Manhattan to Queens

Inside the subway car, it is warm and stuffy, and so humid you could almost drink the air. The speckled black floor is sticky against the soles of my shoes, which peel away like duct tape every time I move my feet. Someone must have spilled coffee in here earlier in the morning, because every now and then, a dank whiff of hazelnut rises in the thick air. It mixes with another scent—danker, and sour.

The woman across from me is talking to the person on her right. She has been talking since I got on the N train at 23rd Street, but the other person has not said a word. Her voice is high and pierces through the low music beating in my earphones. I can hear most everything she is saying, but I don’t understand it. She speaks Italian, quickly and with a natural fluidity. Even though I took Italian in school, I cannot follow, though I wish I could.

Soon the train rumbles through the tunnel that connects Manhattan to Queens, moving faster than it moves at any other part of its journey. The train makes a loud racket that drowns out all other sounds, including the woman’s passionate conversation. I read her lips as she swears to herself in English and throws up her hands at the clamor, waiting for the noise to cease so her conversation may continue.

There is a man beside me taking up much space. His legs are spread wide, and he is well-dressed. Across the subway car, in the reflection behind the Italian-speaking woman’s head, I see that he has blondish hair. He wears a light blue, buttoned shirt. His silver tie clip catches a glint of light, and I notice it for the first time. He is wearing eyeglasses, rectangular black frames that add symmetry to his face. He shifts his weight to pull something from his back pocket, and he bumps my back with his elbow as he returns to sitting. As he moves, I smell on him the culmination of a long, August day—sweat mingled with a lingering hint of cologne.

At each subway station, people are exchanged. Some depart, and new people board—young and old, tall and short, in groups or traveling on their own. I get off the train at the last stop, and my blond seatmate follows suit. I descend the stairs, and upon stepping off the curb, I step straight into a murky puddle of water from who-knows-where. The water is dirty and sinks into my shoes. As I start the walk home, I feel sweat forming on my back and neck. I want to take the bus, but waiting for it frustrates me and seems unproductive.

I reach home in twenty minutes and slide my key into the lock on the gate, which is scorching from baking in the sun all day. The dog is in the yard and jumps to greet me. His ragged nails make a trail on my skin. Together we climb the tile steps and enter the house, and I close the heavy iron door behind us.

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3 Responses to Manhattan to Queens

  1. v.vizcaino says:

    This is awesome, really. I love your descriptions, I feel like I was sitting beside you experiencing it too. It almost felt familiar. You definitely accomplished the task of allowing the reader to live vicariously through your work. My favorite sections were in your description of the man’s glasses and sweaty cologne mixture, and the subway cart exchanges. This was a great odyssey post.

  2. Wow! I absolutely love how throughly descriptive you were while telling the story of a simple subway trip, one most of us take on a daily basis. The specific remarks you made allowed me to vividly picture exactly what you were trying to portray. You also managed to include humor by mentioning the Italian woman who has been talking since you got on the train while the other person has not said a word. I appreciated your observation of how at each station people are exchanged, how some depart and some get on board. This made me picture a more general idea, one that relates to our lives as a whole. Our lives can also be compared to a subway ride, there are certain people who are part of our lives depending on the station we are in. On the other hand, there are certain people who have already been in our lives but who no longer are, they have been on the train but have already gotten off at their respective stations. This was overall a great post!

  3. Laura Kolb says:

    Hi Lillian,

    Like Viv and Vitoria, I found this piece’s strength to lie in the minute attention it pays to the ordinary process of riding the train, being around other people. The *liquids* in the piece really struck me–the smell of spilled coffee at first, echoed (near the end) but the murky puddle which also serves as a transition from the world of the train to the broader world of streets and homes. Artfully constructed. Well done.

    Prof Kolb

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