The headscarf which is traditionally worn by Muslim women, also known as (al hijab in Arabic and un foulard in French) as a way of demonstrating and maintaining an aura of decency, modesty, and conservatism. And has been worn for hundreds of years by practicing Muslim women. However, in recent years, especially in Western European countries like France, Switzerland, and Belgium, it has come under a great deal of fire from a variety of mostly European critics who view it as a vestige of a more deeply religious past and one that objectifies and demeans women.
This view—especially popular in France—has its roots in a variety of sources which come together to paint the hijab in a very negative light. The manner in which French national identity manifests itself is very important to understanding the backlash against the hijab being worn within the country. Among the republican values held dear to the French people are the views that all citizens are equal and the same; this comes with the unspoken caveat that entails that all people should make a conscious effort to conform to this standard of sameness. Items of clothing like the hijab and the burka are visible markers that make a Muslim woman stand out from the rest of the local population and which obviously preclude her from conforming (at least visibly) to a clear standard of “sameness” and homogeneity. Thus the first factor that causes a negative view of the hijab to be held by French people is that it seems to be a very obvious and noticeable way of demonstrating cultural difference and the individual identity of a subculture within and apart from the larger national culture that the French population identify with.
This is exacerbated by the fact that in France, there is a long history of racial and religious tensions with Muslim and North African People. The hijab—being worn exclusively by Muslims, often from North Africa—therefore represents the embodiment of the “otherness” of the Muslim people of North African descent and heritage which has in the past so vigorously challenged French national identity and French rule.
Furthermore, there exists a stereotypical vision in the “West” which portrays women in Islam as being repressed and subservient to men. That Muslim women cover themselves in veils—as opposed to the more liberal clothing worn by European women—seems to be a visible marker to European people which reinforces their preconceived notions of Islamic misogyny. Of course, the reality behind the hijab and Islamic treatment of women is far more nuanced and cannot truly be simplified to be expressed by one garment.
These three factors work in confluence with one another to create a negative image in Europe—however inaccurate—of the hijab being both a symbol of Islamic refusal to conform to a collective French national identity and of Islamic misogyny and mistreatment of women.