Christine de Pizan is an author whose best known work, The Book of the City of Ladies, attempts to destroy the argument that women are weak and useless creatures by building an entire city on the exploits of great women who came before her. She uses an argumentative strategy where she highlights in these women the very qualities they were reputed not to have. One such woman is Queen Dido, who is depicted by great male writers such as Virgil in the Aeneid as a great force of nature who loses herself in her passions, particularly in her love for Aeneas. Pizan chooses to attack the traditional image of Dido by emphasizing her unmatched ability to outwit her perceived enemies.
Pizan’s Dido is a master in various forms of cleverness. In her main example of Dido’s ability to plan and act out feats of great cunning, Pizan explains how Dido maneuvers to prevent Dido’s brother, Pygmalion the king, from stealing the great wealth of her husband, whom the king has murdered. Dido always anticipates Pygmalion’s actions and reacts in such thoughtful and clever ways that she thwarts his efforts at every turn. It is as if he can read into the heart of this horrible person. When she decides to leave her native town and go somewhere else, she realizes that the king will have her chased down and she schemes accordingly to remain alive and to keep her husband’s fortune.
Later, when she has arrived in Africa and managed to win a vast parcel of land for her people with the great cowhide trick, Dido learns that Pygmalion is chasing her again. She doesn’t defeat him again with her superior army but with great planning and strategy. She knows she needs people by her side, so she gathers her people and tells them her plan. Everyone agrees to stay by her side because she is loyal and persuasive. She acts very cleverly and wins over her brother. This description of Dido as a clever, level-headed is a wonderful opposition to the depictions by Virgil, Dante, and others.