As a rapper, I pride myself in being able to spin words into an unpenetrable cloth of verbage, as many rappers do, and should do so. But I’m also many other things, and one thing i am that defines me is being a nerd. These two titles don’t mesh together, at least, it never did perhaps 30 years ago, when rap was in it’s peak. The most superficial thing to do is to test my skills, and many are shocked at the way I could spit. Most would see it as a gift, something I just have a knack for, and i’d beg to differ. I was never much of a creative fellow; I stuck to the books most my life. I am a very articulate and organized creature of habit, so it never occurred to me that this may just be a talent. I’ve always viewed rap as something easy that can be taught and something everyone could get and do. Many don’t, and it isn’t the most formal thing to be taught formally. This is my attempt to do so.
In rap; the subsect of poetry to rhythm; there are three main components. These things only allo one the ability to rap; not what it takes to be a rapper. Being a rapper involves much more, like background, personality, homefront, themes and variations of poetry, style, and the business like. What I intend on focusing on is just being able to rap; not the development cycle of a rapper. These three components are all important. Some rappers can succeed with just 2 out of 3 of these components. Flow. Lyricism. Delivery.
Just to site some examples:
Flow & Lyricism: Joe Budden; Childish Gambino; Hopsin; The Palmer Squares.
Flow & Delivery: Meek Millz; Rick Ross; Lil Wayne; Wiz Khalifa.
Lyricism & Delivery: Immortal Technique; Fort Minor; Common; Grandmaster Flash.
Not many can conquer all three successfully, but many show individual occurences of such. These are the rappers you know the most; not just off of radio play; but through tabloids and other business endeavors:
Flow, Lyricism, & Delivery:EMINEM; Kanye West; Drake; The Notorious B.I.G; Big L; Big Pun; Big Daddy Kane… JUST TO NAME A FEW.
But each component can be identified, described, taught, and utilized to the users preference. The combination is up to you. Many start off at Lyricism & Delivery (not to say it’s bad because that’s where many start). Slowly, it develops into Flow & Lyricism. Once it is mastered, Flow & Delivery is easily intiated. Being able to combine all three is at the listeners choice. I will explain all of them in one nutshell, and you decide which component is which.
Rap contains bars, which are lines of rap. More than likely, bars end with direct rhymes. Ex: Bat; Cat.
These are direct rhymes. The words sound exactly the same, except for the first sound starting the word. Usually, these words are spelled exactly the same as well.
There are slant rhymes. Slant rhymes are rhymes where you need to “bend” the words, as Eminem said on 60 Minutes. He takes a word that people perceive do not have direct rhymes for and bends it. Bending the word would be to take the word and alter the sound of the syallable that you want to rhyme. EX: Orange, Doorhenge, Four Inch, Storage, George, Porridge.
With Orange being the first word, every word would be bent to sound as such. Notice that “George” only has one syallable. You could also stretch the word to have the same amount of syallables, that way the rhyme is more tighter. Say “Jor-Ige” (George).
You could also take a word and break it down by the vowel sound it coordinates with. Take the word “Coordinate.”
Coordinate: O-Eh-A
Now you could use those vowel sounds to find words that rhyme with those vowels instead of thw word. You expand your vocabulary this way. You could also omit the middle vowel sound and you will still get a coherent rhyme.
Coordinate: More to hate, Pourous State, Open Gate, All au fait.
Rhymes can start at the begginning of the word or the end. Take the word “Begin.” There are two syallables: “Be” and “Gin”. You could now find words that rhyme with only one of the syallables.
Be: See, She, Lee, Key, Deem, Free, Tee, Me
Gin: Win, Bin, Grin, Fin, Chin
You’ve expanded your rhyme scheme, which is the reoccuring rhyme in a series of bars. These individual syallables can be used to open up transitions from one rhyme scheme to the next.
Using all these ways to create rhymes, this develops your flow.
Begin: As I begin to see sin, my teeth grin, eyes deepen to the seats end, eyes twinklin’, my dear friend.
When you read it out loud, you hear a pattern. The way the bar floats through time is your flow. Flow is the way you SPEAK your rhymes, not how you put your all in them. Flow is a measure of time revelant to rap. Some have fast flows, called “chopping”. EX: Tech Nine. Some have slow flows. Ex: A.S.A.P Ant. Some have steady flows. Ex: ANY OLD SCHOOL RAPPER. Flows can be interchangeable, as well as mastered and known for, even imitatable. You know a “Drake” flow when you hear one. It’s different than a “Ol’ Dirty Bastard” flow.
When it comes to rap, you must be talking about something. You could string rhymes together ad make them sound nice, but concept and topic is very crucial. Most of the time, these things we talk about are personal things, like the lives we live. But the lives we live are very crazy and unpredicatable. Often times, we don’t have the rhymes to be able to describe something as grand as the life we perceive. That’s why most rap is always about the same thing: money, clothes, and hoes. It’s easy to talk about because it’s something we all have and all want. This is why these components cannot survive perfectly amongst each other. We will either weave words, sound good but say nothing; or say something and sound good, but the words are basic; or say something and weave our words, and leave the crowd wanting more ENERGY.
Our energy is delivery. In mainstream rap, this is one of the most important components. This is the emotion we put in. Rap is special, because its a form of music you must understand in a certain way to be able to appreciate it. But emotion is understood at the listeners discretion, and is often interpretated in different ways. That being said, it is a universal language. And to master it is vital to rap. Someone may not understand your words, but will still understand how you feel. This is why mainstream rap is so… mainstream. It’s easily identifiable.
I rap. I wouldn’t know how to define myself as a rapper, but I do follow these components. Not because must, but because I cannot rap, nor can anyone else, without them.
Recent Comments