New Yorkers are known for being independent people. Those who are native to Manhattan strut with purpose and brim with pride in their respective nooks. For those coming from elsewhere, the first few months on the metropolis are very similar: hometown ties are cut, needy exteriors are quickly shed, and slowly enough, self-sufficiency becomes a learned art. In a city with some of the brightest lights, biggest opportunities, and longest life expectancies, it’s easy to believe yourself invincible. That is unless you’re diagnosed with a terminal illness that reminds you on a daily basis that you’re not. Suddenly bright lights equate to hospital fluorescents, your biggest opportunity is recovery, and loneliness is an unavoidable reality. When New York suddenly turns into the coldest place imaginable, where can an independent New Yorker turn? For many, the answer lies in The Creative Center.

The Creative Center is a non-profit organization that specializes in “creative aging,” the concept that where there is artistic self-expression, there are health benefits. The center has brought art to those with chronic illnesses such as cancer or AIDS, since 1994. “We wanted to give those with cancer a home,” said Robin Glazer, director and co-founder of the Creative Center. What began as a series of workshops for women with cancer has blossomed into a program for those of all ages, genders, and stages of treatment. The Creative Center now has daily workshops, artists-in-residence hospital programs, an online gallery, and a training program that works to bring their philosophy and proven approach to arts to hospitals around the country.

As a cancer survivor herself, Glazer knew the painful process that inevitably follows cancer diagnosis. She wanted to create a haven away from the drabness of hospitals and the painful reality of treatment, a place where self-expression was not only encouraged but expanded on and improved. “I didn’t want it to just be ‘arts and crafts for sick people’, I wanted people to improve and become proud of their art,” Glazer said. With this idea in mind, Glazer constructed a program with a school-like structure. Students can take two workshops per semester, with a year at the center consisting of three semesters in total. Some of the courses available include creative writing, watercolor painting, knitting, as well as courses in ceramic and jewelry making. Classes are available to those who have had a diagnosis, are in treatment, or have recovered from a terminal illness. While these workshops do not get students actual credit, they do get the invaluable experience of creating as they recover in a non-judgmental and non-competitive environment. Best of all, the workshops are free-of-charge.

With funding from multiple organizations, The Creative Center also offers programs to hospitals at little to no cost. With guidance from the center, artists are trained to work closely with patients that unfortunately are bedridden due to their illness. Equipped with paints, beads, yarn and a plethora of other crafty things, artists-in-residence spend hours with patients who might have otherwise been alone. “The artists-in-residence program not only provides art for these patients, but friendship, and friendship is exactly what these guys need,” Glazer explained. The program has garnered such positive responses from hospitals and patients alike, that the center now offers training to senior centers and nursing home administrators. Positive responses have also led more organizations to hop on the center’s bandwagon. Such organizations include: Livestrong, National Endowment for the Arts, The Lower Manhattan Cultural Council, and NYC Department of Cultural Affairs.

The Creative Center’s most important partner however, is University Settlement, a social program that has actually absorbed The Creative Center this past year. University Settlement’s ideology is deeply rooted in the idea that low-income families deserve basic services at an affordable price to enable them a chance at the American Dream so proudly advertised by this country. With such similar goals, the merger is hardly a surprise. In fact, Glazer had dreamt of the day that such a program would back the center. “I was nervous for a long while of what might happen to the center if I should die,” Glazer shared, “After all, it was only three of us coordinators running the entire program. Once we got absorbed, I was ecstastic. University Settlement has secured a place for The Creative Center in the future.”