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August 5, 2019 by Gail Robinson Leave a Comment

This image requires alt text, but the alt text is currently blank. Either add alt text or mark the image as decorative. Matt Gonzales, Director, The School Diversity Project, New York Appleseed speaking at an event titled, The Harm of Segregation: Why where we live and learn matters. The October 23rd evening event took place at St. Ann & Holy Trinity Church located on Montague Street in Brooklyn.

“The curriculum taught me that white people captured me and took away my freedom. Why would I want to learn this?”

That goes through the minds of many black students as they sit in social studies class, says Jamaal Bowman, principal of Cornerstone Academy for Social Action in Co-op City.

Cornerstone takes a different approach. While many schools begin their study of black history with American slavery, Cornerstone reaches back to Ancient Egypt’s African roots. His students, Bowman told a town hall on education in the Bronx last month, learn that they “are descendants of kings and queens, not descendants of slaves. That’s a big difference.”

Parents, students and educators at the town hall are part of a larger conversation about how to make schools welcoming and relevant for all children—not just the white, middle-class ones. Equalizing resources and even integrating schools is not enough, says Matt Gonzales, NY Appleseed’s Diversity Project director. We, also, he says, “have to do deep work so all kids who enter the classroom are uplifted.”

Nelson Luna of the Bronx, now a first-year student at Columbia University, agrees that’s not currently the case. “When you don’t see yourself, you don’t feel connected and you don’t feel passionate. You feel out of place,” says Luna, a co-founder of Teens Take Charge, which organizes students to speak out about integration and other issues.

Filed Under: Commentary and reviews, Lifestyles, Uncategorized

The Growing Competitive Gaming Industry

August 14, 2018 by m.garcia9 Leave a Comment

Michael Garcia 08/08/18

 

Years ago, competitive fighting games were only played in basements of someone’s house or in arcades. Now, there are stadiums filled with thousands of fans of competitive video games while thousands more watch from home.

 

One example is the Overwatch League Grand Finals at Barclays Stadium last month which gained about 20,000 people attending and the stream peaking at around 300,000.

 

In contrast, last weekend at EVO 2018 in Las Vegas, the Superbowl for competitive fighting games gathered about 10,000 people and a peak stream of 250,000 viewers.

 

This phenomenon has only happened because of the competitive video game’s dedicated community to keep their respective games alive. With local scenes getting new releases of their games, tournaments are easier to be held by buying consoles and tvs to stay at venues for people to use every week. This then translates to accessibility for newer players, allowing for games to become more popular.

 

Eventually, popularity to play competitively became mainstream for video game fanatics who want to show their skill to rest of the world. This then lead to media giants such as ESPN and Disney to broadcast eSports (Electronic Sports) tournaments. Not only that, but in 2014, Amazon acquired Twitch, the live streaming platform that continues to be the leader in online gaming broadcasts. YouTube has also jumped into the competitive video gaming community with the creation of YouTube Gaming.

 

With the introduction of media giants, the growth of a profitable market has surged as of recent. Companies such as Geico, Microsoft, Red Bull, Intel, Coca-Cola, and more have invested in sponsoring players and teams to capitalize on the growing industry. They fly out people to all over the world to compete, along with adding money into prize pools that are already huge for whoever wins it all.

Every sport in history has been built with media companies together and these type of corporations to accelerate their growth. The same thing goes with these global and local partnerships with media and tech companies in eSports.

It’s understandable why traditional media companies would want to capitalize on this trend before it becomes the mainstream. Approximately 300 million people worldwide tune in to eSport tournaments today, and that number is growing rapidly. By 2020, that number will be closer to 500 million, according to Business Insider. Eventually, eSports is expected to accelerate to a $3.5 billion industry by 2021, according to a report from Juniper Research.

Most of this success is owed to game developers who recognize how effective competitive gaming is to profit their brand. They release patches to balance characters so the game is more fair, along with helping fund for tournaments with the money made from selling the game. It increases player engagement, lengthens the longevity of titles, expands franchise awareness, and accumulates growth of monetization for their game as a whole.

 

The next couple of years will be crucial to ow fast competitive gaming grows into a multi billion dollar business. The key factors of leagues franchising from competition are the utilization of content right sales, merchandise, team/player profitability, and the impact the game has on an amount of people.

 

As the growth and success of eSports leagues continue to rise, the production of tournaments requires thorough planning and precise detailing. Understanding conceptualizing as well as developing a business relationships with bigger corporations are only just the standard requirements for the eSports industry to grow.

