The Omer Fast exhibit in Chelsea was very interestingly laid out with an extremely dark gallery, a few hallways and several dark halls leading to rooms with large television sets. In general I noticed that Omer Fast uses themes of narrative and his works all struck me like cinematic movies. A lot of his work dealt with the ideas of PTSD, one piece specifically highlighting the stories of a drone operator. Spring was my personal favorite. The piece centered around a troubled boy in a suburban town who meets an untimely and very surprising death in a bicycle accident. The television screen was broken up in several screens and the screens had a different point of view on the same scene. I really enjoyed this because I felt like the viewer had a more immersive view of the scene. To me, this work in particular felt like a more artistic version of going to the movie theater. Omer’s split screen technique could be a development in the cinematic experience in general, like a Three D movie. I thought that this enhanced Omer’s subject matter and refocused on his characters. I could easily see this technique being employed by movie producers in the near future. I found myself really drawn in to the work, and the split screen was so seamlessly woven with what was playing in the main screen that sometimes I did not even notice when they were playing different things. I was impressed with Fast’s ability to create a cohesive visual picture while showing different perspectives on the same scene.