Author Archives: a.carter1

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MoMA and Modernism w/ Tarsila do Amaral

Tarsila do Amaral’s work is concerned with her involvement with Anthropophagy. Her work was known as the most significant Brazilian avant-garde project of the twentieth century. She was striving to establish a distinct and authentic national culture. This project made her a central artistic figure of international modernism in her native country. As Amaral faced bankruptcy, due to the stock market crash of 1929, she turned to political activism. Her involvement in political activism inspired her works.

Tarsila do Amaral’s work can be described as modernist because it embraces artistic modernism, which according to the work’s description is complimented by a recognition of the social ills caused by modernization. She was focused on depicting and expressing her country’s concrete political reality. The painting represents her modernist values of diversity. The painting illustrates unhappy, blank, miserable, and some even neutral faced  labor people in Brazil working through the tough times of the 1930’s. The people of Brazil were facing political and economical turmoil due to the events transpiring during this time. Modernism has to do with embracing uncertainty, breaking traditions, and formal experimentation. Amaral embraced the uncertainty that her and her people were experiencing in Brazil concerning politics and economic struggles. She broke traditions concerning  her art by focusing on political activism instead of her illustrations of broad symbolic terms in Brazil. She experimented with the more ideal modern art and took risks in this uncertain pool of danger. She also included Gregori Warchavik in her art, a modernist architect in Brazil. The experiences the Brazilians at the time were enduring were due to modernist influences. Factories and urbanization was a vital aspect of this time for many Brazilians.

This painting attracted me because of it’s size and it’s diversity. The faces that are painted caught my attention. The way in which it’s drawn made me linger at it. I wonder why the people were painted in a the section of the portrait that looks like an irregular triangle. I wonder who exactly each individual is and why Amaral only drew a crowd of faces. I also wonder if these people were all standing together when she painted them or if some of them were conjured by her imagination. The painting also looks like a picture that would be drawn in a children’s book. I wonder what exactly her message is for this painting. I understand that she’s underlining a stressful time for Brazilian laborers, but what message did she want her audience to have when looking at this painting? What feeling did she want to stir? I honestly didn’t feel an emotional connection to the painting so I wonder what effect she intended her audience to have here.

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Art-A-Thon-Art History with Karen Shelby

I learned a plethora of revealing, disturbing, and eye-opening information at this meeting. The essential topic of the meeting was about activist art. Individuals like Nan Goldin, Adrian Piper, Kara Walker, Dread Scott, Gonzalez-Day, Weiwei, and more were instruments of this kind of activist work.

Fred Wilson is one of the activist artist. His art reflected how black men were invisible once they were in a suit. People saw a black man in his work uniform and he became just that, a black man in a uniform. Wilson noticed that these men were stripped of identity and personality. To test a group of people at his exhibition, he introduced himself to them and told them to meet him on an upper level of the exhibit to talk about his art (which displayed black men in all kinds suits as guards, security, etc., but with no heads just black necks and bodies). The people met him upstairs and waited for 15 minutes. It was when they started to complain about waiting that he revealed himself. He had been in the suit with them the entire time, but not a single person realized or noticed it was him. People are blind to the black man in the suit.

Dread Scott is another activist artist. The N.A.A.C.P during heavily and overt racist times hung a sign on a busy, city-like block for millions of people to read. The sign said  “A Black Man was Lynched Yesterday.” In 2015, Scott hung his own similar sign over a busy business-like block where thousands or millions of people could see it. His sign read “A Black Man was Lynched By Police Yesterday.” This was obviously a powerful message concerning police brutality at the time.

I also learned where the hate words that start with f and n originated from. As well as that Aunt Jemima (pancake mix and syrup mix) was a way for White people to feel like they had a black woman working for them. In other words, another form of racism that has lived through centuries into our modern times and prevails into our future. I always thought Aunt Jemima was the woman who came up with the recipe for pancake mix and syrup. I was entirely wrong.

Weiwei is another activist artist, who used thousands of backpacks to display the deaths of 3,500 children who were killed in China from a fatal earthquake. The Chinese government wasn’t cooperative and didn’t do anything to protect the children. The place where the children were, was earthquake prone. Weiwei wanted to expose the Chinese government for their negligence and censoring. The display was created in Germany to tell the story of thousands of children who died that day. All that was left after the earthquake were thousands of children’s’ backpacks littered all over the place. Devastating, considering these were the children that resulted around the time of China’s one-child policy. Many parents lost their only children that day and the Chinese government refused to acknowledge it, but censored the tragedy instead.

World’s highest standard of living, there’s no way like the American way

Looking into the Mirror, the Black Woman asked, “Mirror, Mirror on the Wall Who’s the Finest of them All?” The Mirror Says ” Snow White, You Black B****, And Don’t You Forget It!”

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