With a wide range of museums in New York City, intriguing exhibitions are offered in various fields. Among other museums, I chose the Whitney Museum of American Art. The Whitey Museum consists of American artworks mainly from the twentieth century and temporary exhibitions.
The Whitney building draws attention with its unique building structure. Upon entering, there are glass windows that allow people to grasp an insight of the large and spacious first floor with a gift shop filled with artistic souvenirs and a line to purchase tickets. The exhibitions are divided into three floors each with a different concept and theme. The sixth floor is the Calder exhibition portraying the theme of Hypermobility. Calder’s sculptures depict kineticism in which it was fascinating to see because unlike other exhibition with framed artworks, Calder uses sculpture to express his idea of movement into sculpture. Through this exhibition, I learned about Alexander Calder and his concept of hypermobility. Calder asserts in combining motion and his sculptures. He believes that if artworks can be composed of colors, then motions should also be included. It was impressive to witness Calder’s sculptures slowly spin and rotate on its own.
Unlike Calder’s exhibition, “An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017” provides historical context of political and social disputes in America. The exhibition greatly demonstrates Americans’ resistance towards wars in the 1950s. Out of all the artworks, Edward Kienholz’s “The Non-War Memorial” stood out to me the most. Instead of using a painting, Kiehholz expresses his idea by putting military uniforms on the floor symbolizing the dead soldiers to provoke a sensation of war terror.
Overall, I would recommend others to visit the Whitney Museum of American Art. It is fairly close to Baruch and the exhibitions are highly intriguing and inspiring.