Author Archives: j.benson

Dreaming in Digital

The new DREAMLANDS exhibition at the Whitney is just littered with curious, multi-faceted video work, but is also a little cluttered because of it. The scope, thematically and physically, of the pieces varies dramatically, which was a lot of fun at times. I loved how Ben Coonley’s 3-D 360-degree video “Trading Futures” was experienced, as […]

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Death Ballerina / A Statement

“Death Ballerina” combines the refined elegance of ballet with the gratuitous nature of horror films. Using classic troupes of the horror genre in tandem with the suspense of a ghost story thriller, I take an iteration of ballet’s infamous “Death of the White Swan” and present it in an afterlife context. Silly, scary and beautiful […]

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Death Ballerina / Project 4

Messing around with After Effects, appropriation and a deadly dead dancer. Also, attempting to create my own “slender man” phenomenon.    

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Bloody Ballerina / A Project 4 Vision Statement

[ Click annaproposal to See Image ] My vision for the final project, at this point in time, is to explore tragedy while retaining my signature surreal, perhaps humorous, whimsy. I am currently interested in doing a piece based on the real-life murder of a ballerina named Anna Gardie, who died in 1798 New York City at […]

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“Immi-Go” Statement

By employing nationalist-centric cartoons with dramatizations of a new pretend phone application, “Immi-Go” pokes fun at the dangerous rhetoric of USA’s new president-elect.

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“Immi-Go” A New App for Trump Supporters

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Tech + Nature + Whimsy = Pipilotti Rist

I was decidedly more delighted with the Pipilotti Rist exhibit at the New Museum than Dreamlands at the Whitney. Let’s figure out why as I type. Well, certainly, Rist is pairing the human form with that of nature, as in wilderness- ok pretty obvious, let’s move on. But within that she also touches on time […]

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Capturing Attention

There were a few passages that caught my attention in the Rhizome conversation between Hito Steryl and Daniel Rourke, within the questions posed, answers given, and even in the reference points made by the two. The first point of intrigue was within a question posed by Rourke. In the title of your collection of essays, […]

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Sex and Sports / A Response to Matthew Barney’s DECLINE

The re-representation of Matthew Barney’s 1991 exhibition Facility of DECLINE at the Gladstone Gallery invokes bizarro sexual tendencies, a creep-factor, and a maleness of sorts, upon first viewing. Barney offers items I might expect to find in a locker room, or in association with football players, but covers them in petroleum jelly, among other materials, and […]

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“Time Travel Tambourine” Experiments

Enter at your own risk… EXPERIMENT #1: EXPERIMENT #2:

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