Cristabelle Tumola, Queens Writer–

Whether it’s reading, traveling, or seeking a new adventure, Manhattan resident, Cristabelle Tumola, 30 not only enjoys herself during her spare time but she is passionate about writing stories to help inform people about the news and everyday events.

Cristabelle Tumola who is the web editor of the Queens Courier gets the privilege to cover news stories not only in her neighborhood but in other surrounding boroughs. She says “everything gets boring.” Tumola has an interest in reporting on a wide range of stories, “I love crime, cultural stories [chuckles], political stories, ‘cause everything gets boring [when] covering one topic. My passion is covering New York City news.” Says Tumola.

During her days at work she contributes to the Queens Courier website. This consists of deciding what articles to put up, what gets put in the top five for the newspaper, choosing short pieces. “I also do social media– Facebook and Twitter page, online related stuff, magazines as well, daily email blasts of stories we put together during the day. Sometimes I write a story or two for the paper.”

She has always had an interest in Journalism since her junior year in High school. Tumola attended Sarah Lawrence College and then Columbia University- Graduate school of Journalism located in Manhattan, New York. In college, she was fortunate to pursue her interests in magazines, arts and culture by taking part in an internship. During her graduate school days in 2005, Facebook, the social network was becoming more involved with social networking. Having to decide what direction to get into with a change in internet and the way the news was being delivered; Tumola figured out that she would need to learn new skills. Being torn between newspapers and online media Tumola started to crave a different path to a more interesting career in Online Journalism. As for now, she focuses on local news.

The biggest difference between with writing for a newspaper rather than a website is clearly the way the news gets delivered. According to Tumola, “for a community newspaper you can cover a lot of small issues, everything that’s going on and how it relates to the people”.

Tumola has been writing since attending Graduate School at Columbia University, Tumola took part in writing local stories for Gravesend, a Brooklyn neighborhood. There she took part in the Jewish Voice. She started out doing features articles for weekly news stories. There she contributed gathering of research, editing and writing articles for a biweekly community newspaper on diverse topics regarding local news, politics, fashion and travel.

Her editor at the time, Jen Berkley, 39 who is now a special assistant to New York City council member Darlene Mealy of Brooklyn District 41 says, from the time she knew Cristabelle Tumola, “she had always been interested in learning new things and doing new things.” She has had the pleasure of working with Cristabelle since 2005. Although they both are leading in different paths of Journalism, they are still in contact with one another. According to Jen Berkley, Tumola “enjoys spending time with her friends, she’s a very bubbly charismatic, intelligent person, she always knows what is going on. She learns very quickly, and she is a good person.”

Berkley isn’t surprised by Tumolas’ change of writing interests “she has always been a strong writer, what’s different is the way she approaches the subject matter and the kinds of stories she’s writing” Says Berkley.

Other than sharing an interest in Journalism news both Berkley and Tumola share similar life changing events. They are both the aunts of nephews, both have brothers who have kids, and have lost their mothers’ quite young. This bond has allowed them to go from work partners to friends. They still attend events together and share stories from time to time.

Making just a year in her current position at the Queens Courier, Cristabelle Tumola wants to continue in the path of online content. “There has been an increase in the wider issues. The community wants to know about both,” Says Tumola. “I’m open to whatever.”

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Pastor Riley, Training to Reign in Life

Pastor Riley sitting at his desk

Pastor Riley sitting at his desk

He was head to toe in blue. A blue plaid chartered over his navy suit of wool and silk, a cerulean pocket square peeked through. He coordinates his outfits but when Pastor Curtis Riley looks at Hempstead, he does not see its color.

Pastor Riley, 56, presides over Reigning in Life Training Center at 247 Fulton Avenue in the village of Hempstead. He has lived there for 42 years and has witnessed the integration of blacks and Hispanics in the area. He is part of the village’s black population of 26,016 and his church is predominantly black with a few white, Hispanic, and Indian members. Unlike many surrounding churches, he does not consider his church a black church.

