Category Archives: Endymion

Stubbornness in Love

In The Changeling, we see that Beatrice is arranged to marry Alonzo. After asking for a three day extension for their wedding, Tomazo forewarns Alonzo about Beatrice. Alonzo quickly dismisses what was said about Beatrice, and does not listen to Tomazo. This is also seen in Endymion. Upon hearing Enydmion’s love for Cynthia, Eumenides advises him against it and states that his friend is “bewitched.” Both men go against others’ opinions for the sake of love. Through their stubbornness, this leads to a negative outcome. Ultimately, Alonzo is killed, and Endymion falls into a deep sleep that lasts many years. This shows their vulnerability and persistence towards love. They are unwilling to accept the reality, and continue to seek towards love.

The main drive of both these plays is love. They are willing to go through the obstacles in order to achieve their desires. Their driving force are their desires. They are too stubborn to realize the reality or to take the advice of those who are not blind with love. They are seeing these women with love instead of the naked eye. They allow themselves to be vulnerable towards their desires for these women, but are being stubborn to see and hear the reality.

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Human and Goddess

John Lyly’s Endymion was a love play. Endymion was in love with Cynthia, the Moon Goddess. In the original myth, it was Cynthia that pursued Endymion. In Lyly’s version, the reverse occurs. However, there were obstacles in the way, including Tellus, who does not believe Endymion, and Cynthia, who holds unlimited power because she was a goddess. Tellus puts Endymion to sleep because he rejects her love and Endymion’s chances with Cynthia were over before it even started because Cynthia had power and knew that Endymion did not belong to her, however heartfelt Endymion was during the course of the play.

This play was written to Queen Elizabeth. However, Elizabeth was the role of the Moon Goddess in this play, while Endymion was one of her lovers, Tellus the loyal guard who believed Endymion was lying. Elizabeth died without a husband, so Endymion (the lover role) does not have Elizabeth’s love. Tellus was the guard who loves Endymion, yet he does not believe him. Love is blind, even if Endymion confesses everything, since everything was lost by the end.

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Tragedy to Comedy

After reading Kyd’s play, The Spanish Tragedy, and switching over to Lily’s comedy play, Endymion, there is quite a drastic change. It is obvious that this play was in fact written for Queen Elizabeth with her representation shown through Cynthia. It is interesting to notice the different style of the plays when they are made to be performed to different audiences. The plays themselves take on a mask and become much like the actors, fulfilling a certain role to please others.

Endymion takes on very different, mystical characters. It is extremely unrealistic in showing both godly and human characters conversing and taking notice of each other in the same world, but realistic in the emotions felt by the characters. Like most plays around this time, emotions were acted out rashly. However, unlike The Spanish Tragedy, there seemed to be more thought before the characters acted out purely for love. Eumenides proved this in his choice of Endymion over Semele. Furthermore, Cynthia had to act reasonable and realized being with Endymion would not be realistic. Instead of killing and seeking revenge on pure emotion, this play showed more logical sense while still being completely unreal.

Compared to a play taking a point of view and trying to promote a social idea, Endymion’s main purpose was to please Queen Elizabeth. The importance of friendship was shown but this play lacked a sense of social structure in the way that The Spanish Tragedy promoted. Showing her as Cynthia put her above mortals, not by choice but because it was her duty. It is ironic however that in both plays the women hold all of the power, and man’s fate seems to be directly tied to them.

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Endymion: Devotion to Cynthia and Queen Elizabeth

In Endymion, John Lyly refreshingly transforms a play based on the classical myth, into a comedy.  In class, we spent a good portion of time discussing who Lyly was writing this for, and where it was performed.  The conclusion was that this play was performed before Queen Elizabeth, and the main role of Cynthia the Goddess of the Moon was used to represent her.  This brings into perspective why Lyly would choose to alter the original plot of Endymion.  In the original myth, the Moon Goddess is the one who fawns over and chases after Endymion.  In Lyly’s version, it is Endymion, a man, who devotes himself to the Moon Goddess Cynthia.  Act 1 opens with Endymion confessing his love of Cynthia to his best friend Eumenides.  There are many instances before Endymion’s notorious lengthy sleep in which he professes his love for Cynthia.

I believe this was an important and well thought out move on Lyly’s part when writing the play.  If Cynthia is meant to represent Queen Elizabeth, then the implication is that Endymion, who can be interchanged with Queen Elizabeth’s subjects, sincerely adores her.  I also think that it is worth pointing out that the relationship between Cynthia and Endymion is largely platonic (aside from the kiss that breaks him from his sleep).  Endymion shows no signs of lusting after Cynthia; he purely worships her.  This solidifies the symbolism of the relationship between Queen Elizabeth and her subjects.  The reason Lyly would write a play to this effect for Queen Elizabeth is because she was in her later years, and this play would serve as a playful and meaningful method of honoring the Queen.

