Kai Althoff, MoMa
Kai Althoff’s exhibit was very interesting. From the moment I stepped foot in the exhibit I already felt awkward. The first thing I noticed when I entered was the color of the whole exhibit. It was all painted in white, everything was white, from the ceiling to the last wooden piece of floor. When I first walked in it felt like I was walking into a mental institution. When I first walked around the right side of the exhibit, I was trying to analyze and connect all of the art pieces together. The only thing that could come to mind was Is he trying to show us the disaster of life. The first few pieces on the right side of the exhibit I believe spoke to his childhood.
Along the right side of the exhibit there was a lot of maternal pieces. The first item that caught my eye and I was just amazed by was the birthing chair. It was a clear, what looked like plastic, birthing chair. The chair is also covered by drips of blood. It was very interesting because the birthing chair was complimented by other child items. For example, there were dolls in that section as through out the exhibition.
I was really intrigued as why the right side of the exhibition was so impactful to me. That side was more impactful to be than any other items of the exhibition. When I was thinking about it the reason why it was so impactful on me was because maybe when I was younger, and still today, I was surrounded by kids, there was always kids and dolls around me. Looking back I start to think that Kai Althoff was surrounded by kids and dolls, but maybe it was not such a great time for how disastrous the exhibit looks.