Podcasting and Radio News

Millennial

Megan Tan is the host and creator of Millennial. It was first launched in 2015, and since then it has been picked up by Radiotopia and profiled by The Guardian. Her podcast is recommended by The Guardian, BuzzFeed, Refinery29, The Huffington Post, The Atlantic, and A.V Club.

On her podcast, Tan discusses her postgraduate life and how she rises above her inner struggle- finding what makes her happy. In each episode, she narrates the process in making her project to a full-time job. The podcast is intended to guide millennials as they learn how to take their own path of happiness and success. As Tan details her route to success, her message to her audience is to live their life without fear and commit to their dream.

While Millennial began to receive recognition, she landed a job at Public Radio, but kept Millennial “as a place of joy and fulfillment.” Yet, Millennial grew more and got a bigger audience with more sponsors. Her website allows anyone to Donate and/or become a sponsor. Audience is able to subscribe through iTunes, PRX, SoundCloud, Stitcher, tunein, and Spotify.

Over the years, Millennial has expanded and gotten more attention. It has a little over 4 stars with mixed waves. Some of the audience claims Millennial is “embarrassing” or “disappointing,” while others believe it is “perfectly raw.” This isn’t a podcast one can start listening to on any episode. To grasp the whole experience, and truly understand the message, the best episode to start with would be the first episode.

Drink Champs

Drink Champs is a podcast that’s created/ hosted by a hip-hop artist N.O.R.E. and DJ EFN, this
podcast was created for popular hip-hop based podcast episodes with other hip-hop/musicians within the hip-hop culture and that is the main focus. It isn’t about hip-hop itself, it’s about the artist in hip-hop. During each episode N.O.R.E. and DJ EFN gets the guest co-host to drink alcohol throughout the episode to confirm old rumors/untold stories.

This podcast is intended for an audience that enjoys hip-hop music and hip-hop culture. Drink Champs’ follows the host interview format and isn’t very scripted, which makes it extremely popular. This podcast has made big waves positively in such a short amount of time that it was signed to CBS. I would recommend listening to episode 23, if you’re a Snoop Dogg and or a Nas fan. The reason being is that Snoop Dogg tells the story on how Nas almost got injured while trying to approach Snoop Dogg and his friends from Long Beach, California.

Collider Movie Talk

Collider Movie Talk is a daily video and podcast. This blog is intended for cinephiles. As stated in the beginning of each show
it’s essentially ” Movie talk for movie fans”.

During each show the host and guests often talk about and debate about the biggest movies and movie news of the week. Each show is hosted by Collider Video Senior Producer, Dennis Tzeng and is often joined with a group of commentators that are some of the leading voices in the online film world. Collider has expanded itself in recent years and developed new shows that are intended for certain audiences. For example Collider Jedi Council, focuses on everything in the world of the Star Wars Cinematic Universe. Collider Heroes focuses on ongoing news in the world of superhero film and television. Collider Nightmare reports on news in the genre of horror and thriller in both film and television. At the same time Collider has even launched a TV Talk show for those interested in news for television shows. So you can essentially start off with any of these shows depending on what you are interested in.

The show itself is unscripted and provides genuine and authentic reactions and thoughts from each speaker. For their weekend Mail Bag show, the Collider crew take in and answer questions received via email from viewers/listeners. Providing more interaction and engaging experience for their followers. Each speaker has a unique and distinct personality trait that listeners can relate to

Generally there are no advertisements. The podcast can often be found on Stitcher, and Itunes. At the same time the main shows can be located on Youtube.  The reviews for the shows have been widely positive. With a following of nearly thirty-three thousand followers on Twitter.

 

I Don’t Get It

How many times do you find yourself saying, “I just don’t get it?”. I can relate to that statement more than I would like to admit. As my search for a podcast began, I stumbled upon the podcast I Don’t Get It. It was not the first time I heard about that title as I have seen it circulating around Instagram from accounts relating to what is known as “bachelor nation”. Appropriately enough, the hosts of the show are Ashley Iaconetti (former Bachelor and Bachelor in Paradise contestant) , her sister Lauren, and Naz Perez (Bachelor producer).

Ashley began her career as a popular figure from the reality TV show, The Bachelor, due to her constant cry face, as well as her obsessive relationship with one of the Bachelor in Paradise contestants. This podcast is full of humor and unfiltered conversation between the three women, covering topics from relationships, pop culture, and general life problems. It’s intended audience are people who find themselves in the same boat as the hosts of not understanding a certain topic that they get educated on. I would say it’s mostly intended for women who are in their early 20’s, who have previously watched at least one show from the Bachelor franchise.