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Dedication in Endymion

One particular aspect of Lyly’s Endymion that left an impression on me was this form of dedication present between characters. In the beginning of the play, we are informed of Endymion long dedication of love and infatuation with Cynthia, goddess of the moon. However, we are also introduced to Eumenides’ dedication to Endymion. Although, to some, it may not be as impressive as Endymion’s committed love for Cynthia, even after twenty years, Eumenides was committed to find the remedy that would allow Endymion to awake from his slumber.  Furthermore, Eumenides also voluntary sacrificed his love for Semele for Endymion as we saw in his struggle between friendship and love during his conversation with Geron at his fountain.  Without this sacrifice, Eumenides would not have been able to find the only remedy that would awake Endymion and convince Cynthia to kiss Endymion.

However, with the sacrifices affiliated with dedication, it also comes with its own respective rewards. With the awake of Endymion, Eumenides is rewarded by Cynthia, a budding relationship between himself and Semele. Although Endymion is ultimately unable to be in a relationship with Cynthia, Endymion was still awakened and saved by Cynthia herself. Lyly’s demonstration of dedication in Endymion is met with rewards. This could also represent an symbolic representation of Lyly’s dedication to Queen Elizabeth through the previous discussion of Cynthia being an allegorical representation of Queen Elizabeth.

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Endymion: A fitting tribute to a Queen.

While I’m quite sure that Lyly’s contemporary audiences recognized the not-quite-so-subtle homage to Queen Elizabeth I from the get-go (who could mistake the fawned over Cynthia, a woman of unsurpassed beauty and excellence, for anyone else?), but for those of us today not catching on quite as quickly, Lyly’s conclusion proved without a reservation that the plot of the play was written foremost to flatter the Queen. Now this isn’t such a terrible thing,  such an aim hardly inhibited Lyly’s stylistic choices as a playwright and that is arguably where he succeeds most, but it does necessarily affect his characterization, and it’s worth taking a look at.

For the majority of the play, Cynthia remains a figure of unattainable proportions, her appearances are few and her lines numbered, yet thanks to Endymion her presence is palpably felt even in her absence and her greatness simply understood. Taking Cynthia as a substitute for the Queen, it makes sense since Elizabeth’s power came not from her constant showing of authority, but the implicit understanding  of its existence. Until the final Act, Cynthia maintains this somewhat removed nature, however by the final scene Lyly entirely shifts her role from a passive force to an active one.

No longer able to simply stand over watch, Cynthia assumes the role of judge, jury, healer, mediator, and all-around resolver, bringing to a close the various strands of the play in a way that only an omnipotent figure could really hope to do. In fact, it makes you wonder why none of this could have been accomplished sooner (given the decades that passed with Endymion’s slumber). But placing such quibbles aside, Lyly built up the play adulating a mythical woman almost without reason only to close by justifying such praise when she finally takes action; and while I’m none too familiar with the reign of Elizabeth I, I’m content to say that this is a fitting way to pay tribute to any figurehead under ‘threat’ of seemingly unsubstantiated praise.

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Endymion Scene 5.1.10-152

http://youtu.be/7WboeWJm0vc

As a group we wanted to take advantage of putting a modern twist on the play. Endymion and Eumenides are best friends and Eumenides makes sacrifices for Endymion’s own happiness. As a group we noticed that it is like a wolf pack relationship. Wolves travel together and protect each other, it is a very strong bond. This is the reason for the wolf masks, however there needed to be some distinction between Endymion and Eumenides. At first the plan was to wear the same color clothing to represent a bond, however after realizing that both characters are quite different in the way they think and act we choose black and brown to create the difference between the two men. For Cynthia’s clothes and color choices, after research a moon goddess wears all white to literally represent the moon.

The setting for the scene was at madison park. The scene shows the Endymion is asleep under a tree and after Cynthia kisses him she needs to hide behind him. The park had many trees and benches for Endymion to lay on and it gave us enough room to move around and film freely. Also the park can be seen as a form of wilderness, an area in which wolfs would more or less roam around.

The scene study was definitely a fun and creative assignment but required a great amount of research and work to put a modern twist to the play. Some problems that we can across as a group was reading with a mask on. The mask however was necessary for the interpretation of they play we took as a group. Another problem we came across was having to film in the freezing cold weather. We researched and agreed on the type of setting we wanted but did not take into account how cold it might have been on the day we needed to shoot. The final problem is being able to film with the other people in the park. We had to do many takes because of the noise around us or people walking too close to the camera.

Some must haves for filming would be to plan out who would do the filming. We have three people in the group and three roles to take on but to be better prepared we needed to plan out who could help us actually shoot the whole scene. Also if anyone has an Ipad, it is a great way to film if you don’t have a camera. Our main worry was the sound quality however we were able to capture our voices perfectly with the Ipad despite the amount of sound around us. Overall the recommendations are minor things we overlooked which planning ahead would have taken care of.

Finally a few suggestions would be: rehearse and prepare! Rehearsing at the destination you chose as a group can prepare you on the level of sound and the amount of distractions you can expect. Prepare early in advance so you can avoid any minor mistakes and can have a successful filming session.

-Angelic Rivera, Briana Kaufmann, Shazia Ahmed

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