Spotted this weekend at Potter’s Wheel Tavern, King Gilgamesh of Uruk was seen with a new friend, Enkidu (Of where? We don’t really know.) Rumored to be dating the infamous Shamat of Uruk, Enkidu was introduced to Galgamesh by their mutual harlot friend. Gilgamesh, known for his insatiable taste in women, hot body and his sometimes unfavorable ruling ways is most often seen with other royal socialites. Enkidu, a far cry from royalty, is said to be a child of the wild, raised by beasts and unexposed to the more civilized luxuries of life.

It is unclear as to why Gilgamesh, son of former King Lugalbanda and goddess Ninsun, has been hanging out with Enkidu. While they were previously seen pumping iron together at Tigris Sports Club earlier this week, their physique is about all they have in common. Rumor has it that  Gilgamesh is set to embark on a three day journey to Cedar Forest, in attempts to dethrone its notoriously violent leader, Enlil. Perhaps Enkidu has been named Gilgamesh’s newest bodyguard and right hand man, but we can’t be sure.

When reached for comment, both parties declined. We were able to get in touch with Ninsun who claims that Gilgamesh and Enkidu’s friendship has developed organically and while rather odd is of benefit to both parties. “As you know, my son is short tempered, arrogant at times, too brave for his own good […] Enkidu has showed him patience and compassion. Humility. He’s most definitely a blessing in disguise.” she said.

For now, we’ll continue to speculate this odd pairing. Until then, we’ll be sure to keep you updated on the latest celebrity news. Celebrity tip or spotting? Send to [email protected]!​

Please take a moment to explore our course blog and make sure you can find and access resources you will need for the upcoming semester. Some recently added items are:

• course syllabus
• readings for week 2 (for anyone who hasn’t yet purchased the Norton Anthology)
• a link to the electronic text Contexts and Comparisons – a necessary text for the course
• a link to the Norton Anthology of World Literature Study Space

If you missed the first day of class, or just added the class, make sure you print out the reading (if you don’t yet have the text book) and bring it to the next class. Check the syllabus and course schedule to see what pages are due and email me if you have any difficulty downloading the PDF files from the “Readings” page of the site.

You’ve all been designated authors on the site so feel free to add your own comments and input at any time. Check the site at least once per class period so you don’t miss any important announcements or information. I’ll be posting a schedule for your own blog posts on our readings by the end of the week, so stayed tuned!

For Monday 9/8

• How does the Prologue characterize Gilgamesh as a king and as a man?
• In what ways does the harlot Shamhat “civilize” Enkidu (beside the obvious)? What are the signs of his “civilization”?
• What is the nature of the relationship between Gilgamesh and Enkidu? How does each compliment the other?
• What about the women in the story: Ninsun, Shamhat, and the goddess Aruru? How do they move the narrative forward?
• Why do Gilgamesh and Enkidu pursue their first adventure? What do they hope to gain?

For Wednesday 9/10

• How would you characterize Ishtar? What does she want from Gilgamesh and what tactics does she use to get what she wants?
• What is the purpose of Enkidu’s string of curses in Tablet VII? Why, especially, does he curse Shamhat? For what does he blame her? (VII. 58-86 [pp129-30])
• Is Enkidu’s death ordained by the gods? Why him and not Gilgamesh?
• In what ways are water and bodies of water significant in the narrative? What do they symbolize? Give specific examples.
• What is the significance of Utanapishtim’s challenge to Gilgamesh to stay awake for 6 days and 7 nights? Why does he have his wife measure the days with loaves of bread?
• Why does the narrative end with Gilgamesh’s observation of the walls of Uruk? How is this scene related to the story’s Prologue? Does it signify any progression of his character?