His family has always been involved in ministry but in his late 20’s, Pastor Riley wanted to find out who he was beyond being a Christian. He became involved in entertainment and dance; fashion show coordination; and he even studied to be a chef, launching a promising business in catering and food services.  These ventures sent him from New Jersey to Queens, to wherever the lure of business took him. His pockets were full but he felt empty. He felt called to turn back to God.

Pastor Riley studied for his minister license in the south so that he could avoid distractions in Hempstead. He met his wife, Stephanie, when he returned to New York and lived in Queens. He was tempted for the last time to leave Hempstead when he was invited to join a thriving church in the Carolinas. He chose Hempstead.

As a new minister, Pastor Riley worked with the Economic Opportunity Commission of Nassau County (EOC), a human resources position he used as training to understand his community. He made the conscious decision to separate his identity as a pastor from the work he was doing so that he could know what people were going through.

“People don’t care about how much you know, if they don’t know how much you care,” he said.

It was a time when HIV/AIDS was rampant and he had to find those who were affected in hidden quarters and spread a message of safe sex, knowing that churches were commanding abstinence. EOC was government-funded and he stuck with the approach that the company trained him to take because he wanted his community to live.

“People just need to be accepted for who they are,” he said. “They have enough issues they have to deal with every day, people pointing fingers or looking down on them for any reason.”

“I’d rather reach them before we have to rescue them,” he said.

He does not believe that pastors should be activists.

In July of this year, Reverend Al Sharpton and the National Action Network (NAN) organized the Justice for Trayvon Martin Rally and the 100 Cities Vigil. The majority of attendees at the Hempstead rally were clergy members who leaned over the podium chanting “no justice, no peace” as both pastors and advocates. Pastor Riley did not attend.

“My position on it, ‘No justice, no peace,’ that’s been um…Wow, I’ve been in so many rallies like that and I don’t want to be in anymore rallies like that,” he said.

Pastor Riley said that the chant was not his message and should not be the message of the church. He does not believe in the black church -an institution that rose far before the Civil Rights movement– even though he is surrounded by churches who continue to embrace the identity. Pastor Riley said that calling a ministry a black church holds people back mentally and sets an advocacy of prejudice.

“Something that bothers me is it always becomes just only black and white,” he said. “I believe social justice goes beyond just African American.”

Annette Dennis, the president of the Nassau County Chapter-NAN, organized the vigil and rally for Hempstead. She is an ordained minister. She said that the black church was where activist groups grew out of, referencing Dr. Martin Luther King, Jr., and Reverend Sharpton.

“You know, if you look at the history of the black church, you know, from let’s say Reconstruction to now, the black church was the only place where blacks or black men especially could get any respect,” she said.

Ms. Dennis said it is not mandatory for pastors to be activists but as they are leaders over a congregation, she commends it. For her, “no justice, no peace” means that if she is not getting justice, she will not let those in power have peace.

“The rallies, the marches, and things like that, they don’t solve the problems specifically, but they do call attention to the problem,” she said.

Pastor Riley does not think the problem is skin deep. He wants to focus on what people are good at instead of what makes them targets. Working with the DART program (Desire, Acceptance, Responsibility, and Trust), a program designed to inhibit the abuse of drugs and alcohol amongst inmates in Nassau County, he was told not to come in as a pastor but to carry a message. He opened their eyes to embracing their talents for good.

“Unfortunately…we focus on getting people to heaven but we haven’t taught people how to live on earth,” he said. “I was guilty of that.”

Pastor Riley looks out the glass doors of his ministry, not allowing his breath to fog the glass because he wants to see the people passing by.

“It’s based on how you see yourself,” he said. “You see a drug dealer, I see a business man.”

 

 

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Joe Gould’s Secret commentary

I don’t think that Joseph Mitchell’s writing style is outdated or old fashioned. He has a very descriptive writing style that allows the reader to create an image of how Gould looked and how he went about his life. Considering the unusual life of Joe Gould and the story telling style of Mitchell, it feels like one is reading a fictional story. His two pieces on Joe Gould are definitely feature articles. These two profiles on Gould, are good examples that aspiring feature writers can go by.

