Close reading – The Coquette by Hannah W. Foster

The Coquettte By Hannah W. Foster, is a book or also known as a females guide to love. This book has extreme radical views for 18th century America, focusing on women and how they should be able to make their own choices, have their own thoughts and break free from the “traditional” views of society. This book focuses on the main character Eliza Wharton, whom is the radical woman amongst her group of friends and family. She believes that being “free” and having friendships are more important than becoming married, because this is how Eliza acts she gets a bad reputation.

“Marriage is the tomb of friendship.” Eliza says this to her close friend Lucy Freeman when she writes to her about how important friendship is. These feelings she has are radical in her time causing her close friends and family to become worried, they think she is naive. Eliza believes that once you are married you lose who you are as a person, you forget your friends because you are too busy with your new life. It’s interesting to see that someone in the 18th century, being completely unable to vote or have any rights, all she can do is marry a man and reproduce. It’s detrimental to the men in this society, because it puts them in danger, against females. When Eliza calls marriage a tomb, she literally means that it will die, that marriage will not allow for the same type of friendship there once was before it.

I think we can expand on this quote a bit further and say that Eliza or Foster thought that once you are married you can’t have male friends either. Eliza was to be married to a man, but he passed away. Once he passed she was liberated, and with this new freedom she wanted to explore her options and many people labeled her a “coquette.”  She wanted to make sure that these men were worth it, but she also wanted to maintain her freedom and see and do what she pleased whenever she pleased. No one in her time agreed with her actions, thinking she was almost a rebel. If we compare what Eliza did in her time to modern day society, she would be considered an angel, but I digress. Eliza was simply trying to be a free woman for as long as she could before her life had to change, and all of her friendships had to be severed.

 

 

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Acosta’s Close Reading Post (GROUP A)

In the music video, “Aston Martin Music” by Rick Ross featuring Drake, Ross expresses his contentment about achieving a form of personal success through rap music. In the beginning of the video, there is a small clip of a young boy who wishes to own an expensive car when he grows up. The video and lyrics seamlessly transitions into the artist driving around in a luxurious Aston Martin (car) and singing about his lavish lifestyle. At the 3:06 mark, Ross begins to fill two glasses of Cîroc but ironically never shows the cups again. This minor prop can be looked over carelessly, but its significance plays a huge role.

I believe it indicates his achievement and success from his upbringing and represents a major accomplishment. In the urban/hip hop community, success is frequently showcased through the showing-off of expensive cars, glistening jewelry, fashionable clothing and the consumption of fancy alcoholic beverages. Therefore, the bottle of Cîroc doesn’t just signify another worthless prop in the video in order to make up time for the song to finish, but as a representation of his achievement of “making it.” As Cîroc might not be the most significant prop in the entire video, it indirectly supports the message of the video. You cannot directly correlate liquor to success, unless you understand Ross’ background in regards to his youth and what that specific community looks up too. The bottle of Cîroc has a deeper meaning than what one might initially assume.

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Close Reading Blog Group A — The Subtle Details of Melancholia

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Melancholia is a 2011 film by Lars fon Trier, an award winning film-maker, about planet Earth coming in with collision of another planet named Melancholia. Earth is doomed; two sisters struggle through the movie in different ways, coping with the fact of future death. The younger sister, a chaotic disaster, is getting married, but divorces the same day, because she sleeps with a random guest and is absorbed by depression. The older sister is much more mature and tries to take care of her, but still needs to take care of her husband and young son; trying her best to keep everyone on their feet.
Lars fon Trier is known for metaphors and subtle details that point out to larger issues and hint on what will become of the characters. One must have a keen eye to notice the puzzle pieces that bring together the greater picture.
At the start of the film we do not know of the future planets colliding, but fon Trier starts the film with a musical composition that already gets the viewer thinking. The composition is Liebestod (“Love-Death”), a piece from the opera Tristan and Isolde by Richard Wagner. Death is the last extreme for this family to love again, it brings the characters to a maximum catharsis of their emotions, just as in the finale of the opera. The theme of death continues at the wedding reception, when the flower of the wedding is lily of the valley, a biblical symbol for the tears of Eve; adding to that, the new husband gifts his wife an apple orchid, a biblical symbol for the Fall Of Man, which soon happens as the result of worlds colliding, as well as the metaphorical psychological death of the younger sister, causing chaos and disaster due to severe depression, a.k.a. melancholia. The power of melancholia creates the fatality of these peoples’ lives, by dramatically driving them together. The relationship of the sisters are similar to the colliding planets, their lives cannot be driven apart, but they bring disaster, when brought together. The younger sister is driven with cruelty and childish egoism, accepting the death of humanity, but absorbed by the beauty of fate. Not only will the world fall, but humane innocence will too.

P.S. I can talk about this for hours, I haven’t even mentioned that the younger sister only ate blueberry jam, because it was known as a medieval cure for depression(but this of course isn’t explained, a.k.a. the point of close reading). Please watch fon Triers films, he is a very clever director. :)

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Group A Close Reading

Symbolism is one of the greatest literary devices an author can utilize in order to convey a meaningful message that a reader alone cannot perceive without being provided some insight. One symbol that is present within the novel American Born Chinese written by the author Gene Luen Yang is the most well recognized toy of the 1980’s which is the transformer. The transformer present within this book is not just a popular toy that is waiting to be showed off as a trophy by a child, but rather it possesses a more deeper meaning that deserves to be looked into an analytic manner. The significant meaning behind this transformer is that this object is symbolic for Jin’s most basic desire , which is to ultimately transform into something different and something he is not therefore altering his perception in a crucial way. This is proven when Jin responds to the herbalists question by saying he ” wants to become a transformer, a robot in disguise, more than meets the eye ” (Yang 27-28).