 

Understanding the culture of video gaming can also have a heavy influence on the success of tournaments. With thousands of attendees and millions of viewers, bigger tournaments have thousands of dollars in prize money on the line. Investors and hosts of such events treat players as they do with traditional sports players, and use similar broadcasting tools, such as livestream broadcasting and commentating.

 

What started as friends gathering in each other’s homes or arcades has become an upcoming collection of pro gaming tournaments and leagues with legitimate teams and prizes for people to aspire to obtain.

 

So what will the future of eSports look like? How far can it go? Could it reach the mainstream like traditional sports? Whatever the future holds, eSports is on the brink of becoming a billion-dollar industry and continues to grow exponentially and it will stay like that as long as companies keep investing.

 

Filed Under: Culture and Entertainment, Featured

Are Waste Transfer Stations Evidence of Environmental Racism?

August 14, 2018 by JEREMY WILLIAMS Leave a Comment

By Jeremy Williams

The New York City council held a meeting on Thursday where they made a step towards regulating waste transfer stations in neighborhoods across the city, after two people were killed by sanitation trucks in six months.

The City Council passed bill  0157-2018-C or the “Waste Equity Bill” which will divert trash from overburdened waste transfer stations which are usually located in low income or minority dense districts. Councilman Reynoso sponsored the bill, He believes addresses environmental racism which he referred to as an “insidious method, to which historically disadvantaged communities are made to suffer because of the color of their skin.”

 Reynoso represents District 34, encompasing North Brooklyn and Ridgewood, Queens which has the highest concentration of waste transfer stations within the city.

Before the City Council passed this bill, 72 year-old Leon Clark was killed after being struck by a private sanitation truck in the Bronx, on April 27th. This bill targets dangerous sanitation trucks that recklessly speed through neighborhoods posing a risk to elderly residents. Councilman Reynoso asked the council, “How could a city that prides itself on progressive politics… possibly allow a system like this to exist.”

21-year-old Mouctar Diallo was also killed by a sanitation truck in the Bronx, on November 7th, 2017.

Councilwoman Adams, who represents the 28th District said, “The bill has admirable goals.” However she still struggled with it saying, “While this bill addresses capacity reformation… conspicuously absent are the persistent issues of air pollution, truck traffic, foul odors, and other matters that affect my quality of life and the quality of life of the people in Southeast Queens.” Adams, who did vote in favor of the bill, said that in the future she hopes for a more collaborative effort.

The councilmembers hope to approve a bill in the future that not only tackles increased truck traffic but attacks all of the negatives of waste transfer stations including poor air quality, which is especially harmful to people with asthma. Woodhull Hospital, which serves the 34th district has the highest rate of asthma related admissions across the entire city.

Expect a bill that will bring stronger regulations for waste transfer stations and private sanitation companies in the near future.

Filed Under: News, race and culture

Firsthand Accounts of Sexual Harassment

August 14, 2018 by k.wright2 Leave a Comment

By: Katelyn Wright

“For me, the abuse that I suffered—both initially and when I first tried to report him and confront him—destroyed my life,” says Jen Willems on Facebook. Willems is an advocate for the #MeToo movement.

Women from all over the world have experienced mistreatment from men. Catcalling, harassment, sexual abuse, rape, and disrespect.

Jolie Joyce, 16, from Astoria shares her experience with catcalling. She was walking home and a man made kissing sounds at her. She told him to leave her alone and he got defensive. The man said, “Cover up if you don’t want attention.”

Madisyn Guerrero, 14, from Jackson Heights says she is disrespected by men constantly. Once, she dropped her boyfriend home at 97th Street near Junction Blvd and was waiting for her dad to pick her up from a store. A man started saying vulgar things and grabbed his private parts in front of her. She was disgusted and flipped him off.

Another time, Guerrero was waiting to get ice cream from Mr Softee and she wasn’t wearing a bra. A strange man started staring down at her and began to nod his head at her. She said, “You’re disgusting” and left the line.

Dianna Gainza, 36, witnessed her white friend (who is the same age) being sexually harassed. They were at a club in Atlanta. The club was mostly filled with African American and Latino men. Her friend, Jess, had her butt smacked and grabbed by an African American man. She confronted him and he said, “So what? What are you going to do about it? Keep moving along if you don’t want problems.”

Jess felt defeated and helpless. She cried the entire night and refused to go to the club ever again. However, Gainza and her other friends—who are Hispanic and African American—did not receive any disrespect from men at the club. Therefore, in this scenario, did race play into this harassment?

