Thousand and One Nights

The reading of Thousand and One Nights is one that can be very closely related to the NY Times article Diana’s Ring Seals Prince William’s Marriage Plans. For example, Shahrazad and Kate Middleton are both very well educated.  “The oldest daughter, Shahrazad had read books of literature, philosophy, and medicine. (414) Kate also went to a very prestigious school and is also very well educated.   “Should Miss Middleton become Queen Catherine, she would be the first queen in British history to have a college degree, or indeed, to have any college education at all.”
It can also be inferred that both men in these instance fell in love because of the intelligence that these woman have.   Kate and Prince William met at the same university and so they exchanged ideas, and opinions, which could have led to the initial attraction. Sometimes this type of attraction is just as powerful as sexual and so we must give some credit to Kate’s intelligence as something that Prince William fell in love with.  In comparison, Shahryar fell in love with Shahrazad because of her ability to tell many tales and keep him interested in keeping her alive to tell these stories.  There may have been sexual tension but the main source of stimulation was Shahrazad’s intelligence.

Another comparison that can be made is that both Shahrazad and Miss. Middleton entered dangerous situations. Shahrazad entered a more life-threatening situation where every night she would have to persuade the king to keep her alive for another day.  In Miss. Middleton’s case it is more superstitious but the previous Princess, Lady Diana met a tragic demise and so Kate is entering the situation knowing what happened to the last princess.  This however is highly superstitious but it is a fact nonetheless.

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Throne of Blood

The play, Throne of Blood was a very enjoyable play to watch.  I enjoyed the story as well as the costumes, which were very well crafted and reminiscent of ancient Japan.  The dialogue was easy to understand and so was the plot. However, I felt that the story dragged on at some unnecessary points and moved very fast at times where it seemed there should have been more dialogue. Having watched the original Macbeth, they followed the original story very well.  It is difficult to replicate a movie on stage sometimes and in this case, some scenes were just that

The review from NY Times states, “It essentially boils down to a lot of men charging back and forth across a mostly dark and bare stage in fancy samurai getups.”
This quote is true to an extent because all the fight scenes were a bit ridiculous and it was mostly characters just running back and forth and it was hard to tell what the director was trying to convey.  The costumes were by far the best part of the play.

http://theater.nytimes.com/2010/11/12/theater/reviews/12throne.html

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Asian literature

There are times in life when one feels as if there is no way out of a situation.  They feel helpless, and have lost hope in their life entirely.  Situations like these are what lead to suicide as a way of escape from their problems.  In Afghanistan women are very oppressed and treated in a very cruel way by their government and their family. In order to escape this oppression the women set themselves on fire using lighter fluid and a match.  For women in Afghanistan they have no release from their family.  They cannot runaway in order to escape the cruelty so they must endure this hardship.  The NY Times article states, “Returned runaways are often shot or stabbed in honor killings because the families fear they have spent time unchaperoned with a man.”

The situation is similar the environment during the time of The Pillowbook written by Sei Shonagon.  During this time women were not given the freedom to express themselves and were oppressed just as present day Afghanistan.  By writing The Pillowbook, Shonagon found her outlet to express herself in a oppressive society.  Although less harmful than burning yourself, society still condemned the act which is why her diary was not meant to be public nor did she wish for it to be. She says, “when I have a good deal of time to myself and thought no one would notice what I was doing.” (p 258)

Women during both of these times are oppressed and restricted from expression.  However, it is impossible to keep feeling bottled up inside forever and so when the feelings must come out, they can either be done in a very harmful way such as suicide or in a constructive way such as writing a diary.

Fiery way out

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Lost of Control

In The Thousand and One Nights and NY Times article, there is a similar theme of individuals having no control over others.  For Shahrayar and Shahraman, lamenting their ability to control their women. Sirwan Hama Amin, when her family kills her husband.

Shazaman says, “By God, I am king and sovereign in Samarkand, yet my wife has betrayed me and has inflicted this on me” (B, 409) Shahrayar said, “My brother Sharhzaman, look at this sorry plight. By God, it is worse than the ours. This is no less than a demon who has carried a young woman away on her wedding night, imprisoned her in a glass chest, locked her up with four locks, and kept her in the middle of the sea thinking that he could guard her from what God had foreordained, and you saw how she has managed to sleep with ninety-eight men, and added the two of us to make a hundred. (B, 413)

