Category Archives: ResponsePaper

Movie Review on ‘Best in Show’

Malisa Basic (JM13D)

OPTION 1: Write a movie review of “Best In Show.” Do NOT just summarize the film. In fact, for this response paper, you are to use no summary unless it is a detail or scene that helps you to prove the argument you are trying to make about the film.

Though I am not to write a summary about Best in Show,  its hard to really go around that, so I’ll keep the summary brief.  The movie depicts a dog show held in America annually of dogs all across the country; the dogs focused on mainly in the movie are different from one another as well as their owners.  My first initial thoughts about the movie was quite unusual.  I had never heard of this movie before, and to be quite honest, I was skeptical of the concept, and how the movie began.  I was also surprised to see how many familiar actors were in the movie that I recognized from other films.  I was surprised because not only did I never hear of this movie, when I was introduced to the outline and general concept, I thought it was quite silly.  All popular stereotypes are depicted in this movie;  From the the ”nerdy” husband with a ”hot” wife that live in a Suburban area, the overly dramatic gay that acts somewhat feminine, to the angry couple that blames each other for anything that happens.  In addition, their pets even resemble their personalities which is what I thought was quite interesting.

One thing that I thought was interesting was the fact that a dog show was chosen to portray this hidden message of happiness.  The reason I thought this was interesting because American people all LOVE dogs.  There are dogs every where around us.  Sometimes I wonder if there are more dogs than people.  That’s probably where the saying ”A dog is a mans best friend” comes from. i believe that there is a specific reason a dog show was used rather than any other competition.  The reason why it may have been used is because even after the competition, the joy the dogs bring to these peoples lives does not end.  Even after the show, they are able to go back home and take care of their pets.  This was shown to be true when the lives of these characters were shown after the show.  Even though there was only one winner, the lives of the other contestants did not change all too much, and the changes that did occur were actually positive experiences they had gained from the whole experience itself.  Even the winners did not have much of a change with their life.  Sure they did make a new CD of their music which they haven’t done before, but the endless men that seem to recognize his wife through the past, never ends which shows that winning doesn’t necessarily mean everything will change, or change happiness more specifically.  In general, winning does not mean that happiness will come, or that losing will have the opposite effect.  People need to find their own happiness within them self rather than showing of their cute dogs they believe will make them happy if they win because they appear to have the ”best” dog.

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Happiness Behind Different Doors.

In Susan Sontag’s “Against Interpretation”, she writes “the modern style of interpretation excavates, and as it excavates, destroys; it digs “behind” the text, to find a sub-text which is the true one.” When interpreting this quote I got the idea that Sontag was saying that people naturally read between the lines to get the “bigger and better” meaning. We “destroy” works of literature by analyzing it in the many lenses that it can be looked under.

When reading Ernest Hemingway’s “Hills Like White Elephants” the first thing that stuck out to me was its structure. The fact that majority of it was written in a dialogue form, made it difficult for me to keep up. I caught myself having to look back to see who was speaking with the occasional “he said” or “she said”, something I am pretty sure many others have to do while reading this specific piece. Throughout the entire piece I was forced to continuously wonder what the hell the American man and girl were arguing over doing. Even after having finished reading the story once, I had to read it again to figure out exactly what was happening. In the beginning I thought that both the man and woman were going to decide on something to do as a couple but then I realized that the woman was the only one that would really have to go through with what they were arguing about. After a while of analyzing what exactly the woman was going to go through with, I decided that it had to do with having a baby or having an abortion.

“When one door of happiness closes, another one opens; but often we look so long at the closed door that we do not see the one which has opened for us…” (Helen Keller)

This quote is one that I personally like and happen to live by. I thought it relates to Hemingway’s “Hills Like White Elephants” because it seems like the man and woman are holding on to their past happiness and they fail to see that by having an abortion they could be missing out on a new happiness and chapter in their lives.

The only thing I significantly despised was the fact that Hemingway chose to technically chop the story in half and have it end without a decision being made.