The second piece on Gould introduces him in a more negative light. Mitchell used sentences like “Gould looked like a bum and lived like a bum.” “He was generally pretty dirty.” “His voice was distractingly nasal. On occasion, he stole.”I feel that Mitchell chose to portray Gould as a bum and not as a literary genius the second time around because he wanted to make it believable when readers found out that his Oral History was a lie.

Reading the first profile, I was skeptical about the Oral History. What made it hard for me to believe was its supposed length. “It is already eleven times as long as the Bible.” This statement threw me off, because I am currently in the process of reading the whole Bible. It has been a couple of months and I am still not done. The Bible is a very long book and just to imagine a book eleven times its size seems unreal.

 

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Mitchell Finally Puts His Profile to Rest

Mitchell’s two profiles on Joe Gould, the Greenwich Village bohemian, intimately provide a descriptive, lengthy feature on the eccentric man. Both are, in fact, feature articles. Mitchell’s prose in both profiles brings the essence of Gould alive. In Professor Sea Gull, he writes, “Gould is as restless and footloose as an alley cat,” describing how Gould slinks around from place to place. Mitchell’s diction is fresh; not to mention, Mitchell goes on to provide extensive details about Gould’s shabby appearance. Even the quotes Mitchell choses from Gould illustrate the bohemian’s character. Mitchell records Gould bizarrely saying, “The countess and I spent three weeks studying sea gulls.” He also quoted Gould saying, “I’ll…[write] down the informal history of the shirt-sleeved multitude.” What a character!

Even if this was written today, the prose would still work. Mitchell’s attention to detail serves as a reminder to present day journalists what good writing and reporting really is.  More importantly, despite Gould being a “bohemian,” Mitchell gave the man respect. Gould was a homeless man, a man begging for “donations to the Joe Gould fund.” Most people wouldn’t have given him the time of day. Mitchell describes spending lengthy hours in bars, Goody’s, and his office with Gould, hearing the same story over and over. Mitchell endured because Gould felt he was speaking of things important to the profile.

Mitchell clearly admires Joseph Gould. This particularly comes through in his second profile, Joe Gould’s Secret, which was far more personal for Mitchell than Professor Sea Gull. Just after Mitchell reveals when he learned about Gould’s secret—the Oral History of Our Time doesn’t exist—Mitchell goes down a personal path. His personal reflections regarding this revelation range from those of sadness, “I began to feel depressed. I had ben duped by Gould,” to admiration, “I suddenly felt a surge of respect… for Gould.” Mitchell compared Gould to himself, for over a year he’d been thinking about a novel but couldn’t write it. Mitchell saw Gould as, simply, a lost soul and a disappointment to his father who turned his own life into that of a supposed “illustrious historian.” This second piece puts to rest something Mitchell put much of his time and energy into. Finally, the journalist felt he did a complete, finished profile of Joseph Gould.

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‘Horsing’ Around in Forest Hills

Clip-clop. Clip-clop. Clip-clop. Bails of hay sit in a wheelbarrow. A man in jeans and a black cowboy hat points to his worn, leather boots and says about a young man, “These are thirty years old! He can’t know what he wasn’t around for!”

Most people would think they stumbled upon a scene out of a John Wayne or Gene Autry film, but the sound of horseshoes can be heard at Lynn’s Riding School in Forest Hills, Queens.

For nearly a decade, Pat McLaughlin has stabled her horse at Lynn’s. Unlike most New Yorkers, McLaughlin prefers her dusty, riding school T-shirt to a night home on the couch. “Pat is always at the stable. She’s there early on the weekends and on most weekday afternoons,” said her husband, Dennis Vellucci.