“She opened the bathroom door and saw her husband covered in blood and one of her brothers aiming a gun at her. ‘I saw only my brother, but someone else shot Aram,’ she said. Before the smoke cleared, gunmen fired 17 bullets into Mr. Rasool’s chest and 4 into Ms. Amin’s leg and hip, General Salih said.” (NY Times article)

http://www.nytimes.com/2010/11/21/world/middleeast/21honor.html?ref=middleeast

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Throne of Blood

In the Throne of Blood critique, I tend to agree most of the critic’s views:

That the costumes were best thing about the play, “Were it not for the gorgeous costumes — sweeping silken kimonos and samurai armor made of glistening black patent leather — Ping Chong’s “Throne of Blood,” a new production from the Next Wave Festival at the Brooklyn Academy of Music, would be as boring to look at as it is to listen to.” (NY Times article)

The language leaving something to be desired “Mr. Chong, the veteran stage artist who adapted and directed “Throne of Blood” with an obvious reverence for the film, cannot replicate onstage the sweep and intensity that Kurosawa’s camerawork brings to the narrative, even as he sticks firmly to the scenic structure. And although the production is performed in English, with the occasional exclamation in Japanese for atmospheric effect, Mr. Chong chose to do without Shakespeare too, aside from a jokey allusion or two.” (NY Times article)

The only part of his critique, I disagree was with the scene in the forest, “The encounter with the ghost in the forest replicates the eerie charge of the scene in the movie, with the spirit (Cristofer Jean) pouring forth his premonitions in a rumbly, mechanically enhanced voice..” (NY Times article). I thought that was one of best scenes of the play where the main characters discover their fortune and the background had the creepy eyes and that turned red when the scene ended.

Overall I feel that the critic had issues with the play based on his comparison of the play to the movie and the original Shakespeare. It seems he was expecting more because he likes the movie and Shakespeare instead of just taking it for what it is.

http://theater.nytimes.com/2010/11/12/theater/reviews/12throne.html?scp=1&sq=Ping%20Chong&st=cse

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Pillow Book and Afghan Women

In both Sei Shonagan’s Pillow Book and the New York Times article about the Afghan women, females are seen as not having power to control their own circumstances. The difference is that one is taking place about a thousand years ago and one still happening. “’If you run away from home, you may be raped or put in jail and then sent home and then what will happen to you?’ asked Rachel Reid, a researcher for Human Rights Watch who tracks violence against women …Returned runaways are often shot or stabbed in honor killings because the families fear they have spent time unchaperoned with a man…” (NY Times article) A woman, who is angry with her husband about some trifling matter leaves home and goes somewhere to hide. She is certain that he will rush about looking for her; but he does nothing of the kind and shows the most infuriating indifference. Since she cannot stay away for ever, she swallows her pride and returns” (B, 257)

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The Thousand and One Night is a collection of classic Islamic literature. In the beginning of that collection, the king, Shahrayar, is informed that his wife cheats on him. He gets very angry and decides to kill both lovers. After this situation the king is very upset. He sees that women are dishonest and it leads him to take very brutal and unethical action: he gets married with a young girl from his kingdom, he spends night with her, and finally he kills a bride when the sun rises. He repeats this ritual every day and it is his way to be sure that his wife will always be loyal and never cheats on him, as happened before.

Shahrazad is a daughter of the vizier who serves in the kingdom. Vizier is a person who has to kill every bride who spends night with the king. When Shahrazad tells her father that she wants to get married with a king, vizier tries to influence and change her mind. However, he is unable to do so. Finally, Shahrazad and Shahrayar get married. Before the sun rises Shahrazad asks about the permission to say goodbye to her lovely sister. When Dunyazad comes to the king’s bedroom she asks about one thing; she wants Shahrazad to tell her the last story before she will die. Both, the king and Dunyazad listen to the tale very carefully with a passion and great interest. So, when the sun rises, Shahrazad stops her stories. She stops in the most interesting point, so king wants to hear the rest of the story and he doesn’t kill his wife. Shahrazad smartly continues her action: she tells a story every night and she keeps the most interesting part to the moment of sunrise. Then king wants to hear the end of the story and doesn’t kill her. Shahrazad tells thousand and one stories. During that time she gives her husband three children; she gains Shahrayar’s love and changes him from tyrant to a good king who cares about his kingdom and people leaving in there.

The New York Times article “Diana’s Ring Seals Prince William’s Marriage Plans” by Sarah Lyall is about Prince William who plans to get married soon. He proposes to his girlfriend, Kate Middleton, and he is accepted. The couple will marriage in spring or summer 2011.

