The image shown consists of masks that were worn during Japanese traditional theater performances. The names of each of these female masks are Ko-omote, Namanari, and Hannya. I chose this image because it reminded me of how I perceived the antagonist, Manago. She was first described as a beautiful woman who was “bewitchingly voluptuous” (Bewitched 633), relating to the first mask shown. It shows that she is a only a mere “human”, using her beauty and persuasive words to anyone that would listen and fall prey to her, like Toyo-o easily did when he first met her. The middle mask is the next in line in showing Manago’s true self. She has definitely lost part her beauty but is not full demon. I would relate this mask to when Manago inhabited Tomiko’s body and was soon found out by Toyo-o. “Though her appearance was different, her words were spoken precisely as Manago, the devil, would have spoken them. It was her voice!” (Bewitched 645).  While she was not exactly in her demon form, part of her demoness was showing because she was growing delirious by Toyo-o’s attempted escapes from her. He could now see that, while she was still the alluring young woman he was first attracted to, she was truly a demon. The last mask corresponds to the event when the priest attempts to catch the devil with his mere magic potion. In an attempt to protect herself, Manago, as a serpent, attacks the priest, thus showing her true horrifying colors. It can no longer be said that Manago is a harmless female when she has finally shown her demonic mask.