Category Archives: JM13D

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Happiness Behind Different Doors.

In Susan Sontag’s “Against Interpretation”, she writes “the modern style of interpretation excavates, and as it excavates, destroys; it digs “behind” the text, to find a sub-text which is the true one.” When interpreting this quote I got the idea that Sontag was saying that people naturally read between the lines to get the “bigger and better” meaning. We “destroy” works of literature by analyzing it in the many lenses that it can be looked under.

When reading Ernest Hemingway’s “Hills Like White Elephants” the first thing that stuck out to me was its structure. The fact that majority of it was written in a dialogue form, made it difficult for me to keep up. I caught myself having to look back to see who was speaking with the occasional “he said” or “she said”, something I am pretty sure many others have to do while reading this specific piece. Throughout the entire piece I was forced to continuously wonder what the hell the American man and girl were arguing over doing. Even after having finished reading the story once, I had to read it again to figure out exactly what was happening. In the beginning I thought that both the man and woman were going to decide on something to do as a couple but then I realized that the woman was the only one that would really have to go through with what they were arguing about. After a while of analyzing what exactly the woman was going to go through with, I decided that it had to do with having a baby or having an abortion.

“When one door of happiness closes, another one opens; but often we look so long at the closed door that we do not see the one which has opened for us…” (Helen Keller)

This quote is one that I personally like and happen to live by. I thought it relates to Hemingway’s “Hills Like White Elephants” because it seems like the man and woman are holding on to their past happiness and they fail to see that by having an abortion they could be missing out on a new happiness and chapter in their lives.

The only thing I significantly despised was the fact that Hemingway chose to technically chop the story in half and have it end without a decision being made.

I find myself to enjoy reading stories over essays or book chapters. Whenever I have to read an essay or book I usually sit with a highlighter or pen in my hand ready to scrutinize to the fullest, but when reading a story I tend to forget about analyzing that much along the way and I just try to keep up with what is happening by visualizing. I also believe that visualizing a piece of literature is a significant part to me actually understanding its meaning and when reading essays of book chapters I find it hard to do so.

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I want this!

Came across this when writing my manifesto earlier today… ^^

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Culture is not your friend

[kml_flashembed movie="http://www.youtube.com/v/iYB0VW5x8fI" width="425" height="350" wmode="transparent" /]

This guy is a little out there, but I like his view points, and this dances around happiness with good food for thought on critically thinking about our culture.

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Thought this would be appropriate:

What happiness boils down to:

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Schedule of Appointments

Hi all, Please remember that Monday there is no “regular” class scheduled. Instead you will each meet with me individually. Please bring your most recent draft of Paper 1. If you do not have an appointment with me, please email to set one up ASAP. My office is VC 7-290K.

ALSO…a change to the syllabus–your “final draft” is now due on Monday, March 14!

Monday, March 7

8:40     Tommy

8:50    Mikhail

9:00    Mina

9:10     Danielle

9:20    Danny

9:30    Olivia

9:40    Isaac

9:50    Aleks

10:00  Maria

10:10   Vivian

10:20  Aferdita

10:30  Diana

10:45   Gavin

10:55   Jacqueline

11:05   Diana Achibar

11:15    Phillip

11:25    Joseph

11:45   Allen

11:55   Andrey

12:05  Mark

12:15   Maurice

12:25  Eliza

12:45   Laura

12:55   Eugene

1:05     Brian

1:15      Ling

1:25     Emily

1:35     Anna

1:45     Malisa

1:55     Eva

2:05    Alex

2:15     Emil

2:25    Kristie

2:35    Carmen

2:45    Lauren

2:55     Deon

3:05    Greg

3:15     Betzalel

3:25

Wednesday, March 9

1:00   Suzan

1:10   Geraldine

1:20   Victor

1:30   Marianna

1:40   Steven

1:50   Haibin

2:00   JAR

2:10   Jenny

2:20   Elizabeth

2:30

2:40   Manuela

2:50

3:00

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Manifesto drafting process from yesterday’s class

How to Live in Draft Form

We’ve all experienced the sinking feeling that happens when one gazes upon the pearly white of a syllabus and sees the looming word “rough draft” and a due date. We’ve all felt the butterflies that come with midnight composing, the rush to just finish, and the paranoia that our draft is not good, will never be good, can’t be good. So, now, allow me to ask you to consider the following: why not just accept the draft and move in? I am asking you all to join me, to live within the draft or the drafting process, to bask in the glory of imperfection, and allow yourself to know that writing is never really done.