Monica Guerrero, 26, says that she was walking home one day when a guy on a bike came her way. He grabbed her butt and she pushed him off the bike. She began cursing him out in Spanish and he ran off with his bike.

Any woman, despite their race, age, and looks can be mistreated by men. It is very common and the #MeToo movement is bringing awareness for these women who are continuously objectified and sexualize. It has been occurring for too long and there are steps being taken to bring hope to those who feel mistreated and alone.

Filed Under: Featured, News

Art Installations Beautify Parkchester Library in the Bronx

August 14, 2018 by Jenna Song Leave a Comment

By: Jenna Song

Parkchester, Bronx – The Parkchester Library’s outdoor courtyard is being transformed this summer by vibrant art installations made by library patrons on Sundays and Mondays through the free “Art in the Air” program.

Just months ago, when people visited the library, all they saw was a bland courtyard with a large brownish T-Rex, kangaroo and tortoise statue. Now, they will notice a vibrant courtyard filled with colorful crocheted flowers knotted onto fences; knot balls and large knitted rectangles wrapped around columns; macrame braided and knotted in diamond patterns on tree trunks; vines of ivy hanging from the second floor balcony just above the library entrance; and various crocheted, knit, marcramed, and knot patterns covering the statues.

According to local artist Ruth Marshall who runs the program, the main purpose of the creative art installations is to showcase public art created by the community for its enjoyment. The program is open to people of all ages, genders and skill levels.

Nina Maness, a librarian who runs adult programming at the Parkchester Library, has seen people from nearby senior centers, as well as little kids attending the program. She was surprised to see the wide range of attendees and says, “ it’s really nice to have that intergenerational type of community.”

Ms. Shep, 70, who is a regular at the program says she comes because the projects are “very easy, very simple, very stress-free…[and] it keeps my mind busy. It [also] keeps me focused for two hours and I enjoy the people.” Another regular, 11-year-old Mar, says she came to learn how to crochet and knit.

The artist herself, who teaches newcomers how to make the crafts structured around attendees’ skill levels, has noted that it is not uncommon for people to come in knowing nothing about crocheting but leaving 2 hours later having learned three or four new stitches along with making a flower.

In addition to creating and planning the projects, Marshall is also welcome to ideas from attendees, such as adding a knit pouch made by Mar, or crocheted “glasses” made by Ms. Shep for the kangaroo statue.

All of the crafts are made using a soft, durable nylon cord called paracord. The attendees choose most of the color combinations for their crafts.

According to the library’s website, “This project is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the Bronx Council on the Arts.”

Filed Under: News, The Bronx

Queens Church on Immigration

August 9, 2018 by Melissa Appenteng Leave a Comment

GAC LOGO

Immigration is a topic discussed among several platforms, such as art and scripture. It has been discussed throughout history but more so in today’s society.  

The 14-16-year-old class of the Greater Allen Cathedral in Queens, NY is preparing a skit on immigration for Sunday School.

T.W., 15, identifies as an African-American female. When asked the reason for portraying the issue of immigration in America as a skit, she said, “an immigration skit shows people what immigration’s about.” In other words, the injustices people have to go through. She hopes the skit will open people’s eyes to the injustices immigrants have to go through in America. The term ‘illegal immigrant’ upsets her, she said. “They call immigrants illegal, it’s like not fair.”  

T.S., 16, identifies as a Trinidadian-American male. He hopes the skit will change the way immigrants are treated when entering America. When asked about the effect of the term ‘illegal immigrant’ on him, he said, “It doesn’t really affect me but it affects others around me.”  

K.C., 16, identifies as a Haitian-American female. She hopes the skit will help the government see what it is doing to families. She said she doesn’t mind if immigrants are ‘illegal,’ but finds it problematic if they are also criminals.  

T.M., 15, identifies as a Jamaican-American male. He believes immigration is an important topic to discuss. He hopes the skit will help immigrants be accepted and start a new life in America. The term ‘illegal immigrant’ impacts him because it makes him “think about how we have so much and a lot of people do not and [they’re] getting taken away from their families.” He is very sympathetic toward the families ICE is separating. When asked about what he’s been told about ICE, he answered, “I feel like they’re doing an unfair thing, that people need to be able to come into this country and feel safe.”  

T.J., 15, identifies as an African-American male. He hopes the skit will be meaningful to people. The term ‘illegal immigrant’ impacts him because “if I wasn’t from here, it would be hard to get here.”  

