On the Afternoon of March 18th, 2012 New York City Opera performed their rendition of Mozart’s opera entitled, ‘Cosi Fan Tutte.’  This production took place at the Gerald W. Lynch Theater, which is located within John Jay College.  Tommasini begins his … Continue reading →

Anthony Tommasini from the New York Times has written an article in “Artsbeat” recently entitled “Adapting, Revising, Provoking”.  He says that there are mixed feelings among the public about creative teams revamping productions of operas and musicals.  He talks about … Continue reading →

http://www.nytimes.com/2012/03/16/arts/music/quartet-variations-at-the-chamber-music-society-of-lincoln-center.html?_r=1&adxnnl=1&ref=allankozinn&adxnnlx=1332293992-5ELTUXp3TnDS6aFiIyXGlw In the article “Composers Are Familiar, but Not the Compositions,” Allan Kozinn writes about Mozart’s String Quartet in C Minor (K. 406) as being a”dark, tumultuous score” after hearing it being performed live by the Chamber Music Society of … Continue reading →

The Metropolitan Opera House has been home to some of the greatest opera productions known to man. Many of the patrons to the Metropolitan Opera feel that they get their monies worth every time they attend an event there, no … Continue reading →

With the recent talk of Philip Glass and phase music, I had to find a review to read and see if I could understand what was so great about him and his work. I found a review written by Alex … Continue reading →

Philip Glass is featured on the cover of The Fader magazine which is one of the most influential music centered publications in news media. This magazine aims to shine a spotlight on some of the new, current, and thriving artist … Continue reading →