As Frank O’Hara reminds us in “Meditations on an Emergency,” “it is easy to be beautiful; it is difficult to appear so.” What he really means is that appearances can be misleading—imperfections abound, so why not embrace said imperfection and find beauty in it? Why not simply take a run on sentence and run with it until you figure out a way to morph it into a beautifully comma-ed clause?

Free Writing/Brainstorming:

Drafting is the process of just getting things down on paper. Drafting is a way to make one’s ideas legible. Drafting is drafting, has different connotations than if you get drafted into the army per se. but still, I think a lot of people see “draft” and cringe. Drafting never ends. There is no such thing as a finished piece of writing. All we have are drafts. We must learn to love our drafts, the drafting process, the want to draft.

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On Novelty

Oh, Freud.

In the beginning of “Chapter 5,” you write, “Novelty is always the necessary condition of enjoyment” (43).  But, I keep finding myself getting tripped up by what you are implying here–maybe it is this notion of “novelty”, maybe “necessary” is the word I take issue with. I am reading Beyond the Pleasure Principle for easily the tenth time, and yet I am enjoying it just as much as the first time, perhaps even as much as the eighth time. So, how could novelty really be “the necessary condition of enjoyment?” It seems like you draw a connection between “instinct” and the way the “compulsion to repeat” causes humans to continue to follow their instinctual drive to repeat something repressed or somehow connected to past trauma–does this then mean that every time an act is repeated it becomes novel and new?

How can an instinct be “conservative?”

It seems like Freud has 4 main points or links or symptoms he thinks the “compulsion to repeat” comes out of: nightmares, children’s play (fort da), therapy/delving into a past repressed, and anxieties about the future. But that still leaves out a lot of human experiences that are repeated yet still novel.

Am I being too literal minded? And, seriously Freud, what about music–isn’t the whole point of a chorus to repeat? Don’t we like songs because their lyrics are repeated and stick with us?

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How many times does Kanye use the word “Power” here? How many times do we see his face? How many times do we hear the song on tv–either on awards shows, SNL, or now commercials. But, I still love the song–it makes me feel “happy” for the 5 or so minutes I can listen.

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RESPONSE PAPER

Freud presents his essay as a critique of the assumption that as humans we are drawn innately to gaining as much happiness and pleasure as we can. Freud disagrees with this assumption. He argues that we all have a mental perception of displeasure or pain. Our minds or perception is more drawn to dealing with the pains we experiences and this helps us to gain pleasure or happiness as a byproduct. Freud was writing after the time of WWI. At the time that event was the most displeasurable things humans had experienced.

 Gaining pleasure is not our dominant trait but most of the processes of our mind do end up in pleasure. He explains this concept with his investigation of “Fort Da” or “Child’s Play.” Freud experienced and analyzed the actions of a little boy who was constantly throwing away his toys in a bid to say Fort Da or gone away. The boy was not throwing away his toys and picking it back again because he found pleasure in that experience but instead, he was dealing with the painful things in his life that is his mother who was constantly away and his father who was off to war. Dealing with the pain was what brought the young kid happiness or pleasure. So the boy’s happiness had to deal with his own perception of what happiness was.

    In the same way, Plato’s Allegory of the cave is very similar to Fort Da. In the Allegory, Plato compares men in a state of ignorance to prisoners in a cave unable to turn their heads. Directly behind the prisoners, fire burns.  Between the fire and the prisoners, puppeteers who are behind the prisoners, hold up puppets that cast shadows on the wall of the cave. The prisoners cannot see the real objects but all they see are shadows. In the minds of the prisoners, the shadows are real objects but when released they see that their perception of reality was different. Plato’s allegory also shows that what is considered as happiness is different for different people in different situations. Pain can be seen as pleasure or happiness by another person.