There are few similarities between Shahrazad and Kate Middleton. First of all, both are very well educated. Shahrazad “had read the books of literature, philosophy, and medicine. She knew poetry by heart, had studied historical reports, and was acquainted with the sayings of men and the maxims of sages and kings. She was intelligent, knowledgeable, wise, and refined. She had read and learned.” (B, 414) Similarly, Kate Middleton is intelligent and well educated woman. She met Prince “at the University of St. Andrews in Scotland.” In addition, the article stays that if she becomes a queen “she would be the first queen in British history to have a college degree, or indeed, to have any college education at all.”

Also, both are willing to get married with a king. Shahrazad says to her father “I would like you to marry me to King Shahrayar.” (B, 414) She knows that her father disagrees with her wish and she black mails him in order to get his acceptance. Similarly, Kate Middleton wants to get married with a Prince. She stays in relationship with him for few years and waits for his proposal. As the article says she was called by tabloids as “Waity Katie” which reference to her waiting behavior.

In addition, both are from rich families, however; they are not princesses. Shahrazad is a daughter of vizier who serves in court. Her father has enough money to support himself and his two daughters. In addition, he pays for their education. She comes from an aristocratic family; however, she is not a princess. Similarly, Kate Middleton comes from rich family “her father is a former British Airways officer and her mother a former flight attendant; together, they run a successful mail-order business that sells paraphernalia for children’s parties,” but she is not a princess.

Finally, both have an understanding of difficulties which comes with their decisions to get married with a king.  Shahrazad knows that “[i]t become King Shahrayar’s custom to take every night the daughter of a merchant or a commoner, spend the nigh with her, then have her put to death next morning” (B, 414). Even if she has a plan how to change the king’s behavior, she is not sure if it will work. Similarly, Kate Middleton knows a story of Prince’s mother, Lady Diana “whose short life ended when she was killed after a car accident in Paris in 1997.”

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Throne of Blood

The New York Times article “Sprawling Cinema, Tamed to a Stage” by Charles Isherwood is a theatre review of a play “Throne of Blood.” The author of the article dislikes the play and critiques both the director and the actors performing on the stage. He says “…a new production from the Next Wave Festival at the Brooklyn Academy of Music, would be as boring to look at as it is to listen to.” He also comperes the play with the film “Throne of Blood” made by Japanese move maker Akira Kurosawa. He states that even if the play is boring and static, the movie has a specific “atmospheric effect.” Also, it is “beautifully designed” and “offer[s] an eyeful of visual poetry.” I partially agree with Charles Isherwood. The play is very static and motionless which makes viewers a little bit bored. Also, the accessories used for decoration are very limited. However, actors’ costumes are chosen with good taste and harmony. The minimalism of action and accessories; however, keeps audiences focused on the play. In addition, the play takes viewers to different world; world full of magic creatures such as ghosts, world full of intrigues such as killing the king, world full of unfamiliar creatures such as samurais. It gives the audiences great opportunity to experience magical world and it is a good way of entertainment. And the most important, it forces people to think and decide if they believe that they are the masters of their own lives or if they are just powerless creatures directed by destiny.

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Asian Literature

Lesson for Women written by Ban Zhao is a set of rules given by a mother to her daughters and all the female family members. This text describes the role and duties of women in China around c. 100. The author divides the work into seven sections including: Humility, Husband and Wife, Respect and Caution, Womanly Qualifications, Wholehearted Devotion, Implicit Obedience, and Harmony with Younger Brothers-and Sisters-in-law.

First of all, all the women should learn how to be humble. They supposed to value family’s needs more than their own. They “retire late to bed, but rise early to duties” (B, 28). Even if they work really hard to clean, cook, serve food, and take care about children, they shouldn’t feel proud about themselves and tell anybody about their hard work. Women gain excellent reputations only if they stay humble, do all work they are expected to do and never argue with their relatives.

Also, the husband takes control over his wife. She is not only the housekeeper and babysitter but also a sex servant at home. Only one “thing” a man possess, no matter of his social status, is his wife and her services. So she can’t refuse to do her marriage duties. The control man takes over her is a sign of authority and lack of it can be seen as a lost of power for a man. “…wives must be controlled and that the husband’s roles of conduct manifesting his authority must be established” (B, 28).

