This semester I visited the MET museum with the intent of seeing one of my favorite pieces in the gallery, the Death of Socrates by French painter Jacques Louis David, and conducting a closer analysis of the piece. The scene shows Socrates accepting his sentence to death after being convicted of “denying the gods and corrupting the youth” in court. The painting is very dark, however we see Socrates standing out in the crowded cell draped in a white robe. As he reaches for the poison hemlock he points to the sky, possibly suggesting there is a higher power. The man at the foot of the bed is Socrates teacher, Plato, another well known philosopher also draped in white. These “enlightened” individuals are pure of mind and soul, as symbolized by the color. Off in the distance is a group of people exiting the jails after breaking in to free Socrates. It is said that he declined the easy escape, insisting he follow the rule of law and accept his fate. On the floor there lies a shackle, no longer attached to Socrates as he will soon be free of all humanly ties.
Socrates would have been an influencing figure during the time Medea and Antigone was written, in the time around 430 BCE. Socrate’s philosophical teachings about doing the “right” thing or pursuing ideals of justice are not necessarily well taught in the readings form this semester. Although, Socrates like Gawain and Othello believed their final moments to be honorable, a commonality in our readings of leading male figures. When faced with death, best not to show fear, rather accepting your circumstance and preserving your reputation.
(cannot upload my photo due to data capacity? Will email it to professor)