Sister L.H, the teacher, identifies as an African-American female. She hopes the skit will “move others to action and because of the heightened awareness that a skit will bring, that they will understand that they have the power to do something.” When asked about what she’s been told about ICE, she answered, “ICE is an organization that basically patrols the border…they patrol the border in the sense that they’re the ones responsible for…I don’t want to just say apprehending people who come across the border because they should also be directing them to the proper authorities.”  

The teacher as well as the students were asked, “If you were undocumented, would you flee or would you stay and fight for you and every other undocumented person?” T.W. and T.S. said they would flee. K.C., T.M., T.J., and Sis. L.H. said they’d fight to stay.  

The students and the teacher said immigration is important to them individually. T.S. said, “On a [scale] from one to ten, probably like eight.” K.C. said, “It’s important because you know families are being separated from each other and that’s like really sad.” T.M.  said, “It’s very important because if I was put in their shoes, I would want to be [treated] the same as everyone else.” T.J. believes diversity itself is important. Sis. L.H. said, “Immigration is very important to me because I understand that most of America was built on the contributions of immigrants from different countries.” 

Immigration is a very controversial topic that can spark sensitivity within many living in America. Immigration in what it’s come to today has been made to be an upsetting topic for many. It has driven many families apart and broken many families that have been reunited. The Greater Allen Cathedral is being brave in discussing a topic so large that has many different opinions around it. They hope to make a difference in performing this skit and with that, spark greater discussion. Many live in fear of what could happen but forget that there is always now. The GAC shows the reality of it while also trying to spark hope in people. This shows determination for change and empathy for those affected. 

Filed Under: Culture and Entertainment, News, News, Queens

God Is A Woman Controversy

August 9, 2018 by Yobany Reyes Leave a Comment

by: Yobany Reyes

Singer Ariana Grande’s latest release, the song “God Is A Woman,” has caused quite the controversy among religious individuals who believe using God as a metaphor for sex and referring to God as a woman are blasphemous.

Grande makes various allusions to sex throughout the song, including, “And I, I feel it after midnight/A feeling that you can’t fight/My one, it lingers when we’re done/You’ll believe God is a woman.”

She describes sex as a spiritual experience, according to Genius,  a digital media company which lists the verified lyrics and interpretations to them.

On the controversy, Grande replied to a fan via Twitter, stating, “I was expecting it and of course understand it… but it’s art. It’s okay if not everybody understands everything I do. I’m grateful for the opportunity to be myself and inspire others to do that as well. I would rather do that than play it safe.”

According to Genius, the music video for the song includes various biblical allusions, such as Michaelangelo’s Creation of Adam, references to art, such as Auguste Rodin’s The Thinker, and references to mythology, such as the three-headed dog Cerberus, the figures Romulus and Remus, and the Pantheon, which houses the gods of Roman mythology.

The song also makes a point of rejecting misogyny and negativity with the lyrics, “(Yeah) And I can be all the things you told me not to be/(Yeah) When you try to come for me, I keep on flourishing.”

The music video includes a scene of Grande deflecting misogynistic slurs being flung at her by angry men.

Despite Grande’s use of God in her song, the song itself is not about religion. Using God as a metaphor for greatness is not uncommon in art, and has been done by popular artists such as Kanye West (who named his sixth album Yeezus, which lists a song titled “I Am God”) and Drake (who recently released the song “God’s Plan” where he says, “Might go down a G.O.D.”).

Grande’s assertion that God is a woman received significant criticism, while such assertions made by male artists go uncriticized, highlighting the misogyny and double standards Grande speaks of in her music. The usage of God highlights female empowerment that Grande advocates for both inside and outside her music.

Religion itself is open to interpretation, and Grande’s use of God is one of those interpretations.

Filed Under: Culture and Entertainment

The Remake of ‘Boys Over Flowers’ Everyone is Anticipating

August 6, 2018 by Nayely Deleon Leave a Comment

By: Nayely Deleon

When Shancai, the female lead of Meteor Garden, entered college, she never thought she would get caught up in a love triangle between two of the most popular guys at school.

Meteor Garden is a Chinese television series based on the wildly popular Japanese manga series, Hana Yori Dango, which has been made into Japanese, Korean, and Taiwanese television series. It first aired on July 9, 2018 and is available on Netflix with new episodes released each week. Over 40 episodes will be released by the end of the summer with subtitles available.