I find myself to enjoy reading stories over essays or book chapters. Whenever I have to read an essay or book I usually sit with a highlighter or pen in my hand ready to scrutinize to the fullest, but when reading a story I tend to forget about analyzing that much along the way and I just try to keep up with what is happening by visualizing. I also believe that visualizing a piece of literature is a significant part to me actually understanding its meaning and when reading essays of book chapters I find it hard to do so.

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Response Paper 2

In Chapter 2 of Freud’s text, Beyond the Pleasure Principle, the “pleasure principle” is expressed through the story of an eighteen-month-old child’s actions. The child plays this game of “fort-da” where he throws a wooden reel with a piece of string wound around it, repeatedly, over the side of his cot. The concept of “disappearance and return” is incorporated into this game, resulting in two different reactions from the boy – an interjection of “o-o-o-oh” which is meant to be the phrase “fort”, meaning “go away”, at the disappearance of the reel when he throws it away, and a joyful outburst of the phrase “Da”, meaning “there”, at the reappearance of the reel when he pulls it back. Freud’s take on the boy’s interjection is parallel to the boy’s mother’s frequent disappearance. The boy feels this certain anger and distaste towards his mother because of when she leaves, which is expressed by throwing the reel away. He feels the need to have a control over his mother’s presence, or non-presence, which he expresses through his pulling back of the reel, which grants him joy and happiness, just as his mother’s return gives him. This game is important to Freud’s ideas because it expresses how people, such as the boy, seek pleasure and avoid pain or suffering by taking control of a situation in their own way, such as controlling the mother’s absence and presence by means of a wooden reel.

This compares to Plato’s “Allegory of the Cave” because of how the prisoner is faced with reality and has to accept the truth of what actually exists after being exposed to it. Similarly the boy accepts the truth of his mother’s presence, or lack thereof, and expresses that through the game. In terms of happiness, I believe both Plato and Freud show that it can be achieved only after experiencing pain, or suffering reality, and overcoming it by accepting reality.

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On Novelty

Oh, Freud.

In the beginning of “Chapter 5,” you write, “Novelty is always the necessary condition of enjoyment” (43).  But, I keep finding myself getting tripped up by what you are implying here–maybe it is this notion of “novelty”, maybe “necessary” is the word I take issue with. I am reading Beyond the Pleasure Principle for easily the tenth time, and yet I am enjoying it just as much as the first time, perhaps even as much as the eighth time. So, how could novelty really be “the necessary condition of enjoyment?” It seems like you draw a connection between “instinct” and the way the “compulsion to repeat” causes humans to continue to follow their instinctual drive to repeat something repressed or somehow connected to past trauma–does this then mean that every time an act is repeated it becomes novel and new?

How can an instinct be “conservative?”

It seems like Freud has 4 main points or links or symptoms he thinks the “compulsion to repeat” comes out of: nightmares, children’s play (fort da), therapy/delving into a past repressed, and anxieties about the future. But that still leaves out a lot of human experiences that are repeated yet still novel.

Am I being too literal minded? And, seriously Freud, what about music–isn’t the whole point of a chorus to repeat? Don’t we like songs because their lyrics are repeated and stick with us?

[kml_flashembed movie="http://www.youtube.com/v/8e1B2YMQNlU" width="425" height="350" wmode="transparent" /]

How many times does Kanye use the word “Power” here? How many times do we see his face? How many times do we hear the song on tv–either on awards shows, SNL, or now commercials. But, I still love the song–it makes me feel “happy” for the 5 or so minutes I can listen.

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RESPONSE PAPER

Freud presents his essay as a critique of the assumption that as humans we are drawn innately to gaining as much happiness and pleasure as we can. Freud disagrees with this assumption. He argues that we all have a mental perception of displeasure or pain. Our minds or perception is more drawn to dealing with the pains we experiences and this helps us to gain pleasure or happiness as a byproduct. Freud was writing after the time of WWI. At the time that event was the most displeasurable things humans had experienced.

