Warm Ups?

As a vocalist, it is important to take care of your voice. Part of that process is doing warm ups before you sing full out. So I have compiled a short list of some basic warm ups to help anyone looking for some ideas.

5 Vocal Warm Ups for Singers

  1. Lip Buzz

To do this vocal warm up, simply vibrate your lips together without pitch, at first. This will help build up your breath support and stamina while singing.

Next, try adding a pitch to your lip buzz, and hold it anywhere from 3-5 seconds. Pitch can go up, down, or stay on one note. There should be a funny, tickling sensation in your nose and other resonators (the forehead, cheeks, etc.). If you do not feel this, try harder!

  1. Solfege

We all should be familiar with “Do Re Mi Fa Sol La Ti Do” from the The Sound of Music. Starting on middle C, sing through the solfege up and down the scale, taking your time and really listening to each pitch.

See if you can try this vocal warm up without a piano (acapella), as this will help with ear training! Practicing solfege is not only a great tool for your ears, but it will also help you with sight reading. 

  1. “Mah-May-Me-Mo-Moo”

This is another one of our favorite vocal warm ups that will help you sing better. Remaining on one note (monotone), sing “mah-may-me-mo-moo” nice and slow, really pronouncing the Ms.

Start low, perhaps at A3, and sing up the scale to an octave above. Take your time and see if you can sing this exercise all in one breath. While you don’t have to sing the warm up well, focus on your intonation to create the best vocal sound. Don’t push – this exercise should be nice and relaxed.

  1. “I Love to Sing”

This is one of the vocal exercises you can use to help with your range, as it includes an arpeggio. Starting low at around Bb3, you are literally going to sing “I love to sing” with a smile on your face! You will start at the root, then hit the octave, and come back down on the 5th, 3rd, and root of the chord again.

This is a great way to test your range through big jumps. It can be done fast and should be done all in one breath. Smiling while you sing will help you develop a more clear and bright sound. Give it a try!

 

 

  1. The Siren

This is the easiest vocal exercise of all the vocal warm ups on this list. Think of the sound of a fire engine passing by and imitate it with your voice. Start at the lowest note in your range, and slide through every note to the top of your range. If you can sing the low notes and high notes, then you know you are in good vocal shape!

This is a good way to tell if you are vocally fatigued. If you’re unable to hit the low or high notes, then it’s best not to push too hard. You can try this warm up in reverse too, by starting with your mouth open wide, going from high to low.

These vocal exercises take as little as 10 minutes a day, and they will help you sing better tremendously. If you need more guidance and are ready to take your singing to the next level, book singing lessons with an expert instructor today!

 

Now the purpose of this blog is to allow you guys to have a say in everything. I would love to hear some the vocal warm ups you guys use.

So, to kick things off, I usually get warmed up by running through a couple scales using solfege. What’s your preference?

 

 

For Novice Bass players (First Post Ever)

As I’ve stated on the homepage, I am a musician and one of the first instruments I started playing was the bass (piano was my actual first instrument, but I sucked so hard at it). One of the things that helped me improve was learning the basics. So here is a little info to help you get going.

 

 

4 Sting Bass basics

 Strings and Notes

Fingering and Exercises

  1. Position your hand on the neck of the bass so that your index finger (1) is on low G (the 3rd fret on the E string).
  2. Spread your fingers so that each one covers one fret.

Cover one fret per finger.

  1. Press the notes that are under your fingers, one finger (fret) at a time, in order: 1 2 3 4 (the right hand strikes the string to sound each note).
  2. Repeat the process on the A string (the next string), the D string, and the G string.
  3. You are now finished with the first combination. Now you are ready to begin the next. The table shows you the complete list of left-hand permutations (all the fingerings starting with 1, and then 2, 3, and 4). Practice one column at a time, and repeat the steps until you do all the combinations (yes, all of them).

 

 

Something I’ve neglected to mention was that I play mostly by ear. It has only been in recent years that I have started diving into the theory aspect of music. I am one of those people, I would just here something and would follow along, but if you asked me “what note is that?” or “what key are you in?”, I could not tell you. So, I made a conscious decision to change that.

I am still learning and have so far to go but, I am honestly glad I learned the way I did. I have a greater appreciation of the knowledge of theory now than I believe I would have if I had learned it as a child. For those of you who are like me and started out playing by ear, I’m sure you too will agree.

As for our full fledged beginners, don’t be intimidated by all the information. Take it slow and go at your own pace. Let your instrument be an extension of yourself and the theory the coating that binds it to you. If music is truly your passion, it will stick one way or another.

Enough of my babbling. Enjoy the lesson and check the link.

Jai-prestige signing off

See the link below for more on this exercise.

How to Practice Bass Guitar Finger Permutations