The Slap scene, although similar in content, varies widely in context between the Welles version and the Fishbourne version of the films. The Welles version is much older than the Fishbourne version, which is evident not only from the quality of the film, but also, more significantly, from the societal norms displayed in the different interpretations of Othello. The place of women and domestic relationships at the time the movies are set has a clear effect on the direction of the films. In both versions, we see Othello angry with Desdemona and slap her out of rage. However, it is the reaction of the other characters that differentiates the scenes and their portrayal. In the Welles version, the Seignior comments on what an obedient wife Othello has and doesn’t question his motives. In contrast, in the Fishbourne version, which was filmed in a more modern period, the Seignior is clearly appalled by Othello’s behavior and confronts Othello for it. These contrasting portrayals cause the audience to interpret Othello’s character in different ways. In the Welles scene, the audience may see his actions as justified and common in relationships, while in Fishbourne’s version he is made out to seem more like the villain in this scenario. For modern day viewers, including myself, it is easier to relate to and appeal to the Fishbourne version because it expresses more contemporary ideologies.