This highly anticipated drama does not fail to capture the hearts of many fans, including mine.

The show revolves around a girl named Dong Shancai who begins her college journey at the elite Mingde University where she majors in nutrition. After standing up to F4, a rich and powerful group of 4 seniors, she gains their respect and captures the leader of the group, Daoming Si’s, attention.

The show follows a Cinderella-like love story. Daoming Si, who comes from a wealthy and renowned family, risks his life to win over Shancai, who comes from a working class family.

Although Shancai is portrayed as painfully dense and is often put through various unrealistic situations, she values friendship and is protective of her friends. For example, after hearing that her best friend, Jiang Xiao You, was last seen outside during a blizzard, Shancai rushed out and spent hours trying to find her despite nearly freezing to death.

Even though not all the scenes are very realistic, this is what classifies the show as a drama. Without these dramatic scenes, the plot would be boring and dull.

The acting—although a bit overdone—is fairly impressive and makes it easy to understand how the characters are feeling. The camera angles, quality, and cinematography are also top-notch. In a must-see scene that continues to baffle me, Shancai sends a flying kick to Daoming Si’s head. The shot freezes their positions and the cameras move around them, making it seem like time has stopped.

“What I love is that—in this version—I can actually tell that the male lead really likes the female lead… He’s clearly got personality issues and doesn’t know how to communicate (not a surprise if you’ve seen the other versions), but I find myself liking him a bit more,” said a fan on My Drama List’s review section of Meteor Garden.

Some may argue that the show’s plot progresses very quickly in the first few episodes, however that “prevent[s] it from being draggy and we [are] already met with iconic scenes in just the first episode… [these changes] actually made it better,” says Gab Agar from Drama Panda.

Since the show has not finished airing, it has lots of potential and many fans—including myself—sit at the edge of our seats waiting to find out what happens next. So far, Netflix has released 20 episodes. New episodes are released Tuesday-Thursday.

Americans do not usually watch Asian dramas. Whether that is because the drama is in a different language, the plot is too traditional, or simply because the program was not produced in the U.S, people are definitely missing out.

Filed Under: Commentary and reviews, Culture and Entertainment

Injured Sluggers Return: Gary Sanchez and Yoenis Cespedes

August 6, 2018 by Russell Stern Leave a Comment

By: Russell Stern

Ailing sluggers Gary Sanchez and Yoenis Cespedes returned to their respective lineups Friday night, as the Bronx Bombers faced off against the New York Mets before a sold out crowd at Yankee Stadium. However, while Cespedes powered the Mets to a 7 to 5 victory over the Yankees, Sanchez fizzled at the plate, leaving several runners on base in key situations.

Cespedes, who was on the disabled list for 57 days with a hip and quadriceps injury, came into Friday’s game batting .255 with 8 home runs and 28 runs batted in. Normally a left-fielder, Cespedes was instead used as a designated hitter to avoid aggravating his injury. Sanchez missed 25 days because of a right groin strain but was healthy enough to catch the entire game for the Yankees. Prior to his injury, he was struggling with a .190 batting average, 14 home runs, and 41 RBI’s.

The time off seemed to only benefit Cespedes, who appeared rejuvenated and boosted the Mets’ weak offense.

Cespedes went 2 for 4 with a walk, shooting a single into right field and smacking a home run off the Yankee rookie right-handed starting pitcher, Domingo Germán.

After the game, Cespedes said he felt well and that his timing was good, according to the Daily News.

Sanchez’s performance, on the other hand, was a different story. Out of the 14 runners the Yankees left on base, he stranded six. Sanchez went 1 for 5, stroking a meaningless single while striking out swinging two times, softly grounding out to short, and lazily popping out to second. He failed to capitalize on various opportunities the Yankees had throughout the game.

After the game, Sanchez said to a reporter through an interpreter, “Definitely don’t feel good about it. Had opportunities to help my team and I didn’t help my team tonight. I’ve got to put that aside and move toward tomorrow and hopefully find myself in a situation where I’m able to do my job tomorrow.” He said that he hopes he will be able to perform well against Mets’ pitcher Steven Matz on Saturday.

Friday’s game was the 16th Yankee home sellout of the 2018 season, hosting a crowd of 47,175 people. This Subway Series game was of particular interest to New York baseball fans because Mets’ fireballing starting pitcher, Noah Syndergaard, was making his Yankee Stadium debut. Syndergaard, whose average fastball velocity hovers around 97.9 miles per hour, also recently returned from an injury to his right index finger.

