Oklahoma in the 60s

For those of you who are interested, here’s what looks like an elementary school chapbook on Oklahoma City.  It’s a chapter about the 60s.  Be warned, the history is very general, and what it has to say about the Civil Rights is more about the national scene than in Oklahoma. Link:   http://www.gearyschools.org/vimages/shared/vnews/stories/522f9e3953516/Chapter%2016%20%20What%20were%20the%201960s%20like%20in%20Oklahoma.pdf

Curious fact though, OKC elected a female mayor, Patience Latting, the first female mayor of a city with a population over 200,000.

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1967 was just the beginning of the Black Power Movement

https://www.youtube.com/watch?v=TxS3cNyKo00

So one of the things that is hard for me about The Outsiders is the curious absence of Native Americans and Black people, when in the 1960s, there were serious movements by both of these groups of people who did live and exist in Oklahoma, especially in Tulsa.

I’ve included this documentary from Independent Lens on The Black Power Movement.  It’s pretty long, but you can actually hover over and watch 1967, which is about five to ten minutes long.   It’s true that Hinton said she started writing the outsiders when she was 15, which would have been in 1964, but that’s no less in the thick and fire of Civil Rights Movement.  The Outsiders sometimes to me seems conspicuously outside of history.

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Close reading blog- “Read All About It”

In Emeli Sande’s, a British recording artist, song “Read All About It, Pt. III” from her album, Our Version of Events, Sande uses her powerful lyrics to deliver not one message, but many messages that touches on issues that deal with society such as gender, race, political events, and the world as a whole. Just by looking at the title, Sande is calling everyone to come and read and listen to her song like a heading of a newspaper article. Although all the words in the songs have a significant and deeper meaning behind them, some of the most powerful words come from the beginning of the first verse itself, which says

“You’ve spent a life time stuck in silence

Afraid you’ll say something wrong

If no one ever hears it how we gonna learn your song

So come on ,come on

Come on, come on

You’ve got a heart as loud as lions

So why let your voice be tamed?”

Looking at the verse as whole, it seems like Sande is simply trying to encourage people to declare the issues going on around the world, whether it is the simplest of things or the bigger things going on. In a deeper sense, when looking at the first line, she says, “ You’ve spend a life time stuck in silence,” Sande is saying that people, not specifically directing the message towards men or women but society as a whole, has been “stuck in silence.” To say that something is stuck can mean to be immoveable or cemented, almost as if there is no way out of it, which is what Sande is trying to exaggerate here. Then looking at the word silence in this context can mean to be hushed or left speechless. It seems like Sande is trying to emphasize how repressed society has been to make known certain things, which can be referred to anything in this case. Then looking at line 7, we see Sande uses the word “tamed” like a lion is being repressed from its natural instinct. By using the specific word tamed, even though there are so many other words she could’ve used, Sande is emphasizing this central idea of being repressed and muffled by society and abiding by society’s conformities. Sande also makes a reference to lions in the previous line, and by using the words “as loud as a lion” it makes us question what is a lion without its roar? A silent lion is only half a threatening and scary as a lion with a roar, which is what Sande is trying to communicate here; let your voice be heard even though it isn’t what society wants to hear. A persons voice can do many things, like a lion’s roar can threaten and cause fear; a persons voice can change the world. Also in the line Sande asks a question that is directed towards everyone, but also herself. She says “so why let your voice be tamed?” as if she is questioning herself when she says “voice” as a singer, why she hasn’t sung about all these issues before, but finally has done so by singing this song. Then take a look at line 2, Sande says “afraid you’ll say something wrong” which ties back into conforming to society. Although those words can mean several things, in my own perspective, it seems Sande is trying to say don’t be threatened by society and fear that what you have to say is wrong or not important because your voice is a powerful weapon that should not be suppressed. By using the word “afraid” is like saying people are discouraged by society or even being cowardly to say what is really on their mind. But in lines 4 and 5 she says, “so come on, come on, come on, come on,” in which she is encouraging people to listen to what she is trying to say and more importantly do what she is saying, which is to use their voice to make a change in the world and make known what they know. The repitition emphazies just how important her message is; it is almost as if she is yelling at us to do it. There is so much going on in these first 7 lines of Sande’s song and there is so much more than can be interpreted in just these 7 lines.

 

P.S Well now you guys know a little bit about the song and my interpretation of it so here I have inserted a beautiful interpretation of the song, truly one of my favorites! I hope everyone gets a chance to see it and enjoy!

https://youtu.be/01KLX5BRpeo

 

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GROUP B: Close Reading on “Thrift Shop” by Macklemore

In the song, Thrift Shop, by Macklemore, created in the year 2012, Mackle raps about his experiences shopping in the thrifts. He speaks mainly towards the fact that customers are able to create a totally different identity with the purchases they make from the various inexpensive designer clothes thrifts sell. Some background his previous life experiences were that he did have enough money to fit in with the big money millionaires that he desired to be around. He states that the thrifts have indirectly given him the chance to do fulfill this dream by looking like he fit in.

