Monthly Archives: February 2017

Blake’s Songs of Innocence and Songs of Experience

220px-Blake_Experience_29William Blake was both a poet and a visual artist, committed to the interaction of word and image on the page. Each of his illuminated books was completed by hand: first, he would hand-etch designs onto copper plates, then ink-printing the pages, which he subsequently hand-colored and hand-bound. Given the  labor-intensive nature of this publication process, he produced few copies, and all are different.  The Blake Archive allows us to compare different copies of his texts; I link here to the two pages of  “The Little Black Boy,” from Songs of Innocence, which show how the tension between the verbal and visual texts can change our interpretations:

“The Little Black Boy” page 1

“The Little Black Boy” page 2

All Blake’s known extant work is included in the Archive, which is sponsored by the Library of Congress.

The William Blake Archive

As for your readings, if you do not yet have your anthology, you can print the poems out from Project Gutenberg: http://www.gutenberg.org/files/1934/1934-h/1934-h.htm.  We are reading:

From Songs of Innocence:
“The Lamb”
“The Chimney Sweeper”
“The Little Black Boy”
“Holy Thursday”

From Songs of Experience:
“Holy Thursday”

“The Chimney Sweeper”
“The Sick Rose”
“The Tyger”
“London”