What is a ghost story without suspense? Or a great detective story without tension? Simply nothing. It is the elements of suspense and/or tension that make a story great. As stated by Raymond Carver “There has to be tension, a sense that something is imminent, that certain things are in relentless motion, or else, most often, there simply won’t be a story.” These elements (“tension”, “something is imminent”) allow a reader not only to be engaged in the story but also keeps them at the edge of their seat.
In the short story “Cathedral,” the author, Robert Carver uses tension to keep the readers glued to the story. Right from the start, readers can sense uneasiness the narrator feels upon knowing that his wife’s blind friend, Robert, is going to stay at the house for the night. The narrator is bothered by the man’s blindness and is unhappy about him staying. He claimed: “A blind man in my house was not something I looked forward to” (Carver 265).
Upon Robert’s arrival the tension builds up to the peak when Robert asks the narrator to describe a cathedral that was shown on the TV. The narrator finds himself to be in a crisis because he couldn’t even begin to describe the cathedral even if his “life depended on it” (Carver 276). With much attempt, the narrator is still unable to describe the cathedral, saying, “I’m just not good at it” (Carver 276). The narrator is incapable of describing what he sees with words because the truth is he doesn’t understand cathedrals: “…[C]athedrals don’t mean anything special to me. They’re something to look at on late-night TV. That’s all they are” (Carver 277). But, with the help of Robert, the narrator is able to overcome the panic by drawing the cathedral on paper with his eyes closed. By doing so, he is able to both see and understand, something, which he lacked early on in the story.
As I was reading the story, I thought that the narrator was unhappy with Robert coming to the house because he didn’t like the relationship that his wife had with Robert. It is evident that the wife and Robert are very close friends. Ever since they met they have kept in touch with each other by mailing tapes back and forth. I felt the narrator is jealous of the closeness that his wife and Robert have together because it is that closeness that is lacking in his marriage. While the wife is able to laugh with Robert, she is only able to give frowning looks upon her husband (the narrator). The narrator is unable to feel the closeness or a bond with his wife: “They talked of things that happened to them – to them! I waited in vain to hear my name on my wife’s sweet lips…[B]ut I heard nothing of the sort. More talk of Robert” (Carver 271). There is no feeling of love between the narrator and his wife. This is apparent for the wife gives him a look of irritation when he goes to turn on the TV in front of Robert or the fact that they hardly go to bed at the same time.
Raymond Carver has created a piece of work that keeps you (as a reader) wanting to finish reading the story. Written in short proses, the story is easy to follow. The one main element that keeps the story “Cathedral” going is the element of tension that Caver uses. Tension is first brought to the surface when the narrator has knowledge that his wife’s blind friend Robert is going to stay over their house. Along the way, there are droplets of hints about the tension between the narrator and his wife. As a reader you can assume that there is no closeness or love between the husband and wife. The wife gives the narrator demeaning looks, while the narrator fails to understand his wife. It is Robert who helps the narrator bridge the gap between seeing and understanding through a very unique and yet simple method; the art of drawing with eyes closed.