Jin wants to transform himself into a regular kid that is accepted by society, but in reality he cannot be normal, since he comes from an immigrant family. At the herbalist shop, he is told “It is easy to become anything you wish so long as you’re willing to forfeit your soul” (Yang 29). These words finally encourage Jin to want to transform into a White kid named Danny and this portrays how desperate he is for new change which clearly he isn’t built for nor prepared for. This transformation does not last and the reader can see at one point of the novel that Danny kills Chin-Kee whom is another symbolic character. All this occurs in Jin’s imagination and Chin-Kee represents all the common stereotypes associated with all Asians alike. Chin-Kee is smart, geeky, and represents all the things Jin refuses to be because of his total fixation on becoming a full fledged American who is not ridiculed by the society he is constantly around.. By utilizing symbolism frequently and efficiently, the author illustrates one point which is the ideology that the protagonist Jin is working all he can to murder his self image of being Asian thus showing a theme of violence.

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Discussion Questions on The Outsiders

For Wednesday, please consider the following questions about The Outsiders:

1) Why is there so much attention to what the narrator and the other characters look like?   Is it important that the narrator and his brothers are attractive?

2) Thinking about the Hirsch article, and the idea of blood kinship versus belonging in le genre humaine (literal fraternite vs metaphorical fraternite), what do you make of the importance of brotherhood in The Outsiders?

3) Stories, movies, novels, poems, feature heavily in The Outsiders.  In particular what do you make of the fact that the novel opens with the narrator leaving the Movie house and stepping out into the light?

 

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Close Reading Posts

Close Reading Post:

In this post, you should practice close reading using one or both of the close reading methods I presented in class [Follow the Trail or Archaeological Dig].

The most important part of this blog is that you NARROW YOUR SCOPE. You should pick either the tiniest thing to focus on. Perhaps you focus on just 2 sentences in A Lesson Before Dying.   Or perhaps you focus on the detail of blonde hair in Frankenstein.

It’s hard to know what constitutes a minor and/or focused moment. 2 sentences in a poem would be a lot. And perhaps 4 short sentences in Frankenstein might be shorter than one long sentence in The Bluest Eye. Or perhaps even though there are only a few blonde hair women in Frankenstein, there is so much attention and meaning imparted to those moments, it is too much to do in one post, and you need to focus on just the use of yellow and white and light colors in the description of the village home in which we first meet Elizabeth.

You are not writing a paper in this blog, though you may use what you write in the post to help you write your close reading paper. The point of this blog is for you to practice engaging at a very close level how the language of the text works.

After you have identified your small portion, you should posit some idea about what that small moment is doing in the scene (if not the whole novel). You should illustrate this claim by explaining how you are seeing the details of the text work in such a way as to get this idea.

Remember that the post is really practice for the paper.  You may do the post on any text you wish.  Remember to narrow your scope.

Below are the white board notes, from yesterday’s class (also available on the chalk board notes part of this site).

 

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Lady Gaga “Born this Way”

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Maria Aragon “Born this Way”

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Lady Gaga and the Child

Lady Gaga, who often expresses herself through monster metaphors and playing with ideas of monstrosity says in this duet with Maria Aragon that Maria (the ten year old whose cover of Gaga’s “Born this Way” went viral) represents everything the song is about.

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Close Reading Blog Group A

Victor Frankenstein, from Mary Shelley’s Frankenstein, has created life in the form of a monster. This haunts him, and only becomes worse once the monster begins to terrorize his family. However, there are rare moments of peace that come to Frankenstein when he is alone in nature. Beginning immediately after the monster comes to life, to the end of the book, Frankenstein feels most comfortable in nature, away from people. One particular moment is after the deaths of Frankenstein’s younger brother and the family’s servant.

“About this time we tired to our house at Belrive. This change was particularly agreeable to me. The shutting of the gates regularly at ten o’clock and the impossibility of remaining on the lake after that hour had rendered our residence within the walls of Geneva very irksome to me. I was now free” (Shelly 78).

In this moment, Frankenstein expresses his displeasure of being separated from nature. Geneva’s shutting gates restrict him from exploring and finding a moment of peace when it is most necessary. Frankenstein is free to be anxious because of his previous actions in nature because he is alone and will not worry his family. Further in that passage, he states that he enjoys taking a boat into the lake and lets his mind wander as the boat finds it’s own way. The change in setting, from Geneva to Belrive, gives Frankenstein his relief. Geneva is a more populated area, but Belrive is implied to be a vacation home, a more private area. In addition to this, the opening of nature is also important. In Geneva, the day is limited, as well as the passage into nature. This nature is also tainted because Frankenstein’s younger brother was killed there. But Belrive’s nature is not closed off by a time constraint, and it is pure. This is what Frankenstein craves most; to be free and pure. But his creation of the monster has doomed him to be filled with guilt for the rest of his life.

Frankenstein’s desire to be with the purity of nature is a yearning for his interior to mimic his exterior environment. Frankenstein’s monster finds a similar peace in nature, away from humans who judge and scream at him. Frankenstein finds peace in nature because he is always away from other humans, but this is so that he can freely express his emotions and inner thoughts. Romantics believed in the power of nature, and Shelly was no exception, showing through her characters the calming power of nature. The end of the book, Frankenstein has been chased to the Arctic by the monster. He is at peace away from other humans, but no longer because it allows him to truly express his thoughts, but because he knows the monster cannot harm anyone but himself.

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