Literature of the Picaresque

Samantha Chase’s Post on Emily Dickinson

The poem that begins, “There is no Frigate like a Book to take us Lands away,” is an important one to understand both Emily Dickinson as well as the reading we have done so far in class. The notion that any person, of any background or means, can be transported by reading a book, is one which seems universal, but is not. Dickinson was an isolated person who spent much of her life writing, and did so in private. Her own poetry was an exploration into an internal and natural world where she took a more passive role. It is clear though from this poem that she believed that the human soul could be accessed by anyone who could read a book.
As we have ventured through stories of the picaresque, we see this is not always the case – either from the perspective of the author, or the characters in the story. In the very beginning of the course, we looked the Anansi stories. Many of these were not written, as they were told between people in transition or who may have been unable to read – they had the function that Dickinson speaks to in her poem, but they were a tool of people who were oppressed by a power structure. She also touches on the accessibility in relating “without oppress of toll- how frugal is the chariot…,” meaning that it is free for anyone who can hear or read to take the passage into discovery of the soul, which is subversive in this same way.
Looking at The life of Lazarillo de Tormes, the unknown author had a clear perspective; the book was a vehicle to undermine the power structure of the establishments, but also to show the value and universality of the protagonist, Lazarillo. On the other hand, in the introductory section of the The Swindler, the author has a tone which is clear in seeking to exclude certain people from validity in society.
On a larger scale, we all have read the same assignments and have had varying perspectives on their meanings. We all have been transported to another time and place through literature, which is the point of Dickinson’s poem.


 

Reading Assignment for 10/17

For our next class meeting, on Monday, October 17th, we will continue to discuss the poem by Samuel Taylor Coleridge, “The Rime of the Ancient Mariner.” We will also discuss three poems by Emily Dickinson, which you can find here and also here.

Please read poems: 657, 1593, and also 1263 (“There is no frigate like a book”).

If you have not yet received an email with comments on your essay, you should receive it no later than tomorrow. I will also put all first drafts into my mailbox, on the 7th floor of the Vertical Campus, no later than tomorrow. Thanks!

Essay #1 Final Draft Due, 10/17

Please remember that the final draft of Essay#1 is due at our next class meeting, on Monday October 17th. You will find my grading rubric here.

Please follow the guidelines below, and include a cover page, previous draft and outline.

1) For the second draft of your essay, please include a new cover letter. The cover letter is a chance for you to reflect on the writing process, and to introduce readers to your essay. Here are some questions to consider in your cover letter:

Describe your revision process. What suggestions did you get from others that you tried to follow? Point to specific places in your draft where you followed someone else’s advice. Where do you feel your revision succeeded? Where did it fail? What would you have liked to continue working on?

2) Please give your essay a creative, original title – and “Essay #1” does not count as creative or original. Titles are very important; they help to focus the reader (and the writer) on the heart of the matter.

3) Please format your essay according to the MLA formatting guidelines (ie): indenting paragraph breaks (including for dialogue); normal margins; double-spacing; and include the date.

4) Please include page numbers.

5) Please staple all of your revision material together; that means:

– Your final draft on top

– Your first draft underneath that

– The critiques you received from your fellow students

– Your outline

 

The Rime of the Ancient Mariner

Alijon Rahmatov

Professor Peer

ENG 2850

4 October, 2016

The Rime of the Ancient Mariner

Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” is a poem about a lone sailor who survives disastrous journey. I have to be honest with you Coleridge’s poem was more challenging to read than the other works that we’ve read. Not only because of the language that it was written but also it was packed with interesting symbols and images, which require more time to analyze it. Coleridge’s poem is rich with religious and natural symbolism. I found many references to the Christian religion throughout the poem. One example of religious symbolism is the Albatross. The moment when mariners meet the Albatross, they call it in God’s name as if it was a Christian soul. I believe that the Albatross is a reference to Jesus. Like Jesus in Christianity, here the Albatross was sent to help mariners. However, it was killed be the Mariner which leads to the discussion question: why does the mariner kill the Albatross? “Instead of the cross, the Albatross about my neck was hung.”(367)It seems to me that the act of killing the bird represents the crucifixion of Jesus Christ. And the Mariner here represents people, who have to carry the burden of sins.

On the other hand, I see the Albatross as a symbol of balance in nature which was broken when the Mariner killed it. The nature punishes them by putting a curse on him and killing the rest of his crew. The author depicts the nature as a supernatural with weird creatures. Here even the storm is compared to a huge flying creature that chases their ship.

O happy living things! No tongue

Their beauty might declare:

A spring of love gushed from my heart,

And I blessed them unaware. (370)

As we can see the Mariner comes to realize the significance of these creatures only when he was cursed. The author’s message is that we need to respect the natural world and its creations.

Another interesting thing in this poem was at the beginning when the Mariner stops the wedding guest. He stopes only one of the guests but not all three. And the wedding guest couldn’t leave him, “yet he cannot choose but hear” (364). Was he hypnotized by the glittering eyes of the mariner? What is the meaning behind it? There is something special about his eyes. He could hold a guest against his will. Perhaps his eyes has something magical which is a part of his punishment. At the end of the poem the Mariner says, “that moment that his face I see, I know the man that must hear me” (560). What kind of a man is he looking for? Does it mean that the wedding guest was a chosen one?