 Gaining pleasure is not our dominant trait but most of the processes of our mind do end up in pleasure. He explains this concept with his investigation of “Fort Da” or “Child’s Play.” Freud experienced and analyzed the actions of a little boy who was constantly throwing away his toys in a bid to say Fort Da or gone away. The boy was not throwing away his toys and picking it back again because he found pleasure in that experience but instead, he was dealing with the painful things in his life that is his mother who was constantly away and his father who was off to war. Dealing with the pain was what brought the young kid happiness or pleasure. So the boy’s happiness had to deal with his own perception of what happiness was.

    In the same way, Plato’s Allegory of the cave is very similar to Fort Da. In the Allegory, Plato compares men in a state of ignorance to prisoners in a cave unable to turn their heads. Directly behind the prisoners, fire burns.  Between the fire and the prisoners, puppeteers who are behind the prisoners, hold up puppets that cast shadows on the wall of the cave. The prisoners cannot see the real objects but all they see are shadows. In the minds of the prisoners, the shadows are real objects but when released they see that their perception of reality was different. Plato’s allegory also shows that what is considered as happiness is different for different people in different situations. Pain can be seen as pleasure or happiness by another person.

   I totally agree with the views of Freud and Plato. A person’s definition of pleasure or happiness is all perceptive. What is good for the goose is not always good for the gander so to speak. For example, a religious martyr who goes through torture and death because of his/ her beliefs will be viewed by another person as experiencing displeasure and in no way happy. However, even through that pain, the martyr might be happy inside knowing and believing that he is doing God’s will. Still a question remains, which kind of happiness is superior, gaining happiness by dealing with pain or gaining happiness through pleasurable things?

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Response paper #2

In Chapter 2 of Freud’s text, he carefully investigates “children’s play,” specifically a game of “disappearance and return” which becomes known as “fort da.” Why do you think this game is so important to Freud’s ideas? How does this compare to Plato’s “allegory of the cave”? And, of course, what does any of this tell us about happiness?

The game known as fort da is so so important to Freud because he is attempting to understand our unconscious mind and find the hidden reasons for why we do the things we do. When the child plays with his toy and throws it away just to find it again, Freud saw this as a link to his mother. When she left, the child would be sad and upon her return would once more be happy. He would experience the same thing while playing with his toy except now he was the one in control. In this way, the child makes himself experience the same kind of pain that he goes through when his mother leaves and every time he finds the toy, he receives immense pleasure. This is similar to Plato’s “allegory of the cave” in that both the child and the men in the cave received knowledge of the world around them and understood it better in order to achieve happiness. The child knew his mother would return just as his toy did and the men in the cave went outside and saw the real world to become happy. It also shows how once you acquire knowledge, you cannot go back to being ignorant. As the internet says “cannot unsee”.

This tells me that as far as happiness is concerned, it is easier to achieve it when you have a good perception of the world and see things as they really are. More knowledge does not make you happier but being comfortable with the way things are in your life is sure to bring more pleasure every day.  The child understand that his mother will come back and even though he still feels pain when she leaves, it is lessened.  However, the pleasure he feels upon her return is increased. The man in the cave has been chained up and sees mere shadows of what the world really is so once he experiences what it is like outside, he becomes much happier because his eyes are open to the truth.

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Response Paper #2, Option 1

I just realized why my comment wasn’t going where it was supposed to. It’s been a while since I blogged lol sorry.  -Marianna

Both Daniel Gilbert and Sigmund Freud study psychology. Freud came first, of course, and his theories are taught in introductory psychology classes everywhere. So there’s no doubt that Gilbert learned about Freud’s theories and studied them in great detail when he was a psychology student. On pages 36 and 37 of Gilbert’s book, he even takes a quote directly from Freud.

One idea that the two psychologists seem to have in common is the one that Freud describes as the reality-principle. On page 5 of Beyond the Pleasure Principle, Freud says: “Under the influence of the instinct of the ego for self-preservation it is replaced by the ‘reality-principle’, which without giving up the intention of ultimately attaining pleasure yet demands and enforces the postponement of satisfaction, the renunciation of manifold possibilities of it, and the temporary endurance of ‘pain’ on the long and circuitous road to pleasure.” To put this in the plain English, Freud is basically describing the delaying of gratification. We sometimes do things that we don’t like to do, such as going to school or work, in order to attain pleasure later on, such as money to spend on our hobbies and other things that make us happy.