When it comes to format, its a combination of conversation between the hosts, as well as having featured guests on some of the episodes. Some of the guests that come on the show are actually former Bachelor sor contestants that were on the show. The podcast itself is ranked #106 on the iTunes chart, making it a somewhat popular podcast from the thousands of podcasts out there. Giving the first episode a try would be the best way to start one’s interest in the podcast. From the first episode you understand the vibe that the show will have, and learn the personality of the hosts. It gives you a taste of what is to come and if you should stick around for the ride.

Athletico Mince

Athletico Mince is a comedy podcast where two comedians, Bob Mortimer and Andy Dawson discuss a host of topics, though primarily concern themselves with football (soccer). Both Mortimer and Dawson hail from the north-east of England, an area typically known to be oppressively dour and their comedy matches it.

It is an unscripted back and forth between the two men – essentially a double act that has earned itself a cult following due to the success of Mortimer and Dawson’s careers. However, it’s quite limited as far as audience-outreach goes. The style of humour – particularly Mortimer’s – borders on absurdist and only true fans of his would actively seek out this podcast. Football addicts may find it appealing for its ‘two blokes in a pub’ aspect, but it’s apparent that the co-hosts aren’t hoping to make waves with it. What’s more, there’s no advertising and it has very few ratings on iTunes, audioBoom and Stitcher (where it airs).

However, for those who listen, the reviews have been largely positive and the podcast boasts nearly twenty-six thousand followers on Twitter. Both Mortimer and Dawson themselves suggest that new listeners start with Episode 8 “Mickey Drink Retrieves the Keys” because that’s when they “hit their stride”. Although, to those discovering Bob Mortimer and Andy Dawson for the very first time, perhaps they never really do.

Introduction to Podcasting and Radio News

What is a podcast?

iPod + Broadcast = Podcast

A podcast, simply, is a piece of audio storytelling that you can stream or download and listen to on one of your devices. Often they come in a series of episodes that you can subscribe to. At first, podcasts tended to be simply the downloadable versions of radio programs so people could listen to them at their leisure if they missed them when they were on air. But in the last few years the format has really taken off and become a massive industry unto itself.

One of the pretty great things about podcasts is that there’s a low barrier to getting in on the podcasting game: anyone with a decent audio recorder and a laptop can make one and self-publish it pretty easily. But news publications and radio programs with more resources are also pouring money into podcasting right now, and the results are pretty inspiring: every now and then something comes out that sort of reinvents the form and show how much you can do with this kind of storytelling.

This also means that, despite the struggles that many traditional media publications have faced in recent years, there are a lot of jobs for audio producers and reporters these days.

From Forbes:

Additional evidence for the growing popularity of podcasts is the fact that major legacy media organizations such as New York Times and Wall Street Journal and newer digital media organizations such as Slate and Buzzfeed are all heavily investing in podcasting.

From Business Insider:

But the format got a big boost in 2014 with the first season of Sarah Koenig’s show, “Serial,” which reached 5 million downloads faster than any other podcast before it. Now everyone from Snooki to Goldman Sachs has a podcast, and major media companies like HBO and the BBC are upping the game by bringing big budgets and talent to the format. 

From WSJ:

The number of podcast jobs in New York City rose 33% in 2017 from two years earlier, according to a report from the Mayor’s Office of Media and Entertainment out Monday.

Programs produced by the four largest NYC-based podcasting networks—WNYC, Gimlet, Slate/Panoply and Midroll—saw 1.3 billion downloads in 2016, the report said. That is up sharply from an annual average of 199 million downloads between 2013 and 2015. The top four NYC-based networks produce almost 200 podcasts, employ nearly 600, and occupy nearly 140,000 square feet of office space.

The report called the New York the “podcasting capital” of the U.S.

Though podcasts are provided free to the public, the industry has been successful in raking in earnings from advertising. According to research firm Bridge Ratings, podcast advertising grew 48% between 2015 and 2016, when podcast ad revenue was about $167 million. Bridge Ratings expects total podcast advertisements to bring in revenue of nearly $250 million by the end of 2017 and to hit $395 million by 2020.

Some important podcasts to know:

Serial:

A podcast from the creators of This American Life, hosted by Sarah Koenig. Serial unfolded one story – a true story – over the course of a whole season. The show followed the plot and characters wherever they led, through many surprising twists and turns. 

S-Town:

“The successor to Serial: This nonfiction take on southern Gothic is an unambiguous achievement. Novelistic, ambitious, and breathtaking in its attempt to capture the sum of a single person’s life, S-Town represents a high watermark for an ecosystem already bustling with creativity. That isn’t to say it’s perfect, though. Since S-Town dropped in its entirety in March, a growing body of criticism has targeted the show’s absence of any substantial consideration of race and legacy and the shadows they cast over the community depicted in host Brian Reed’s reporting. The existence of this criticism serves to further elevate the show’s importance to the form: It’s a project that endeavors to grapple with big ideas, only to trigger equally big ones in its wake.”

