through studying or research.

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The Spanish Tragedy: The value of life

One thing that really stuck out to me while reading this play was the value of life, or the lack thereof. Death seems to be such a common occurrence that it becomes the “quick fix” to many of the issues the characters face. Almost makes it seem like the characters in this play don’t fully understand how permanent and extreme death is. We can observe this through several characters actions. It all starts when Lorenzo finds out that Bel-Imperia rejects Balthazar because she’s in love with Horatio. His first and immediate thought is that he simply must be disposed of. This then leads to Lorenzo telling Pedringano to kill Serberine because of mere suspicion (mind you, no questioning or further investigation was done in order to confirm this). Pedringano performs this duty without a doubt in mind, and this leads to Pedringano’s death sentence.

We observe a death trend after Horatio’s death, including the suicide of three characters. Hieronimo kills himself after he gets his son’s revenge, Isabella goes mad and kills herself after Horatio’s death, and Bel-Imperia commits suicide after she murders Balthazar. There’s very little value of life in this book, possibly due to the culture of war at this time and also because death isn’t a concept that’s fully understood. These people obviously know HOW to kill, but haven’t grasped the concept and permanence of death; no longer existing. They’re desensitized to death from the constant killings that occur as a way to “right a wrong” or punish those who have committed crimes.

 

Posted in Life vs. Death, The Spanish Tragedy, Uncategorized | 3 Comments