Category Archives: Power struggles

A New Way To Pay Old Debts is a play in which the audience finds themselves truly rooting for the downfall of the bad guy.  This is different from some of the other plays we have read as most of the characters are all mixed up in circumstances that lead to terrible deeds being done by a multitude of characters.  While A New Way To Pay Old Debts does have its share of bad things being done onto others, there is a clear distinction between who is right and who is wrong.  The character of Giles Overreach feels entitled to whatever he sets his eyes on and has no moral limit as to what he will do to get it.  In contrast to the characters of Frank Wellborn and Lady Allworth who are aristocrats, Overreach has climbed up the societal ladder through unsavory means.  This connects to another major theme in the play, which is how the author portrays differences between the aristocratic class and the working class.

While Wellborn and Lady Allworth were born into money, Overreach lets the audience know fast that he has personally acquired his wealth over the years.  However, he is no hard worker having earnestly earned his new status.  This is important, because through this character choice, the author creates a clear distinction between social status; that those who are born into money are inherently better, both in morals and intelligence.  Although Overreach was able to scam Frank out of his wealth, leaving him nothing but a poor has-been, Wellborn and Lady Alllworth are still able to outsmart him, playing on his own tactics to rob him of his riches.  Overreach’s grandiose ambitions and sense of self blind him, making him not susceptible to only Wellborn’s plan, but to Lovell’s plan as well.  In the end, we see the crash and burn of Giles Overreach, ultimately being left with the idea that although he was able to acquire a higher social status, he could never make up for what he was lacking on the inside.

In Philip Massinger’s A New Way to Pay Old Debts, the primary focuses of the play involve class conflict and a tangled marriage between Allworth and Margaret. However, one aspect of the play that I found to be very interesting is the change that occurs in Wellborn. After reading The Changeling and The Duchess of Malfi, audiences can see how powerful character change can be, but in this work Wellborn undergoes a dramatic change in class rather than character.

Based on the exchange between Wellborn and Tapwell in scene 1.1, it is apparent that Wellborn was once a noble man of great wealth. However, he has now squandered his wealth away and has been degraded to being kicked out of the bar by Tapwell, who he had previously helped. This once powerful and wealthy man is now nothing more than a dirty bum. Despite being down on his luck, Wellborn does not resort to desperation to satisfy his needs.

When Allworth stumbles upon Wellborn beating Tapwell, he stops him and eventually offers him money to help in his situation, but Wellborn will not take the money. He refuses to accept donations from a youth and claims, “I’ll eat my arms first”( 1.1.176). Lady Allworth also offers Wellborn money after he speaks to her about the righteous acts that he had done for her late husband. In response to this assistance, Wellborn simply rejects the money and demands only the respect of Lady Allworth’s servants. As the play progresses, the only individual that Wellborn accepts money from is Overreach, which he uses to pay back his creditors who were ruined due to his negligent credit. Towards the end of the play Wellborn has reestablished himself as a noble man with strong values. He is not the wealthy man that he once was, but he is no longer the poor, run down man that he was at the start of the play.

Wellborn did not have a dramatic internal change as Bosola and Beatrice did in prior plays, but his change of class prior to and throughout the play shows his determined character. He kept his morals intact and worked from the bottom to once again gain good fortunes. He was even able to gain revenge against Overreach in the process.