Third Workshop
It is a great pleasure for me to go to Rubin Museum of Art. This museum have the largest Western collection of religious art from cultures of the Himalayan mountain range, the birthplace of Buddhism. As a Buddhist, I felt so excited about it and enjoyed this meaningful experience. Among all there are some pieces left me deep impressions. The piece “Samvara in union with Vajrayogini” is a gilt copper statue that from Tibet, circle 1400. In the piece “Samvara in union with Vajrayogini”, there is a Buddha embraced by two divine couple dragon and looks like wearing scarves on. The whole piece is bronze and gilt copper. It looks shining in the window under the light. It also has many pearls on the Buddha. The jewelry and pearls are big and heavy perhaps to represent wealth and happiness. In the piece, Samvara is the meditational god of the Kagyu schools and Tibet people. The great art and shape of the Buddha reflected the art attainment and talent of the artist of this statue.
In my opinion, this piece of Buddha statue is developing a feeling of wealth and happiness because of the heavy and big jewelry which were wearing on the Buddha. The Buddha also embraced by dragon which means the people of the Tibet would also be blessed by the Buddha. The statue also is bronze and gilt copper. The shinning color tone also shows that this Buddha is representing a good life. In this piece, the posture of the Buddha is bending his knee in one side and smiling looking at the dragon. It also shows the power and wealth that the Buddha has. Because of this Buddha is representing wealth and happiness. In my opinion, the function of this Buddha is for the Tibet people to pray for good life. The people of Tibet built this piece of art and people could come to pray every time if any people feeling bad of their life. This Buddha also represents power because of the dragon on its body. Therefore, People may go to pray for power in real life also and have a good life.
The piece “Diverse forms of Mahakala and other protectors” during central Tibet, Gelugpa school 1805 to 1820, there is many deities trying to protecting some deities. In this painting, numerous deities established a scene of grandness and shake. The fire on the deities’ body is shining and looks like moving to somewhere. The painting used a dark color tone to illustrate the power and threating of those deities. The deities in this painting all have the same skin color and fire. This seemed to unite and protect for the same purpose. The content of this painting said, “The painting is dedicated to nine wrathful deities held prominently in the Gelugpa School.” Therefore, it told us its nine powerful protectors in this painting. Every protector in this painting seem has its own power and story could be told by other art sculptures.