Finding D.O.A. (1950)

If you’re looking for the classic later film noir, D.O.A. on Netflix to watch for Tuesday, you might have a tougher time finding it than you should. This is because Netflix lists it as Film Noir Collection: D.O.A. so that a search for “D.O.A.” gets you the remake with Meg Ryan and Dennis Quaid and lots and lots of concert films of the punk rock band of the same name.  A search for “film noir d.o.a.” or this link will get you what you’re looking for.

But there are other options. D.O.A. is available for streaming or download on the Internet Archive and for streaming on Google Video. Here it is for streaming but a higher quality version is available for download at the link above.

Recommended and Required Movies Free Online

Thanks to Professor Eversley, whom some of you know, I am now aware of a site where some of our recommended and required viewings are available for free. You may need to install a plugin to watch them, however. If that’s the case, you’ll need to follow the links right below the viewer window to install DivX. You may not be able to do so if you are in a computer lab.


You can watch Double Indemnity (1944) (required for next Thursday) and Blue Velvet (1986)(recommended for this Thursday) on stagevu.com for free. Click on the poster images above to visit the site and watch the movies.

Going forward, movies available on stagevu.com will be linked from the calendar page.

Draculas

For our discussion today, here’s the trailer for the 1938 rerelease of Universal’s Dracula (1931) directed by Tod Browning. The whole film is available in parts on Youtube and for instant streaming in Netflix.

Here is a trailer for Francis Ford Coppola‘s 1992 Bram Stoker’s Dracula. Note how this trailer emphasizes the truly supernatural qualities of the vampire that Phillips says made the 1931 version particularly terrifying to contemporary audiences.

And here is the full version of Murnau’s 1922 expressionist take on the famous vampire, Nosferatu (1922), which was discussed in some detail in our reading:

Note the difference in appearance between . . .

Max Schreck’s Dracula in Murnau’s film and

Bela Lugosi’s dapper aristocratic Dracula in Browning’s. We’ll discuss Phillips’ take on this difference in class.