Despite not pitching at his best, Syndergaard still pitched effectively, giving up only one run on eight hits and striking out four. He didn’t walk any batters, and mostly threw strikes.

In contrast, Germán had a difficult outing. In only 3.2 innings, he allowed four earned runs on five hits. Although he struck out three batters, he also walked two.

Yankees’ manager Aaron Boone commented on the young starter’s performance at a post-game press conference. “You could tell he was really struggling to find that fastball command, and if you don’t have that, you know, you’re going to be in trouble,” he said.

Boone added, however, that Germán showed potential and could develop to be a very good pitcher. He had several excellent starts with the Yankees but struggled in recent outings. On account of this, the Yankees sent him down to the minor leagues shortly after the game.

The Yankees continue their homestand against the Mets on Saturday afternoon with their right-handed pitcher Sonny Gray facing off against Steven Matz. The series concludes on Sunday with Masahiro Tanaka pitching against Mets’ ace Jacob DeGrom.

Filed Under: Culture and Entertainment, News, Sports

Is ‘Thirteen Reasons Why’ Safe for Teens to Watch?

August 6, 2018 by Melissa Appenteng Leave a Comment

Thirteen Reasons Why is a Netflix original series in which a teenage girl, Hannah Baker, commits suicide and leaves behind 13 tapes for each person she deemed responsible.

The producer of the series, Selena Gomez, has battled with both depression and anxiety in her life.

On one hand, the series is very gruesome and has trigger warnings for almost all episodes. On the other, it is very eye opening and sparks discussion for taboo subjects that need to be discussed such as sexual assault, addiction, suicide, bullying, sexuality, gangs, criminals, the justice system, peer pressure, PTSD, anxiety, depression, mental disorders, relationships, friendships, grief, intervention, recovery, and racism. The show sheds light on these subjects by presenting them in a sort of in-your-face manner.

It is no secret that the episodes can be upsetting to some, but it is the viewer’s job to determine whether or not to keep watching as well as which episodes to skip (if any). The writers and producers of Thirteen Reasons Why have repeatedly advised both young and old viewers not to binge, but to take breaks between episodes.

Anyone below the age of 14, anyone with severe depression, victims of sexual assault experiencing PTSD, anyone who does not like serious topics discussed onscreen, anyone autistic, anyone homophobic, and/or anyone with severe anxiety, should not watch the show for their own safety.

Each season consists of 13 episodes and because there is a small amount of episodes and a large amount to discuss, many upsetting things, both verbal and visual, are packed into one episode. In the second episode of Beyond the Reasons, a piggyback series off Thirteen Reasons Why, the meanings behind the episodes and the purpose of scripting them the way the writers did was a major discussion. There were also professional psychologists on the writing team because the writers needed help to figure out what was okay to script and what was not.

Triggers were also discussed during Beyond the Reasons because copycat suicides are a risk. However, the creators were trying to open people’s eyes and get them to understand that there is absolutely “nothing glamorous about suicide” and it should never be seen as an option. Brian Yorkey, the series co-writer, said during an interview. He makes it known that Hannah’s death was portrayed as a painful experience and should not be repeated by anyone in any way.

The 13th episode of the 2nd season depicted a scene of an especially brutal sexual assault and a murder attempt. A character, Tyler Down was jumped then sexually assaulted in a school restroom with a mop by a group of guys on the baseball team. He then went home and gathered a few handheld weapons to put in a car before driving to the school with the intent of shooting up the dance. He’d never gotten a chance to because another character, Clay Jensen stood in front of Tyler’s gun and stopped him from entering the school. Tyler eventually surrendered after hearing Clay out.

A couple of obvious triggers in this episode are sexual assault and gun violence. Although these are concerning for viewers, there is a clear warning before the episode starts that states, “The following episode contains graphic depictions of sexual assault & drug abuse, which some viewers may find disturbing. It is intended for mature audiences. Viewer discretion is advised.”

Watching the show on Netflix will give viewers an opportunity to choose whether or not it’s in their best interests to continue watching. The show is safe for mature teens and adults that can handle the topics being depicted and discussed in the show, being that it is rated TV-MA.

However, it can be educational to watch but also worthwhile. In the first season, the story line is more of a mystery whereas the second season has more of a “law & order” story line. This eases the tension of the suicidal background and gives a more slightly entertaining side of the story to make it easier to watch while still taking in the information the way it should be.

Filed Under: Commentary, Commentary and reviews, Culture and Entertainment, Reviews

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