What was it like to be a black child during the Harlem Renaissance?

In the past decade, a sensation has taken the internet by storm: in the form of online quizzes. These quizzes help you sort yourself into categories of your personality traits, your Harry Potter house, what fantastical creature would you be. These all rely on a form of psychology known as tribalism, because as a species, we enjoy being sorted into a group as it’s how our species have survived. As a whole, humans as a species have found amusement and solace in dividing people into separate groups instead of considering all to be equal, for better or worse.

What I want to focus on is how we divide ourselves by age, or more specifically, how we divide everyone into ‘generations’. Our current generation of kids below age-18 are known as ‘Generation Alpha’, with the teenagers known as ‘Gen Z’, and so forth until the ‘Greatest Generation’ who are the oldest ones still on the earth.

It’s not wrong to say that we are cagey about these divisions as each generation has their own separate childhood cultural phenomenon that help bond the generation together, and accordingly, they had their own challenges to face.

So what were the childhood experiences for Black children that they all collectively experienced during this tumultuous time?

The previous generation was rife with a struggle to change what it meant to be black. They created magazines, gave speeches, and made an entire neighborhood their own. But even then, that generation was unable to solve the problem of the rampant racism they faced.

What was a child supposed to take from that?

Would they idealize the fighter for social justice as something that they would strive to become in the future? Or would it break them and force them down a path of despair?

This quote by W.E.B Du Bois contained in ‘The Magazine that Helped 1920s Kids Navigate Racism’ encapsulates it best:

This was inevitable in our role as [a] newspaper—but what effect must it have on our children? To educate them in human hatred is more disastrous to them than to the hated; to seek to raise them in ignorance of their racial identity and peculiar situation is inadvisable—impossible.

The Crisis magazine was showing the good, the bad, and the ugly of everything the Negro community was facing, but an unfortunate truth about the full truth is that the ugly tends to take in more space of a person’s mind, and in a child’s case, the cornerstone of their thoughts. If the children act on this hatred, nothing would change and the change that the previous generation had fought oh so hard for could’ve been lost. If children were to give into hatred and such, it would continue a cycle of violence and racism to the next generation and a life led by such hatred would rarely turn out to be a blessed one.

The media wasn’t kind to the neighborhoods these children lived in. But maybe the people were better.

Children have role models to base their behavior around. They are there to create an ideal image in their minds to live up to and to strive to become. It’s no secret that many pursued the fields they do as adults because there was a role model to guide them.

What did the children see? What did they learn? What did they start to believe?

Did the adults want them to continue the fight, or would they hope that it would end in their generation?

 

This poem by Langston Hughes on p.145 of Opportunity magazine, is a moving piece about the struggle and the misery that pervades the Negro community. It oozes with a feeling of being beaten down, and yet, there’s an accepting tone that they’re forgiven even in spite of their defeated figure. More importantly, it was written from the perspective of someone watching a man be so weary, and he can’t even fake being chipper.

The blues are a form of weeping for the suffering inflicted. What would a child see in this?

In the eyes of a child, they’d start to notice a pattern. A strange pattern of every kind adult empathizing with a beaten down man who looked as if he’s seen better days. The children would have a front row seat to this. They’d gain a sense of dread about the future, and the nigh-insurmountable wall of the future from their very young perspective. Maybe once they’ve grown, they’ll see the wall for what it is, but as a child, it’s frightening.

There is nothing a child understands more than their own helplessness to the world. This wall is going to block them, and it must be scaled with blood, or they would have to walk away from it entirely.

However, stories did offer a form of respite.

The Brownies’ Book was created by W. E. B. Du Bois, to educate and promote literary skills for both black and white children.

It was a much lighter publication in comparison to Crisis magazine. It focused more on literature for children and stories that depicted black children in a much more natural way in comparison to the very ‘narrow-minded’ takes other magazines were publishing. These magazines were targeted to both white and black children, in order to foster stronger relations between the two, since if they had a common to speak about, prejudices could be broken. Children are innocent and unknowing, so they’ll treat others how they see their role models and media tell them to treat certain people. This magazine hoped to show children that hatred was a incorrect choice and that it would be better to

And the children did do something that many were screaming they couldn’t.

Education had been a raging issue at this time, with many convinced that a black child and a school were like oil and water. However, education is the cheapest way to raise one’s position in society, so having children who could advance and truly apply themselves to learn and obtain vital jobs to a society would indisputably improve the general Negro community standing. But there are barriers to education nonetheless, namely in the form of monetary payments to attend educational institutions.

Grants are a blessing in this case as they provide that monetary assistance desperately needed by students struggling to pay their debts. But it’s not as if this money from these grants are able to appear out of thin-air. This money had to be managed and appropriately awarded to the students who needed it most, and the “Go to High School-Go to College” program by Alpha Phi Alpha was a shining standout as shown in the quote below by Opportunity magazine:

They had managed to create and maintain such a well-maintained program that even political figures gave their praises onto their efforts. These programs are representative of hope, and with such advancements and the removal of economic barriers, it would mean the inspiration of scholars to be limited solely by their efforts in academia which would lead to a strengthening of their position in society.

The struggles and boons of all these children defined and shaped their course in life. Their experiences gave a base to their opinions and their beliefs. To truly understand the change that happens to a community, the one thing that should be watched above all else is the ideas the children are exposed to, the things people say about them, the adults they watch and who they are closest to, the items that they read, and the ways they improve themselves.

 

Fraternities and Sororities. (1925). Opportunity, 3(26), 48–50.

Holmes, A. (2021, February 18). The magazine that helped 1920s kids navigate racism. The Atlantic. Retrieved March 8, 2022, from https://www.theatlantic.com/culture/archive/2021/02/how-w-e-b-du-bois-changed-black-childhood-america/617952/

Hughes, L. (1925). The Weary Blues. Opportunity, 3(29), 143–143.