Macklemore describes his attire in his second verse, “Dressed in all pink except my gator shoes, those are green, draped in a leopard mink, girl standing next to me”. This attire as described looks very funny and unusual. However, each of what he is wearing is known for being expensive in someway. His shoes are alligator skin, which usually runs over $500, and he is wearing a leopard mink which are always over $2,000. Not only are the materials he is wearing expensive, but also he describes his mink to be “draped” sounding delicate against his outfit even though minks are generally very heavy. He also wears extravagant and bright colors. Pink and green are considered pimp colors, who are the people he is associating with in the song. His attire, although very odd for us, represents a sort of social class and position around the type of people he hangs around. Lastly he mentions that girls are standing next to him, implying that they are impressed with his style and they are giving him their attention. All of these aspects go into forming an identity to fit in.

The purpose of this song was to change society’s attitude towards thrift shops so they can accept that not only extremely poor people shop there, but also it is a place to find good deals and create another identity. This line in particular shows the identity he is creating to fulfill his desire to temporarily fit into the social class that he strives to be a part of. The thrifts allow him to “look the part” of being in a particular social class and create an illusion of him being just like the rest of people he is with.

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The Body- Outsiders Quote

“Johnny Cade was last and least. If you can picture a little dark puppy that has been kicked too many times and is lost in a crowd of strangers, you’ll have Johnny. He was the youngest, next to me, smaller than the rest, with a slight build. He had big black eyes in a dark tanned face; his hair was jet-black and heavily greased and combed to the side, but it was so long that it fell in shaggy bangs across his forehead. He had a nervous, suspicious look in his eyes, and that beating he got from the Socs didn’t help matters. He
was the gang’s pet, everyone’s kid brother. His father was always beating him up, and his mother ignored him, except when she was hacked off at something, and then you could hear her yelling at him clear down at our house. I think he hated that worse than getting whipped. He would have run away a million times if we hadn’t been there. If it hadn’t been for the gang, Johnny would never have known what love and affection are.” (Chapter 1)

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“The Outsiders and How It Pertains to Race”

The title alone suggests a striking distinction between what is considered acceptable versus what is not. Just as blacks and other minority groups have been classified as “other,” on the basis of physical features and their cultural practices, so are the Greasers in comparison to the Socs on the basis of economics.

Another observation that can be connected to that of race can be found on page 43 of chapter 3, in the Speak edition when Ponyboy broke down. “It ain’t fair I cried passionately. I ain’t fair that we have all the rough breaks!” That is the outcry for almost everyone who has ever felt like an outsider because their race was different from that of the larger population.

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Outsiders Quote – Body

“Darry is six-feet-two, and broad-shouldered and muscular. He has dark-brown hair that kicks out in front and a slight cowlick in the back— just like Dad’s— but Darry’s eyes are his own. He’s got eyes that are like two pieces of pale blue-green ice. They’ve got a determined set to them, like the rest of him.”

Chapter 1.

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Outsider Quotes-Race

“Maybe the two different worlds we live in weren’t so different. We saw the same sunset.”-Chapter 3 page 35

“Well I won’t. But I gotta do something. It seems like there’s gotta be someplace without greasers or Socs, with just people. Plain, ordinary people.”- Chapter 3 page 42

“Greaser… greaser… greaser… […] Oh victim of environment, underprivileged, rotten no-count hood.”- Chapter 9 page 116

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Unfairness, Quote Post

“Big-time Socs, all right,” I said, a nervous bitterness growing inside me. It wasn’t fair for the Socs to have everything. We were as good as they were; it wasn’t our fault we were greasers…. I felt the tension growing inside of me and I knew something had to happen or I would explode”. -Chapter 3, P.47, Publisher: speak

Basically this section of the chapter is describing how the Socs made the greasers feel lower than themselves because when it came to pretty ladies or having the more elegant things in life, the Socs were always one step ahead of them. Ponyboy felt that that kind of life was unfair and that he and Cherry really bonded and Bob, the Soc, ruined his chance of getting to know her better. This relates to race because although they were ethnically different, they were socially different and on two separate economic levels that was differentiated within the community. Ponyboy and the greasers were like black people in the late 20th century where they were allowed to do certain things but to an extent and the Socs were like whites where they were allowed to go where ever they want because they had money and they had recognition and basically power and Cherry had the fear of being with a greaser because he did not meet her societal standards. Race in this context was like the fair of being seen with people that they were not suppose to be with. The stigma of being with someone less than them was crucial to their reputation and Cherry made that clear that Ponyboy was less than she was.

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The Importance of Cherry Valance

In class on Monday, I mentioned something about how Cherry’s character is very important because if they had not met her at the movies, then the Socs never would have tried to beat up Ponyboy and Johnny, and Johnny never would have killed Bob. Cherry and Ponyboy have a connection and she brings out a side in him that only Johnny had really seen, when they were in the church on the hill.

I don’t know why I could talk to her; maybe for the same reason she could talk to me.

is a quote from chapter 3 that I believe sums the relationship of her character’s to Ponyboy’s perfectly. Cherry and Ponyboy understand each other, and it’s after talking to her about sunsets that Ponyboy starts to think that maybe the Socs and the greasers aren’t so different after all.

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