Taking care of a horse requires a great deal of dedication. McLaughlin’s horse, Magic, a chestnut-colored gelding, needs to be fed five times a day. His stall needs to be cleaned once a day, and the gelding needs to be exercised and groomed daily. The stable provides some care for Magic, but much is left to his owner. While petting Magic’s handsome, white face, McLaughlin proudly said, “This is what I spend my time doing.”

Her commitment to seeing her horse owes itself, in part, to the location of Lynn’s. “Fifteen minutes [from the subway] and I’m here.” McLaughlin added, “…much to my horse’s horror. He’s probably thinking, ‘Oh no! She’s back!’”

McLaughlin grew up in rural, northern Westchester County, riding horses all her life. She currently lives in Kew Gardens Hills, Queens, and teaches at Cathedral High School in Manhattan. After experiencing both city and country life, she prefers stabling her horse in Forest Hills, in the city. The watchful owner said, “Magic gets such good care here… Out in the fields, horses get into trouble… they can get a cut or bruise when left to there own devices.” More importantly, stabling her horse in the country, or out East, would put distance between her and her buddy. “I could stable my horse in Long Island. I have friends that do… but then it would only be weekend riding.”

Magic’s main form of exercise comes with McLaughlin on his back and provides important bonding time for the horse and his owner. “My nervous system talks to his nervous system… we experience things together,” McLaughlin said. Forest Park, one of the largest parks in Queens, located down the road from Lynn’s Riding School, serves as their playground and sanctuary. “When riding down a trail, there is a connection with the animal. When we’re in the park, just moseying, it’s that ‘ah,’ that relax we both feel.”

Sometimes outside conditions don’t allow the duo to hit the trails; but luckily, Lynn’s Riding School comes equipped with a riding ring adjacent to the stables, outfitted with bleachers, a hayloft, and an observation room. “The riding ring is a great feature [we have],” McLaughlin commented. “Most bigger barns that have the space, don’t have the ring right next to the stable. The two can kick up dust inside the ring whenever they want, but the equestrian owner slyly added, “…Magic and I prefer the park.”

For McLaughlin, one of her best moments with Magic came on the trails of Forest Park. She went out riding with her friend, Shelly, when a few policeman training soon-to-be police horses approached them. “They asked if they could ride with us!” McLaughlin exclaimed. For a while, the foursome, along with their horses, enjoyed the gravel trails of a New York City park.

The park, the stable, long weekend meanders, and even McLaughlin, weren’t always a reality for Magic. The first seven years of his life was spent on a ranch in Missouri. Like many ranch horses, Magic got put to auction at the end of the ranching season. These auctions tend to attract buyers from all over the country, even from New York City. With the help of Lynn’s Riding School (and some not so subtle hints), McLaughlin’s husband bought her Magic as a 25th Wedding Anniversary present. McLaughlin laughed and pointed out, “Now, Magic is a big city horse… with a busy retirement!”

Magic impatiently stomped his hooves, letting his owner know it was time to stop talking and get moving. “He’s devious,” McLaughlin said. “Sometimes he can be a real pain… but he is my child, my one thousand pound child.”

Magic, the chestnut gelding with a handsome, white face.

Magic, the chestnut gelding with a handsome, white face.

 

 

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Joseph Mitchell “Joe Gould’s Secret” Questions

I asked you to upload a post on the Joseph Mitchell reading, Joe Gould’s Secret.

Try to answer the following questions:

How would your describe Mitchell’s writing style? Give a few examples to illustrate his techniques. Is his writing style, old-fashioned or dated? Would you call this feature writing? Mitchell wrote two profiles of Joe Gould. The first was written in 1942 and it was called, “Professor Sea Gull.” The second was published in 1964 and it was called, “Joe Gould’s Secret.” Why do you think he wrote TWO pieces on Gould? How are these profiles different?  Does Mitchell reveal his own point-0f-view on Gould in the stories? Were you surprised to learn the TRUTH about The Oral History?

Have fun writing this post! If you would like to do so, try writing it in Mitchell’s style!

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