Presentations

Below is the tentative schedule for in-class presentations. To reiterate, these presentations are meant for you to present your reading of the text to the class, OR you may situate the text historically or among other texts, etc. Simply put, you have free reign, and like I said, if you feel that something is missing from our reading list and you want to tell us about it, please do so in the appropriate time period (and let me know ahead of time).

The Enlightenment
Sept 8 — Veronica (Voltaire – Candide)
Sept 11 — Victoria (Ueda Akinari – Bewitched)

Age of Revolution & Romanticism
Sept 18 — Jaclyn (Response to Enlightenment)

Realism: Literary and Social Form
Sept 25 — [Open]
Oct 6 — [Open]
Oct 9 — Mina (Higuchi Ichiyo – Separate Ways)
Oct 16 — Amrey (Rabindranath Tagore — Kubuliwala/Punishment)

Modernity & Modernism
Oct 20 — Or (Tristan Tzara — Dadaist Manifesto)
Oct 20 — Gary (Andre Breton – Surrealist Manifesto)
Oct 23 — Cindy (Franz Kafka – The Judgement)
Oct 27 — Ying (Tanizaki Jun’Ichiro – The Tattooer)
Oct 27 — Cedrick ()
Oct 30 — Yiu (Lu Xun – Medecine)

Postwar: Moral & Existential Reflection
Nov 3 — Cedrick (Pirandello)
Nov 6 — Arielle (Friedrich Durrenmatt – The Visit)
Nov 10 — Andrew (Samuel Beckett – Endgame)
Nov 13 — Jonathan (Samuel Beckett – Endgame)
Nov 17 — Alice (Clarice Lispector – The Daydreams …)
Nov 17 — Wan (Naguib Mahfouz – Zaabalawi)
Nov 20 — Ali (Valerie Solanas – SCUM Manifesto)
Nov 20 — Jennifer (Friedrich Durrenmatt – The Visit)

Contemporary: Global Literature
Nov 24 — Fiera (Hanan Al-Shaykh – The Women’s Swimming…)
Nov 24 — Irma (Roberto Bolano – Sensini)

Consequences of Enlightenment: Course Description

Following World War II, thinkers from around the world sought to comprehend how such devastation could take place. Even more staggering was the fact that some of the most murderous atrocities were committed by advanced societies with rich cultural and humanistic histories. Some philosophers and theorists, such as Max Horkheimer and T.W. Adorno, have argued that what happened in Europe was an inevitable consequence of the Enlightenment. The role that Enlightened Thought did or did not play in the progress and destruction in our history since it took hold hundreds of years ago, will loosely act as our theme throughout this course.

The aim of this course is for students to gain an understanding of the literary and cultural shifts that occurred in various corners of the globe from the 17th century to present day, while keeping in mind the question of Enlightened Thought, Modernity, Colonialism, and Progress. We will attempt to make links between what was said and done in the past with what is happening today, namely in terms of technology, humanism, fanaticism, and the striving for progress, be it technological or social. What good has come of such thought? Or, what consequences has it had? How are the shifts reflected in content and in form? And, finally, what can we learn from the novels, plays, poems, films and manifestos published in the last three centuries about how we live our lives and how we interact with other cultures? (Of course, we will also take the time to enjoy these works for their aesthetic value).

Required Text
The Norton Anthology of World Literature. Vols. D, E, F (Package 2). Third Edition.
ISBN: 978-0393933666 / Available in the Baruch Bookstore