Additionally, some argued that it was ethically ambiguous. (And yes, someone made a podcast episode about a podcast.)

This American Life:

“Including a piece from This American Life on a list of best podcast episodes is like including the Beatles on a list of the greatest rock bands of all time. It’s a little obvious, but you have to do it anyway. This American Life perfected the art of audio storytelling back before “podcast” was a word in the general conscious, and they remain the most consistent masters of the artform. Their unique sense of balance and fairness was on full display in this year’s “I Thought I Knew You”, which ended up being largely about the Trump phenomenon, and how his supporters don’t fit into anybody’s neat boxes. Not yours. Not ours. Not even their own.”

The Daily:

“This podcast by the New York Times is more than a solid morning-news digest — it’s a huge step forward for the packaging and delivery of news itself. The Daily is a revelation in form and ambition; not only do Michael Barbaro and his team execute emotionally intelligent pieces of audio-first journalism that seize a given moment, they also dare to pepper their dispatches with unforgettable constructions of tape. Two examples stand out in particular: the April 6, 2017 edition that offered unparalleled insight into a meeting between President Trump and Times reporters Maggie Haberman and Glenn Thrush, and the May 26, 2017 edition that closely followed one case of assisted suicide in Canada.”

74 Seconds:

“This Minnesota Public Radio podcast was created to track alongside, in semi-real time, the trial of Jeronimo Yanez, the police officer who shot and killed 32-year-old Philando Castile, a black motorist, in a Twin Cities neighborhood in July 2016. (The trial concluded a few weeks ago; Yanez was found not guilty on all charges.) A straightforward product of trial reporting, the first four episodes of 74 Seconds are nothing short of astonishing. They set the scene with deep dives into the contexts and substance of the two men, eventually culminating into a second-by-second account of what took place on that fateful night. These four episodes make up a remarkable feat of documentary production, building a window into this important case that other forms of reporting haven’t pulled off.”

(Much of this taken from Vulture’s list of the best podcasts of 2017.)

So far, these are examples of journalistic podcasts with scripting, natural sound, and careful narrative structure. But there are many other kinds of podcasts. Kind of like how there’s an app for everything, these days there’s a podcast for everything, no matter how niche.

  • There has been a wave of fiction podcasts. A couple good ones to know: Limetown, “from New York-based writers Skip Bronkie and Zack Akers, which has been billed as The X-Files-meets-Serial” and Welcome to Night Vale, a local news radio show for a fictional town where spooky things keep happening.
  • TV podcasts: Podcasts about popular, long-completed TV series like The Gilmore Girls and The West Wing, as well as podcasts about reality TV shows. (There’s an entire, thriving subgenre of Bachelor-related podcasts.) These tend to be interview-based, unscripted, and minimally edited.
  • Comedy podcasts like 2 Dope Queens:
    The premise is simple: Phoebe Robinson and Jessica Williams are friends who riff about their lives and host as several stand-ups deliver ten-minute sets. But this isn’t just a showcase for up-and-coming comics. Robinson and Williams’s hilarious conversations about their experiences as young black women living in New York City — which spans hair journeys, crushes on celebrities (“Yes” to the Rock, “Eh” to Lenny Kravitz), and opinions of Beyoncé and U2 concerts — is a refreshing departure from the white-male-dominated landscape of comedy. Their choice to mainly feature comics that happen to be women and people of color only solidifies their place as where to go to hear new, different, and, most important, uproariously funny voices.
  • Everything else from a podcast that helps you fall asleep (Sleep With Me) to one for people who are stressed about Trump featuring four former Obama aides (Pod Save America) to one where each episode is dedicated to deconstructing a popular song (Song Exploder) to a documentary-style one about raising a transgender daughter (How To Be a Girl) to an audio game show (Wait Wait… Don’t Tell Me!) to a discussion of love, sex, and dating (Savage Lovecast). Often, podcasts tend to be pretty long, around an hour in length, but there are quite a few that are on the shorter side. Example: Spark Live, where everyday people tell the story of the most astonishing day of their lives, live, at five minutes maximum. “The results have the intensity of crafted short stories.”

Assignment 

Find a podcast that you think is interesting and listen to at least a couple of episodes. Write a short blog post introducing that podcast to the class: Who is this podcast intended for? What style/format is it in (scripted, host interview, a combination, etc.)? What kind of advertising does it feature, and how is it distributed? How popular is it? Has it made waves, either positive or negative? What would be a good episode to start with, and why?

Podcasting and Radio News Syllabus