In addition, since man and woman have different characters, their roles are also different. A man is valued by his strength while a woman is valued mostly by her beauty and gentleness. Respect between the wife and husband is mandatory in order to create a good couple. Even if “[t]he correct relationship between husband and wife is based upon harmony and intimacy, and conjugal love is grounded in proper union” husband is permitted to beat his wife. (B, 29)

Additionally, there are many qualifications which describe proper behavior of all women. First, woman words don’t need to be clear and clever. She just needs to choose her words with a special attention and care and avoid improper languages. Second, she needs to keep her head and body clean and fresh. Her clothes should be washed with special care and always be in good condition. Third, wife supposes to cook and serve not only for family but also all guests who visit the house. Last, there is an image of a woman who can’t survive without a relationship with a man.

Moreover, even if a husband can remarry, there is no permission for a wife to do so. Woman is strongly depended on her husband “[t]o obtain the love of one man is the crown of a woman’s life; to lose the love of one man is to miss the aim in woman’s life” (B, 30). Also, ladies can’t flirt with men or use other methods to be close to them. They can’t even make groups with other ladies and discuss different aspect or laugh as well.

Last but not least, wife has to stay in good relationship with her husband’s family. If the mother-in-law says something the wife can’t criticize her and can’t do anything against her. Even if the directions are wrong, wife can’t ignore them. Also, she has to keep good relationship with her brothers-in-law and sisters-in-law. It can be extremely helpful in order to stay in good mental condition and make life at home less complicated and sustainable. “[T]he praise and the blame of a woman alike depends upon younger brother-and sister-in law (B, 31).” In some cases family-in-law can banish the wife which cause many trouble in her life.

Similarly, the article “For Afghan Wives, a Desperate, Fiery Way Out” by Alissa J. Rubin is about marginalization of the woman’s role in the society. As the author mentioned, arranged marriages are very popular in Afghanistan. Girls get married mostly in their childhood or as teenagers. Their main duties are to cook, clean, serve, take care about the children and husband’s family members. Very often, wives are abused by their husbands or husband’s family. “Violence in the lives of Afghanistan’s women comes from everywhere: from her father or brother, from her husband, from her father-in-law, from her mother-in-law and sister-in-law.” It leads to depression of the woman and in extremely cases can also lead to suicide by placing themselves into a fire.

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Asian Literature

Lessons for Women is written by Ban Zhao. It originates from China in around c.90 and consider as the oldest female conduct book. It is written for, as claims, her female family’s members. But many people insist that it is written towards all the women living in that era. The main idea of this book is to teach all the women, especially wives how to behave in the family. She includes these ideas by organizing the texts into seven different segments: Humility, Husband and wife, Respect and Caution, Womanly Qualifications Wholehearted Devotion, Implicit Obedience, Harmony with Younger Brothers-and Sister-in-law.

Women are bound to follow traditional rules and regulations. They are to take care and all the household chores. Besides they need to be very respectful to their husband, “Let a Women be correct in manner and upright in character in order to serve her husband” (B, 28). Women should behave really carefully when they are around their husbands. If they disobey their rules they may get beat up. “If husbands stop not of anger, then they are certain to beat their wives” (B, 29). Unfortunately, they don’t have rights to protest when they are treated harshly. Furthermore, she stays in full control by their husband. “…wives must be controlled and that the husband’s rules of conduct manifesting his authority must be established” (B, 28). They are supposed to be humble and show always show respects to their elders. Man can be remarried; however, a woman cannot. In fact, they aren’t permitted to leave from husband’s home because it is considered as heaven, as people cannot run away from heaven anyway. Mother-in-laws also control their life by telling them what to do and what not to do. They must obey all the rules provide by their mother-in-laws without a question of what is fair or not. “Do that even if what she says is wrong” (B30). These helpless women follow whatever their mother-in-law says in order to gain the love from their husbands. “She must win for herself the love of her parents-in-law.” If they want to live in their husband’s house, they must be obedient to all these commands.

New York Times article “For Afghan Wives, a Desperate, Fiery Way Out” written by Alissa J. Rubin talks about the miserable life conditions of women. This article shows many similarities about the situation of women. Child marriage is very likely in Afghanistan. Besides, they have to do all the household chores, take care of their children and the whole family. They often get beat up by their husband’s. In addition, they have to be obedient to their elders specially their parents-laws. Farzana, married at the age of 12, often get beat up by her husband and abused by his family members. Once her father-in-law becomes very angry at her and challenges her to burn herself, a task that she is unable to do. This belittlement makes her angry and she burns herself. ‘“I felt so sad and such pain in my heart and I felt very angry at my husband and my father- and mother-in-law, and then I took the matches and lit myself,” she said.”’ She takes the challenge and burns herself to prove that she has guts. In addition, she desperately tries to escape from her situation.

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