It is possible that Gilbert built on this “reality-principle” idea that Freud spoke about. On page 36, Gilbert says: “People want to be happy, and all the other things they want are typically meant to be means to that end. Even when people forgo happiness in the moment—by dieting when they could be eating, or working late when they could be sleeping—they are usually doing so in order to increase its future yield.” So the idea is the same. We do things that we might not want to do, because we believe that the results of our hard work will make us happy in the long run.

Besides this very striking resemblance that Gilbert’s writing has to Freud’s, I think the two pieces of writing are distinct. Gilbert writes specifically about happiness. He believes that emotional happiness, for example, is “the feeling common to the feelings we have when we see our new granddaughter smile for the first time, receive word of a promotion, help a wayward tourist find the art museum, taste Belgian chocolate toward the back of our tongue, inhale the scent of our lover’s shampoo, hear that song we used to like so much in high school but haven’t heard in years, touch our cheek to kitten fur, cure cancer, or get a really good snootful of cocaine.” Freud, on the other hand, would probably say that we are only fueled by our id’s desires and impulses for sex and/or aggression. But he doesn’t talk about happiness at all when describing the pleasure-principle. After all, you may be feeling pleasure, but that doesn’t mean you’re necessarily happy.

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Response Paper #2, Option 2.

In chapter two of Sigmund Freud’s Beyond the Pleasure Principle he introduces a very interesting topic in which is called “Fort da”. “Fort da” is interesting because it came to be from what he observed from an eighteen month child. Freud describes the child as an obedient, calm and not an intellectual child but the ‘game’ that Freud observes the child playing says otherwise. The game is that the child has a tendency to throw his toys in the corner so that they disappear, but then he pulls the toy back out to make it reappear. Freud says that the child is doing so to relieve the pain he gets when the mother leaves the child.

I agree with this point that Freud makes. Even though the child may not seem to be missing his mother, psychologically he is because of the way he plays the game. The aggressive nature of throwing an object shows that the child is displeased with something in his life (like his mother leaving) and he wants to express that emotion. Even though he throws it in the meaning that he wants the toy to go away (fort), he always pulls the object back and says “da” (there) as if he’s happy to see it again. This brings it back to the point with his mother, when his mother leaves the child accepts the fact that she is leaving but it upsets him so he takes his anger out of something else. He already knows that his mother will return just like his toy and when it does he says “da” which shows a sense of happiness from the child. It is a sense of happiness because the child has found his toy again and to him the object did not completely disappear just like how his mother will come back after leaving for a time and that time he will be happy.

I noticed is that when the child throws away its toy it seems like the child does not forget the image of object is because when he pulls it out again he remembers it and says “da” like “there you are” but the child does not know if the toy is truly there without seeing it again.

This relates the Plato’s allegory of the cave in a way that the prisoners in the cave can just see the shadows but they do not know what they are nor can they tell each other anything about them but the shadow. Just like how the child can see his mother and toy leave him but cannot explain where they went and what they are doing. Both the prisoners and the child cannot achieve true intellect in the eyes of Plato because for the child he only believes in the physical appearance of something to know that it is truly there. As for the prisoners they know an object is there but they do not know what it is, to Plato just knowing that something is physically there does not give one true knowledge of the object.

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Malisa Basic Response Paper #2 JM13D

Malisa Basic- Response Paper #2 (Option #3)

Rather than the two given options where I had a choice to write about what Gilbert may have learned through Plato’s philosophy or discuss in detail and explain child’s play, I took a different approach and decided to analyze the two different texts, comparing and contrasting the views of Freud and Plato, and the way they decided to approach their won ideas in text.  The ideas Plato portrays in the Allegory of the Cave is set up differently than Freud’s Beyond the Pleasure Principle.  Plato states his ideas in a story format, contrasting to Freud’s piece where he talks directly to the reader being the audience about his views and opinions.  Even though it would make more sense  understanding a certain concept through a moral or story, I found it more difficult to read than Freud’s work.  This may have resulted to the time period each article was written.  However, in this case, it seemed as if a more direct and simple approach was easier for me to understand in which ideas the author was trying to express through his work.

