Chapman, Erin D.. Prove It on Me : New Negroes, Sex, and Popular Culture in The 1920s, Oxford University Press, Incorporated, 2012. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/baruch/detail.action?docID=834747.
Harris, Will. “Early black women playwrights and the dual liberation motif.” African American Review, vol. 28, no. 2, summer 1994, pp. 205+. Gale Literature Resource Center, link.gale.com/apps/doc/A15787231/GLS?u=cuny_baruch&sid=bookmark-GLS&xid=038e4c5c.
Hebble, Susan Morrison. “Women Writers of the Harlem Renaissance.” Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg and Lawrence J. Trudeau, vol. 218, Gale, 2009. Gale Literature Resource Center, link.gale.com/apps/doc/H1420090822/LitRC?u=cuny_baruch&sid=bookmark-LitRC&xid=65f5b8ed. Originally published in The History of Southern Women’s Literature, edited by Carolyn Perry and Mary Louise Weaks, Louisiana State University Press, 2002, pp. 296-308.
Jones, Sharon L. “Reclaiming a legacy: the dialectic of race, class, and gender in Jessie Fauset, Zora Neale Hurston, and Dorothy West.” Hecate, vol. 24, no. 1, May 1998, pp. 155+. Gale Literature Resource Center, link.gale.com/apps/doc/A21059508/LitRC?u=cuny_baruch&sid=bookmark-LitRC&xid=187d94bd.