“Kendrick Lamar’s ‘Good Kid, mAAd City’: A Lesson In Storytelling” by Joe Dana was an eye-opening read to say the least. In his review, he analyzes the album’s storytelling by breaking it down to its elements, from it’s album cover all the way to the meticulous order of the songs. To begin with, Joe gives us some insight on what is going on in the album cover. Baby Kendrick is seated with his grandfather and two uncles, one of which is throwing up a gang sign. Everyone’s eyes are censored except Kendricks, thus leading you to stare at his “innocent eyes” which are “tryna figure out what is goin’ on”, which in turn is the theme of the album. The album tells a coming of age story in the form of a “short film” as mentioned on the album cover. This short film, however, is played through the listener’s mind, as Kendrick does an excellent job telling the story and setting the scenes. Each song brings up its own idea, however pieces of an overarching skit are spread throughout the album and as Joe said – “they’re what pull the story completely together”. In addition to the tying of the songs through the use of the skit, Joe also commends the album sequencing which allows the story to flow. More times than not, the following song will build off the previous by either presenting an alternative perspective or the next idea which furthers the coming of age. Examples of such can be seen through the pairing of songs such as “Backseat Freestyle” and “The Art of Peer Pressure” where the transition from one to the other depicts, as stated by Joe, “a major development in this narrative”. The storytelling which is involved in this album is what makes it so special and Joe Dana’s fascination with it only amplified my liking for the album and its production.