In the Allegory of the Cave,  prisoners are locked in within a cave where they are only given sight to shadows of objects by carriers of the objects who show the object through fire.  They know nothing of the outside world, or exposure of anything else aside from what they are shown.  However, once prisoners are taken out of the cave and are exposed to reality and the world outside , they find themselves having a difficult time returning to the cave.  Though this may seem like a simple concept, the way Plato has worded this story is quite confusing.  However, I find the main idea of this story to be up to one’s own interpretation.  The way I interpreted this story was that once individuals are exposed to the truth, they cannot trust what information is given to them.  They rather learn about certain objects through their own experience.

In Freud’s Beyond the Pleasure Principle, he states that ”Most of the ‘pain’ we experience is of a perceptual order, perception either of the urge of unsatisfied instincts or of something in the external world which may be painful in itself.” (pg. 6)  Here he states that most pain is a cause of a mental process, a deficiency in pleasure.  This can be expressed in Plato’s book because the prisoners don’t feel pain until they leave their cave.  Exposure to the unknown brings pain, as does ”something in the external world which may be painful itself” as Freud explained, even though this may seem like positive progress towards improvement for the lives of these prisoners.  When people are exposed to reality something that was not shown to them before, it may cause confusion and denial because it is hard to believe this new truth exposed to them, and hard to understand how what they knew before and thought was true, really wasn’t.  A feeling of denial as well as deceit can eventually cause pain as the prisoners did.  What other factors cause pain?  Can pain eventually become an indifferent feeling?  Is there a term for this feeling?  How would Plato or Freud describe this?

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Living in a dream world (Deon Marecheau)

fort da.” as Freud refers to the game that a 18 month old child created, seems to be merely an “allegorical game” used to delineate the childs mother as a symbolic object. The child  was representing a relationship with his mother, while finding a way to deal with the grief he experienced when the mother left. Just as Plato’s allegory of the cave where the prisoners in the cave perceive reality based on the shadows that the fire creates, essentially the imperfect “reflections” of the ultimate forms, the game of “fort da.” is used as an allegorical representation of ” imperfect reflections” of the reality the baby was exposed to. The eight month old baby obviously misses his mother, which subsequently represent truth and reality, however, he is dealing with this trauma by playing with a reel that had a piece of string tied around it, tossing the reel away from himself, and pulling it back into view. Essentially, the baby is attaining happiness derived from repeating actions that have been sources of unpleasurable feelings. In Plato’s Allegory of the cave, the majority of the prisoners essentially rejected the truth (the unpleaurable feeling), and decided to live in a world of shadows and false images (the happy feeling), just as the baby decided; a world that was safe from them, safely locked away in there minds. Interestingly, Freud blames the psychological mechanism of “repression” on doing this, because reality is very hard to bear sometimes. I agree with this because from my experience people sometimes tend to live in a false reality (eg. drug addicts, wives who stay with abusive husbands) because the reality of the situation is in fact, almost unbearable, just like Freud’s little 18 month old subject.

fort da.” is important to Freud’s ideas because this games supports Freud’s “Power instinct” theory where humans have an impulse to “Master a situation and avoid pain. According to Freud, it seems as though happiness is when someone avoids pain; whatever else the feeling may be, the most important thing is to avoid that which causes you some kind of neurotic trauma, essentially pain. After, thinking about this for some time, I realized that there are a very few amount of feelings that attribute to happiness, in essence, many feelings bring pain and very little bring happiness. For example, if you trip on the floor while walking outside, that is a “Gross mechanical force”, something attributing to pain, which means you are no longer happy. According to Freud, if something like an outside force can alter a person’s “state of happiness”,  Will we ever be happy? I even started to think that Freud himself might not have been much of a happy guy, if he truly believed that all these things makes someone “un-happy”, for example I can picture something like this going on.

Freud- “Ahh Crap! I hit my leg on my bed head, now I am unhappy, F life.

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