   I totally agree with the views of Freud and Plato. A person’s definition of pleasure or happiness is all perceptive. What is good for the goose is not always good for the gander so to speak. For example, a religious martyr who goes through torture and death because of his/ her beliefs will be viewed by another person as experiencing displeasure and in no way happy. However, even through that pain, the martyr might be happy inside knowing and believing that he is doing God’s will. Still a question remains, which kind of happiness is superior, gaining happiness by dealing with pain or gaining happiness through pleasurable things?

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Response paper #2

In Chapter 2 of Freud’s text, he carefully investigates “children’s play,” specifically a game of “disappearance and return” which becomes known as “fort da.” Why do you think this game is so important to Freud’s ideas? How does this compare to Plato’s “allegory of the cave”? And, of course, what does any of this tell us about happiness?

The game known as fort da is so so important to Freud because he is attempting to understand our unconscious mind and find the hidden reasons for why we do the things we do. When the child plays with his toy and throws it away just to find it again, Freud saw this as a link to his mother. When she left, the child would be sad and upon her return would once more be happy. He would experience the same thing while playing with his toy except now he was the one in control. In this way, the child makes himself experience the same kind of pain that he goes through when his mother leaves and every time he finds the toy, he receives immense pleasure. This is similar to Plato’s “allegory of the cave” in that both the child and the men in the cave received knowledge of the world around them and understood it better in order to achieve happiness. The child knew his mother would return just as his toy did and the men in the cave went outside and saw the real world to become happy. It also shows how once you acquire knowledge, you cannot go back to being ignorant. As the internet says “cannot unsee”.

This tells me that as far as happiness is concerned, it is easier to achieve it when you have a good perception of the world and see things as they really are. More knowledge does not make you happier but being comfortable with the way things are in your life is sure to bring more pleasure every day.  The child understand that his mother will come back and even though he still feels pain when she leaves, it is lessened.  However, the pleasure he feels upon her return is increased. The man in the cave has been chained up and sees mere shadows of what the world really is so once he experiences what it is like outside, he becomes much happier because his eyes are open to the truth.

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Response Paper #2, Option 1

I just realized why my comment wasn’t going where it was supposed to. It’s been a while since I blogged lol sorry.  -Marianna

Both Daniel Gilbert and Sigmund Freud study psychology. Freud came first, of course, and his theories are taught in introductory psychology classes everywhere. So there’s no doubt that Gilbert learned about Freud’s theories and studied them in great detail when he was a psychology student. On pages 36 and 37 of Gilbert’s book, he even takes a quote directly from Freud.

One idea that the two psychologists seem to have in common is the one that Freud describes as the reality-principle. On page 5 of Beyond the Pleasure Principle, Freud says: “Under the influence of the instinct of the ego for self-preservation it is replaced by the ‘reality-principle’, which without giving up the intention of ultimately attaining pleasure yet demands and enforces the postponement of satisfaction, the renunciation of manifold possibilities of it, and the temporary endurance of ‘pain’ on the long and circuitous road to pleasure.” To put this in the plain English, Freud is basically describing the delaying of gratification. We sometimes do things that we don’t like to do, such as going to school or work, in order to attain pleasure later on, such as money to spend on our hobbies and other things that make us happy.

It is possible that Gilbert built on this “reality-principle” idea that Freud spoke about. On page 36, Gilbert says: “People want to be happy, and all the other things they want are typically meant to be means to that end. Even when people forgo happiness in the moment—by dieting when they could be eating, or working late when they could be sleeping—they are usually doing so in order to increase its future yield.” So the idea is the same. We do things that we might not want to do, because we believe that the results of our hard work will make us happy in the long run.

Besides this very striking resemblance that Gilbert’s writing has to Freud’s, I think the two pieces of writing are distinct. Gilbert writes specifically about happiness. He believes that emotional happiness, for example, is “the feeling common to the feelings we have when we see our new granddaughter smile for the first time, receive word of a promotion, help a wayward tourist find the art museum, taste Belgian chocolate toward the back of our tongue, inhale the scent of our lover’s shampoo, hear that song we used to like so much in high school but haven’t heard in years, touch our cheek to kitten fur, cure cancer, or get a really good snootful of cocaine.” Freud, on the other hand, would probably say that we are only fueled by our id’s desires and impulses for sex and/or aggression. But he doesn’t talk about happiness at all when describing the pleasure-principle. After all, you may be feeling pleasure, but that doesn’t mean you’re necessarily happy.

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