My favorite piece at the exhibition “Out of Hand” was the exhibit that had the strongest emotional charge. The name of the installation is Object Breast Cancer (OBC) by caraballo-farman. When I first read about the installation consisting of an object of irregular shape made out of bronze, an amulet-necklace made out of gold-plated bronze and a sterling silver bead, I thought to myself:”why would any woman, who survived breast cancer want to carry an object that reminded her of all the misery she overcame?” And then I read about the caraballo-farman’s conviction that artistic interventions can have important social and psychological effects. What I realized is that seeing a prototype of the malignant tumor actually helps women fight a known, visual object and symptoms that are caused by it. They see exactly how their condition looks from the inside and how small and insignificant their tumors are (or were). They fight something concrete, rather than fear the unknown. The necklaces, charms and beads may also serve as amulets. I believe that these pieces possess strong positive energy and may protect those wearing them.
The three observations/lessons that I have learned from my visit are, first of all, the way art changes with the introduction of 3D printing. It really lets the artists’ imagination run wild by enabling them to, for example,to print a sofa in the shape of their brain wave when they thought of a word comfort. My second observation was the variety of materials used in 3D printing, such as different types of plastic, alumide, ceramics, wool, acrylic photopolymers, precious metals, etc. Another observation was an amount of work that took place post-production that is not fully covered in the book Fabricated.
My visit to the museum definitely helped me think about many positive changes 3D printing can bring to the developments in healthcare. For example, it can personify a patient’s illness to help them fight something visual, rather than fear the unknown.