“Tendrils of ivy curled around the cave’s mouth, The glossy green vine clustered with berries. Four separate springs flowed with clear water, criss-Crossing channels as they meandered through meadows Lush with parsley and blossoming violets. It was enough to make even a visiting god Enraptured at the sight” (Book 5, Lines 72-78).
When I first read this excerpt from Book 5, there was something about it that made me want to go back and reread it. So, when I reread it, I realized how much alliteration is used in these lines, such as, “glossy green” and “meandered through meadows.” Stanley Lombardo specifically chose these words when he translated the text to enhance the imagery of the cave. Even though it is the cave where Calypso (Odysseus’ imprisoner) resided, it is illustrated in a way that beautifies the setting. The ivy is described like hair that surrounds the mouth of the cave; the springs are described as flowing with clear water, and the vegetation is described as lush and blossoming. In addition, Lombardo’s diction evokes positive and peaceful connotations. Glossy, clear, and meadows are all examples of words that have positive connotations. These imageries and choice of diction work together to create a sense of calmness, serenity, and an almost paradise, even though it is also the same setting where Odysseus was held captive.
Lombardo’s translation of this passage in The Odyssey connects back to the epic’s overall theme and depiction of the gods and goddesses. Even though Calypso is part of the reason why Odysseus cannot return back to Ithaca, because she is a goddess, her cavern is not described with negativity, instead it is described with beauty. Her dwelling is so captivating, even other gods are enchanted by its aestheticism. Also because she is a goddess, as opposed to god, her home is described with more serene words, as opposed to the more rugged words that describe Zeus and Poseidon, i.e. lightning blast and Earthshaker. In addition to this, this excerpt relates back to one’s home being one’s greatest preference. Similar to how Telemachus preferred Ithaca’s rocky scape to Sparta’s rich and wealthy land, Odysseus was surrounded by all of the beauty and nature on Calypso’s island, but still desired to go back to his home in Ithaca. No matter how great another land is compared to one’s home, one’s home is always more desired in comparison.
Hi Fean,
I think you’re absolutely right that Lombardo uses sonic effects like alliteration to echo, in the sound of the verse, the beauty of the scene. Your point about Odysseus’ preference for home (over this space of eternal beauty and pleasure) resembling Telemachus’ preference for rocky Ithaca over wide, spacious Sparta is excellent. Are *any* purely lovely spaces, in this text, depicted as spaces that the central characters think of as “home”? Something to track as we read.
LK